Martin Joubert is a French baker living in Normandy who has a deep passion for the writer Gustave Flaubert and his masterpiece novel 'Madame Bovary', which takes place in the same town in which he lives. Soon he meets an English couple who have moved over to France to begin a new life, and of course their names are Charlie and Gemma Bovery. Joubert immediately senses oncoming disaster, especially when he notices problems in the couple's relationship. Gemma is an artist who, upon her arrival, is enlisted to help another English couple with some design work, and as fate would have it they introduce her to Patrick - who happens to be her former lover. Joubert watches as Gemma and Patrick begin an illicit affair and predicts that this is another story that's bound to end in tragedy, no matter what he does to try and stop it.
Continue: Gemma Bovery Trailer
Eva Longoria and Elsa Zylberstein - A variety of celebrities were photographed as they took to the red carpet at the 68th Annual Cannes Film Festival for the 'Carol' premiere in Cannes, France - Sunday 17th May 2015
Claudel's head character is one of immediate mystery. Juliette (Kristin Scott Thomas) sits at an airport smoking a cigarette, waiting for something, anything. Her sister Lea (Elsa Zylberstein) appears and greets her enthusiastically, even as Juliette keeps her cold composure. She begins to connect with her nieces, immediately threatens her brother-in-law Luc (Serge Hazanavicius) and makes friendly with Luc's father (Jean-Claude Arnaud). Her delicate mood even permeates a patient relationship with Lea's colleague Michel (the reliably-great Laurent Grévill).
Continue reading: I've Loved You So Long Review
This time out it's French singer-composer-actor Jacques Dutronc's turn to play the troubled master artist, recreating the final two months of Van Gogh's life, a feat which earned him the Cesar Award.
Continue reading: Van Gogh Review
The story introduces us to Thomas Cross (Furlong), who is obsessed with Internet webcams (so 1999!). One night, he witnesses his favorite gal Cathy as she is murdered while she's preparing dinner in her apartment. Yipes! The dinner preparation isn't so exciting (though Thomas is enthralled by it), but that murder certainly wakes him up. Too bad he doesn't really know where she lives, just her web URL, which the cops don't really grab on to.
Continue reading: Three Blind Mice Review
After a brief prelude, the film picks up Modigliani's story in 1919, the year before his death, at a time when modern art was flourishing in Paris. Artists such as Pablo Picasso, Diego Rivera, and Jean Cocteau haunted the cafes at night as their fame and influence spread over the globe. It is here, in a café, where Modigliani (Andy Garcia) makes his entrance, drunkenly hopping onto a table and publicly ridiculing Picasso with the question, "How do you make love to a cube?"
Continue reading: Modigliani Review
Manzor's script grafts upon this movie a Citizen Kane-type structure as it shunts us between the occasion of Napoleon's exhumation in Paris in 1840 and 20 years earlier, during Napoleon's island imprisonment. Upon his exhumation, the question is raised of how Napoleon died -- from an ulcer or slow poisoning? -- and whether Napoleon died at all -- or, as rumor has it, he foisted his butler Cipriani's body in place of his own and escaped to an anonymous life elsewhere. To find out, Heathcote questions Napoleon's mistress, Albine (Elsa Zylberstein), and the few officers who attended to him on St. Helena, as well as the British governor, Hudson Lowe (Richard E. Grant), once in charge of Napoleon's imprisonment and now reduced to an aging and disgraced wreck. Their reflections -- alternately wistful and caustic -- cue us to extended flashbacks of those island years and of Napoleon's shrewdly enigmatic persona. There is also the question of Betsy Balcombe (Siobhan Hewlett), an English merchant's daughter on St. Helena with whom Napoleon has an affair -- much to Albine's chagrin and Heathcote's too, for we're meant to believe that Heathcote's also smitten with her. But his gambit, at one point, to express his feelings to her is laughable, because it's such an obvious ploy by Manzor to bring his character to some turn-of-fate, having arrived here using voiceovers as a shortcut device and never treading the hard road of character development to earn his way.
Continue reading: Monsieur N. Review
I was debating a friend a couple days ago who wonderedaloud why no one makes movies about platonic friends.
I said, "Who would want to see a movie about a guybeing told 'Let's be just friends'?"
A similar question could be posed regarding "Metrola=nd":Who would want to see a movie about being complacent and content in suburbia?
Continue reading: Metroland Review
For the sake of perspective, this review should begin with a confession: Your critic knows little of Proust. I haven't read any Proust. Most quotes I've heard from the deeply philosophical writer have come from the mouths of people so full of themselves that the words went in one ear and out the other out of disdain for the speaker. I admit it, I'm an ignoramus on this front.
So as you come to realize that I didn't much care for "Time Regained," the French film adaptation of Marcel Proust's last novel, feel free to draw the conclusion that I haven't the slightest idea what I'm talking about.
What little I do know of Proust, however, leads me to believe if the man were alive today he would scoff at the idea that the deliberate formlessness of "Time" could successfully be adapted to film.
Continue reading: Time Regained Review
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