Embeth Davidtz

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Baby2Baby Gala

Embeth Davidtz - A variety of stars were photographed as they arrived at the 2014 Gala held by Baby2Baby which is a charity that provides low income children with basic necessities. The 2014 gala was in honor of American actress Kate Hudson and was held at The Book Bindery in Los Angeles, California, United States - Saturday 8th November 2014

Embeth Davidtz
Embeth Davidtz

Video - Pharrell Takes His Hat To 'The Amazing Spider-Man 2' NY Premiere - Part 3


'Happy' singer Pharrell Williams and his famously large hat were spotted amongst the crowd at the New York premiere for 'The Amazing Spider-Man 2' alongside various other actors from the movies.

Continue: Video - Pharrell Takes His Hat To 'The Amazing Spider-Man 2' NY Premiere - Part 3

The Amazing Spider-man 2 Review


OK

As with the too-early franchise reboot in 2012, this sequel struggles to balance the demands of a teen romance with a superhero blockbuster. The interpersonal storylines are sharply written and skilfully played by the gifted cast, but the eye-catching effects sequences feel like little more than a shiny distraction. Action fans will love the way digitally animated Spidey swings more realistically than ever down the streets of New York, but the fact remains that these scenes are cartoons. And a new template is badly needed for this genre.

It kicks off as Peter (Andrew Garfield) nearly misses his high school graduation to save the city from another crazed nutcase. His girlfriend Gwen (Emma Stone) is fed up, and then crushed when Peter breaks up with her because he's worried about her safety. So she considers taking a place at Oxford University to get away. Meanwhile, Peter is also trying to understand the truth about why his parents (Campbell Scott and Embeth Davidtz) left him to be raised by his Aunt May (Sally Field). But he's interrupted from all of this by the arrival of old pal Harry (Dane DeHaan), back in town to inherit the family business from his dying dad (Chris Cooper) and in need of moral support from Peter.

In each of these three plot strands, Peter faces a significant dilemma that's beautifully played by Garfield as a cheeky, good guy who worries about the darkness all around him. And there's also a nefarious side-plot trying to take over the movie, as nerdy technician Max (Jamie Foxx) is transformed by an electric shock from Spider-man's biggest fan to a spark-emitting villain called Electro. This shift doesn't make sense on any level, and Harry also has a sudden personality change that's badly under-explained, forcing the film into a series of huge action showdowns along with a completely irrelevant aside about two colliding airplanes that feels tacked on to up the human stakes.

Continue reading: The Amazing Spider-man 2 Review

Paranoia Review


Weak

With a strong cast and striking production values, this thriller is sleek enough to hold our interest even if corporate espionage isn't a very exciting topic for the movies. As the title suggests, the film is trying to tap into the fear that our lives are being controlled by technology. But the script never goes anywhere with this idea, instead drifting through the usual plot involving shady bad guys, dark conspiracies and plucky heroics. All of which we've seen far too many times before.

It centres on young technical genius Adam (Hemsworth), who needs cash to pay the medical bills for his ill father (Dreyfuss). Working with his pal Kevin (Till), he goes for a big promotion but is instead sacked by his boss Wyatt (Oldman). The next morning, Wyatt makes Adam an offer he can't refuse: a chance to earn a fortune by spying on chief competitor Goddard (Ford). But this new undercover job brings all kinds of worries as Adam sees shadowy nastiness lurking around every corner. He's also suspicious that a recent one-night stand, Emma (Heard), works for Goddard. And that there's a strange man (Holloway) following his every move.

Rather than explore corrupt corporate culture or the idea that technology has eroded our privacy, the filmmakers create a fairly pedestrian thriller that tries to blind us with fake techno-speak and corny emotions. The plot continually hints that it will get darker and more momentous, but it never does. All of the stakes feel oddly small, the chain of events doesn't quite hang together and the characters never feel like more than rough outlines.

Continue reading: Paranoia Review

Paranoia LA Premiere

Embeth Davidtz - Paranoia LA Premiere - Los Angeles, CA, United States - Friday 9th August 2013

Embeth Davidtz
Embeth Davidtz
Embeth Davidtz
Embeth Davidtz
Embeth Davidtz

RELATIVITY MEDIA Presents the US Premiere of PARANOIA

Embeth Davidtz - RELATIVITY MEDIA Presents the US Premiere of PARANOIA, At The DGA Theatre - Hollywood, California, United States - Thursday 8th August 2013

Embeth Davidtz
Embeth Davidtz
Embeth Davidtz
Embeth Davidtz
Embeth Davidtz

Europa Report Review


Excellent

A bracingly original approach to both science-fiction and the found-footage genres makes this eerily realistic thriller well worth a look. Director Cordero may indulge in a variety of gimmicky and manipulative tricks, but he keeps everything grounded, as it were, and his expert cast makes sure that we are drawn into the story as it progresses. Which makes the conclusion startlingly intense.

After six months in space, the feed from the Europa One mission suddenly went blank, leaving Earth to wonder what was happening in humanity's first deep-space voyage. Unknown to the mission commander (Davidtz) in Houston, the six-person crew has continued on course to Jupiter's moon Europa, where they plan to explore whether there are conditions that could support life. When they arrive, their landing doesn't go quite as planned, and their experiments reveal things they couldn't possibly have expected. They also finally get a chance to send their video footage back to mission control.

What we're watching is an assembly of this footage, taken both inside and outside the ship as they travel, intercut with the commander's comments. Cordero directs all of this exactly like scenes we've seen from Space Shuttle missions, so it looks all too real, complete with a crew of complex experts. Marinca is terrific as the soulful pilot, with the charismatic Camargo and the curious Wydra as scientists, and the cheeky Copely and the intriguingly shaded Nyqvist as mechanics. This cast of acclaimed actors really raises the bar, adding layers of interest without ever seeming to act at all.

Continue reading: Europa Report Review

Picture - Embeth Davidtz , Thursday 28th June 2012

Embeth Davidtz Thursday 28th June 2012 Los Angeles premiere of 'The Amazing Spider-Man' held at the Regency Village Theatre - Arrivals

Embeth Davidtz
Embeth Davidtz
Embeth Davidtz
Embeth Davidtz
Embeth Davidtz

Picture - Atmosphere , Thursday 28th June 2012

Atmosphere and Embeth Davidtz Thursday 28th June 2012 Los Angeles premiere of 'The Amazing Spider-Man' held at the Regency Village Theatre - Arrivals

Atmosphere and Embeth Davidtz

Fracture Review


Grim
It is hardly a reassuring sign when one of the more interesting things in a film is not even sentient. Over the title sequence of Fracture, and in the midst of some of the duller stretches (of these there are many) we see a glittering sort of Rube Goldberg contraption, all shiny metallic tracks and carved wooden wheels, where small glass balls skitter and roll in an elaborately choreographed dance. It's a beautiful piece of elegant machinery and, one hopes, symbolic of the many complex and artfully managed plot twists to come. Instead, what we're given is Anthony Hopkins and Ryan Gosling sleepwalking around each other as they navigate through one of the year's laziest films.

Fracture has no excuse to be so lazy, given the actors at its disposal and a setup that should have made this an easy slam-dunk. Hopkins plays Ted Crawford, an aeronautics engineer who's found out that his wife Jennifer (Embeth Davidtz) is having an affair with police detective Rob Nunally (Billy Burke). Confronting her at home, Crawford shoots her in the head and calmly waits for the cops to arrive. When they do, it's with none other than Nunally at the lead, who's shocked and enraged at finding Jennifer in a pool of blood and Crawford standing there as though nothing had happened. After a quickly-interrupted beating from Nunally, Crawford later confesses and even waives his right to a lawyer. When it's all dropped in the lap of assistant district attorney Willy Beachum (Gosling), the case couldn't seem more airtight, which is good since Beachum can't wait to slip the bonds of lowly civil employment for a well-paying private sector job.

Continue reading: Fracture Review

Army Of Darkness Review


Good
Part three of the Evil Dead series, Army of Darkness may very well be the only fantasy/horror movie ever made. Picking up right where Evil Dead 2 left off, Army of Darkness tracks Ash through the 14th century as he attempts to return home to the present -- and destroys the titular skeleton army along the way. Not the best in terms of gore and action, but it has Campbell's best one-liners.

The Emperor's Club Review


Excellent
There's an old cheap saying that goes "those who can, do; those who can't, teach". Professor William Hundert (Kevin Kline) would disagree. A true scholar of the Classics, this intellectual believes that there is no greater endeavor than the passing-on of knowledge, that molding a young man's life is a noble and important vocation. What Professor Hundert gets for his lofty ideals is a lesson in cynicism, and maybe humility, in this fine effort from director Michael Hoffman (A Midsummer Night's Dream), which features an exceptionally strong performance from Kline, an actor who consistently raises the level of nearly every film he's in.

It's the mid-1970s at a proper boys' prep school in DC, and Kline's Hundert encounters his first splash in the face with the cold water of life outside revered academia when he meets the father of a mischievous underachieving student. The stern dad, a brash U.S. senator, scolds Hundert: "You will not mold my son, I will mold my son". With a dose more sympathy for the kid, Hundert befriends him and watches him turn into a studying machine.

Continue reading: The Emperor's Club Review

Mansfield Park Review


Good
What is it about Jane Austen? This box-office stalwart has inspired five major film adaptations in the '90s (six counting the excellent BBC/A&E production of Pride and Prejudice in 1995).

I think I know what Austen's secret is: Her books are recent, but not modern. Her central characters have good manners and triumph over bad marriages or economic straits, instead of succumbing to their own vices or whining too much about their problems.

Continue reading: Mansfield Park Review

13 Ghosts Review


Weak
I swear Joel Silver and the boys at Dark Castle just keep making the same damn film in a nicer looking house. I can picture the gray-bearded man right now, sitting behind a desk in a plush leather chair, tapping his fingers together, trying to decide at which overtly posh location he shall strike next. The House on Notting Hill is surely on the way next.

Once again deciding to rely entirely on creepy art direction, set design, and half-assed CGI, Silver is back again at the whole "haunted house" game. Last time he handed up a haunted insane asylum (House on Haunted Hill) and a group of under- or overrated actors and said "boo." This time he hands us Shannon Elizabeth, Tony Shalhoub, Matthew Lillard, F. Murray Abraham, all sequestered in a glass house with Latin written across its walls -- oh yeah, and let's not forget the comic relief nanny (Rah Digga).

Continue reading: 13 Ghosts Review

Junebug Review


Good
Phil Morrison's Junebug is about a Chicago man returning home to North Carolina, where he introduces his new wife to his family. Curious, then, that the man occupies so little of the film. When the couple arrives in North Carolina, George (Alessandro Nivola) recedes into the background; he's absent from pivotal scenes where Madeleine (Embeth Davidtz) meets his parents (Scott Wilson and Celia Watson), his brother Johnny (Benjamin McKenzie), and Johnny's pregnant wife Ashley (Amy Adams) and spends time with them.

The choice to deny us time with George, which could be spent showing more of his relationship with his new wife, or dropping further clues as to why his brother resents him deeply, is all the more puzzling considering Morrison's (and screenwriter Angus MacLachlan's) eye for characters and detail. The Southern family is not altogether pleasant, but nor are they corn-fed caricatures; Madeleine, who is on the trip mostly to recruit a Southern outsider artist for her Chicago gallery, is well-meaning and only self-centered in the most human ways. Celia Watson masters the low-key hostility of a vaguely, perpetually annoyed mother; the family's varying degrees of wariness toward their new in-law feels right, though it's rarely articulated.

Continue reading: Junebug Review

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