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Age Of Adaline - International Trailer


The Age Of Adaline


Interstellar Review


Brainy blockbuster maestro Christopher Nolan heads into deep space with this epic adventure, which is packed with thoughtful ideas and big emotions even if the plot wobbles badly in the middle. But although it ultimately feels somewhat forced, the film is still a mesmerising exploration of parenthood and survival, bending time and gravity in ways that keep our brains spinning. And the seamless visual effects combine with some wrenching performances to make it unmissable.

It opens in a future America where a desperation for food has overtaken the need for technology and innovation. Which is a problem for Nasa pilot Cooper (Matthew McConaughey), who is now working a massive corn farm that he runs with his father (John Lithgow). Then Cooper and his daughter Murph (Mackenzie Foy) discover a gravitational anomaly that leads them to a secret base run by father and daughter scientists Brand and Amelia (Michael Caine and Anne Hathaway), who are looking for a new home planet for humanity since Earth is dying. So Cooper joins up and heads through a wormhole with Amelia and crew (Wes Bentley and David Gyasi). Meanwhile, Murph (who grows up to be Jessica Chastain) gets involved in the project back on earth, wondering if her dad will ever return home as he promised.

The first act of the story is a beautiful depiction of yearning for discovery, that innate curiosity that drives people to do crazy things in the hopes of pushing the humanity forward (or in this case, saving it). Nolan directs this section beautifully, with sharp editing propelling the story out into space with real energy and passion. But once they begin visiting other planets, there are some extended episodes that feel oddly contrived, including an encounter that leads to unexplained violence, explosions and melodrama. These kinds of things undermine the characters' motivations to the point where the audience just has to take Nolan's word for it and ride it out, even as the underlying ideas begin to lose their weightiness.

Continue reading: Interstellar Review

Video - Christopher Nolan Joins The Cast Of 'Interstellar' At The NY Premiere - Part 2


Picture - Ellen Burstyn - Photo's of... New York City United States, Monday 3rd November 2014

Ellen Burstyn - Photo's of the stars as they arrived at the New York premiere of Sci-Fi action movie 'Interstellar' held at the AMC Lincoln Square Theater in New York City, New York, United States - Monday 3rd November 2014

The Calling Review


Dark and haunting, this Canadian thriller has an offhanded style that balances a grisly mystery with real-life humour, plus characters who are easy to identify with. It may spark memories of Fargo with its snowy small-town female cop storyline, but it's a much moodier movie, delving into religious themes that add an emotionally unsettling twist. So even if the plot itself feels somewhat straightforward and inevitable, the atmosphere is riveting.

Susan Sarandon stars as past-her-prime police officer Hazel, using sardonic humour to get through each uneventful day. Then a family friend is violently murdered, and she decides to investigate the case herself. To tackle the first murder in Fort Dundas in four years, Hazel teams up with long-time colleague Ray (Gil Bellows) and newcomer Ben (Topher Grace), who has just transferred in from big-city Toronto, complete with his own issues. They soon link the killing to others around the country and, by consulting with a priest (Donald Sutherland) who's an expert in Latin, it becomes clear that these murders are part of a much greater plan that has a connection with early Christian mysticism. The question is whether they can predict who the next victim will be so they can catch the killer.

Director Jason Stone and writer Scott Abrahamovich draw the audience in with carefully developed characters and hilariously spiky interaction, then grab onto us with the intriguing mystery. There's a dark sense of foreboding from the start, tempered with dry wit to keep us off balance. They also let us see the soft-spoken killer (Christopher Heyerdahl) early on, which further complicates the story and elevates the suspense into something darkly personal. At the centre, Sarandon gives a wonderfully sassy performance, bouncing superbly off of Bellows and Grace, who has some subtle depth of his own. The presence of veterans like Burstyn (as Hazel's ex-judge mother) and Sutherland adds extra oomph.

Continue reading: The Calling Review

Picture - Ellen Burstyn - The Cinema... New York City New York United States, Tuesday 22nd July 2014

Ellen Burstyn - The Cinema Society And Montblanc host the premiere of Lionsgate And Roadside Attractions' 'A Most Wanted Man' at the Museum of Modern Art - New York City, New York, United States - Tuesday 22nd July 2014

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