Emilie De Ravin - 2015 G'DAY USA Gala featuring the AACTA International Awards presented by Qantas at Hollywood Palladium - Arrivals at Hollywood Palladium - Los Angeles, California, United States - Saturday 31st January 2015
Emilie De Ravin - Photos from the El Capitan Theater as many stars attended the Season 4 premiere of ABC's American fairy tale drama 'Once Upon A Time' in Los Angeles, California, United States - Sunday 21st September 2014
Tyler (Pattinson) is a 21-year-old student who still hasn't recovered from the suicide of his big brother six years ago. He devotes himself to his little sister Caroline (Jerins) and rebels against their wealthy father (Brosnan). When he's brutally arrested by a cop (Cooper), his chucklehead flatmate (Ellington) suggests that he get even by dating the cop's daughter Ally (de Ravin), a fellow student. It turns out that Ally also has a personal tragedy in her life, and of course they fall in love as they try to sort out their issues.
Continue reading: Remember Me Review
That's the rub, folks: Brick, as best as you can describe it, is a postmodern mashup of a '90s teen drug drama and a '30s noir. The setup is quite straightforward: A girl named Emily (Emilie de Ravin) is dead, and her ex-boyfriend Brendan (Joseph Gordon-Levitt, who apparently can't get enough of the indie scene now) wants to find out what happened. He suspects foul play, and he launches an investigation, much like some renegade gumshoe might do, always evading the watchful eye of the chief. Only here, there's no chief, just a principal (Richard Roundtree, of all people). With the help of a brilliant colleague -- er, classmate -- Brendan starts digging into the underworld, such as it exists in a world of letter jackets and parking lot brawls. (Indeed, for all the talk of highschool, not a single class is actually attended in Brick.)
Continue reading: Brick Review
Wes Craven's brutal 1977 micro-budgeted The Hills Have Eyes was a post-hippie scream of horror, both at the collapse of the youth-led revolution and the dreadfulness of the Vietnam War. Craven turned his eye to home, to the desolate stretches of vast American desert where he could posit a family of bloodthirsty mutants preying on those who stumble onto their fallout abode, and it could almost (almost) seem plausible. With a world of misery at large, how strange would it be to find murderous maniacs in our own backyard? Sure, the original film suffers from some notably outré moments and jagged pacing, but Craven succeeded in bringing a grimly gleeful sense of humor to what was essentially a Texas Chainsaw Massacre riff.
Continue reading: The Hills Have Eyes (2006) Review
Before triangulating the discombobulating mystery that anchors Lost's first 24 episodes, it is necessary to acknowledge the brilliance of the program's premise. An aircraft traveling from Sydney to L.A. crashes, and part of the plane lands on an island somewhere in the South Pacific. Several survivors emerge from the wreckage to take pole positions as the show's cast, and slowly but surely, as some semblance of society is established, we get flashbacks into their previous mainland lives. This design leads to situations such as this: Jack (Matthew Fox) is falling for Kate (Evangeline Lilly). However, as dramatic irony would have it, the viewers know that Kate was actually a gun-wielding fugitive in her pre-island life. Watch out, Jack! This conceit of letting the audience in on the characters' secrets while they mingle obliviously with each other is Lost's greatest power. Nevertheless, creator J.J. Abrams was not content with just that.
Continue reading: Lost: Season One Review