Jude gets the surprise of his life when his biological father Les shows up at his adoptive mother's house in Vermont, ready to take him to Manhattan and become a real father to him. Jude is reluctant, given his father's questionable lifestyle and his drug-dealing ways, but the prospect of re-connecting with his friends Eliza and Johnny is tempting. Jude has more reason than most to hate the way his father makes money; it's not long since the death of his friend Teddy, who overdosed after a night out; and it's made even worse now that Les is in a relationship with Eliza's rich English mother Di. He has one escape though; his passion for straight-edge hardcore punk is at an all-time high and now that he's back with his friends, he can seize his guitar and play away the angst. Unfortunately, his peace isn't very long-lasting, because Eliza has one bombshell to drop that no-one was expecting - and it's going to change everything.
Continue: 10,000 Saints Trailer
Emily Mortimer, Ewan McGregor, Dolly Wells and Alessandro Nivola - Edinburgh International Film Festival - 'Doll & Em' - Photocall at Lyceum Theatre - Edinburgh, United Kingdom - Sunday 21st June 2015
Aaron Sorkin's political drama prepares to sign off for good.
The Newsroom will come to an end after the finale of the upcoming third season, which is set to air this autumn, according to HBO, via Digital Spy. The network confirmed that the political drama would return for a third and final outing after actor Jeff Daniels first tweeted the news back in September.
Jeff Daniels Won An Emmy For His 'Newsroom' Anchor.
HBO president Michael Lombardo said in a statement: "The Newsroom is classic Aaron Sorkin - smart, riveting and thought-provoking," adding "I'm sure this farewell season will be one to remember," he added. Production for the third season is apparently underway and is expected to premiere this coming autumn.
'The Newsroom' aired on HBO on Sunday night. The season premiere attracted an audience of 2.2 million.
The Newsroom has returned for its second season. The second season's premiere aired on Sunday 14th July at 10pm on HBO. The episode gained an audience of 2.2 million viewers.
Jeff Daniels at the screening of The Newsrooms' season 2 premiere, L.A.
The second series drew 2.6 million viewers for its premiere showing on Sunday (14th July). Airing an hour after True Blood, at 10pm, the show's season premiere attracted a larger audience that its season 1 premiere last year.
Continue reading: The Newsroom Season 2 Premieres To 2.2 Million Viewers
There was a huge diversity of movie stars arriving at the annual White House Correspondents' Association Dinner at the Washington Hilton including 'Nashville' star Connie Britton, 'Homeland' star with her husband Hugh Dancy and 'Parks and Recreation' actress Amy Poehler.
Based on the Brian Selznick novel The Invention of Hugo Cabret, Scorsese's first family movie combines a young boy's adventure with a cinematic history lesson. It's a celebration of wide-eyed wonder that's a joy to watch, although the title isn't the only thing that's dumbed-down.
In early 1930s Paris, the orphaned Hugo (Butterfield) lives in Montparnasse station, where he scurries through forgotten passageways maintaining the clocks. He learned this skill from his late father (Law), but an automaton they were fixing is his only reminder of his happier childhood. Dodging the tenacious station inspector (Baron Cohen), Hugo worms his way into the life of grouchy shopkeeper Georges (Kingsley), and has a series of adventures with his goddaughter Isabelle (Moretz). When they learn that Georges is forgotten pioneer filmmaker Georges Melies, they decide to help bring him back to life.
Scorsese tells this story with bravura moviemaking trickery, from whooshing tracking shots to wonderfully inventive uses of 3D. He also peppers the screen with witty references to film history from Modern Times to Vertigo, clips from early cinema and flashbacks to the Lumiere brothers' exhibition and Melies' busy studio. Meanwhile, the main plot unfolds with a warmly inviting glow, sharply telling details and a colourful cast of memorable side characters.
Intriguingly, everyone is a bit opaque; like the automaton, the gears turn but we never really understand them.
Butterfield's Hugo may be consumed by an inner yearning, but he's always on guard, providing a watchful pair of eyes through which we see the drama, romance and slapstick of the station. And it's in these details that Scorsese and his cast draw us in. Standouts are Baron Cohen, who adds layers of comedy and pathos to every scene, and McCrory (as Mrs Melies), with her barely suppressed enthusiasm. As usual, Kingsley never lets his guard down: he invests this broken man with a bit too much dignity.
As the film progresses, the passion for the movies is infectious. Scorsese's gorgeous visual approach and writer Logan's controlled cleverness never overwhelm the human story. And even if Melies' life and Paris' geography are adjusted for no real reason, the film's warm drama and delightful imagery really get under the skin, making us fall in love with the movies all over again.
Hugo is a twelve year old boy who lives in Paris and loves mysteries. One day, in 1930, his father presents him with a wind up figure. His father tells him it's a music box that a magician probably built. The only thing missing is the key used to wind up the music box. The keyhole is in the shape of a heart. Hugo and his father want to find the heart shaped key - whose whereabouts is a mystery - so they can make their music box work.
Continue: Hugo Trailer
Global daredevil Axelrod (Izzard) has challenged the world's fastest cars to a three-part grand prix, so rally champ McQueen (Wilson) heads to Tokyo with his pal Mater (Larry) to take on rival F1 racer Francesco (Turturro). But Mater obliviously stumbles into a sinister international espionage operation, mistaken for a spy by British agents Finn and Holly (Caine and Mortimer). As the competition continues to the Italian Riviera and London, McQueen frets that he has insulted Mater. But he's actually entangled in a mission to stop a mysterious villain from blowing up the racers.
Continue reading: Cars 2 Review
Vince and Joyce (Garcia and Margulies) have a tempestuous but loving marriage, even though Vince has a couple of very big secrets. But then so do their son and daughter (Miller and Garcia-Lorido). First up is the fact that Vince has an adult son from an earlier relationship, Tony (Strait), whom he invites to live with the family without telling anyone who Tony really is. Including Tony.
Vince is also secretly taking acting lessons, and a fellow student (Mortimer) encourages him to go for a big audition. Which might be one secret too many.
Continue reading: City Island Review
Occasionally even close families keep secrets from one and other, the small white lies that most see as a necessary evil to keep a close bond and family dysfunctions at bay, but when these secrets inevitably come out, they cause more problems than they should.
Continue: City Island Trailer