Shakespeare's Scottish play returns to the big screen with earthy energy, visual style and roaring performances. Acclaimed Australian filmmaker Justin Kurzel (Snowtown) takes an artistic approach that makes terrific use of sweeping landscapes and harsh weather, which allows the cast to put their guts into their roles. Yet while the film looks absolutely amazing, the sound mix is so muddled that anyone unfamiliar with the play will find it difficult to follow.
Michael Fassbender plays Macbeth, an 11th century general who has just triumphed on the Highland battlefield but is struggling internally after he and Lady Macbeth (Marion Cotillard) lost their infant child. So when three witches tell him that he is destined to become king, his wife encourages him to make it happen sooner rather than later. In secret, Macbeth murders King Duncan (David Thewlis) and pins the blame on his son Malcolm (Jack Reynor), who flees in fear, raising suspicion. Now on the throne, King and Queen Macbeth are overwhelmed by paranoia about any hint of a threat to their power, raising distrust of loyal friends like Banquo (Paddy Considine) and Duncan's defender Macduff (Sean Harris). Meanwhile, Malcolm has raised an army in England and is coming back to claim his title.
This is one of Shakespeare's bleakest, leanest plays, and Kurzel gives it an intriguingly expansive tone by setting most of the action outdoors in the elements rather than in shadowy castle corridors. In addition to adding a gritty, muddy kick, this allows the battle sequences to take on a Lord of the Rings-scale intensity. So the effect of this violence on the characters is that much more resonant. Lady Macbeth turns inward, tormenting herself in an extended dream sequence, while Macbeth goes the other way, killing anyone who seems even remotely shifty. But of course they also understand that their ambition and guilt are causing these extreme reactions.
Continue reading: Macbeth Review
Adopting a deliciously groovy vibe, Guy Ritchie turns the iconic 1960s TV spy series into a flashy action-comedy. There's absolutely nothing to this frothy romp, but it's packed with hilarious characters and lively action scenes that continually surprise the audience with inventive twists on the genre. And it just might turn the suave, fast-talking Henry Cavill and the brooding, engaging Armie Hammer into A-list stars in the process.
It opens in 1963 East Berlin, where ex-con CIA operative Napoleon Solo (Cavill) is trying to help sexy mechanic Gaby (Alicia Vikander) escape to the West, chased by his nemesis, KGB agent Illya Kuryakin (Hammer). Gaby's father is a nuclear scientist on the verge of selling his secrets to a rogue Italian billionaire couple (Elizabeth Debicki and Luca Calvani) so, even though the Cold War is raging, the CIA and KGB decide to cooperate on the mission. This means that rivals Solo and Illya must work together as they travel to Rome with Gaby, making contact with British agent Waverly (Hugh Grant) and Gaby's creepy uncle (Sylvester Goth). And of course, there are unexpected wrinkles along the way.
As always, Ritchie cleverly subverts each set-piece, letting chase scenes unfold in carefully staged but enjoyably inventive ways, often putting the real action in the background while the characters act as if they're above all this nastiness. As popcorn entertainment, this is first-rate, with a cast that's more than up to the challenge. Cavill is particularly smooth, a Bond-style spy who seems unable to resist seducing every pretty woman he meets. Hammer's role is pricklier, since Illya never quite relaxes, although his petulance makes him just as likeable. Their interplay is snappy and often very funny but, unlike Ritchie's similarly toned Sherlock Holmes movies, this strains to avoid being a bromance. Solo and Illya continue to spy on each other right to the end, maintaining their Cold War distance even as they team up to save the world.
Continue reading: The Man From U.N.C.L.E. Review
Elizabeth Debicki and Alicia Vikander are the leading ladies of forthcoming spy comedy 'The Man From U.N.C.L.E.', and recently revealed a little more about what the ladies went through will preparing for the movie; including learning to drive and the all important costumes.
Continue reading: The Man From U.N.C.L.E. - Alicia Vikander & Elizabeth Debicki Interview
When two different climbing parties set out on the expedition of their lives, they knew there would be dangers; however, no-one could prepare them for the tragedy that was in store. Reaching the summit of Mount Everest in Nepal is every passionate climbers dream, but this isn't a trip to take lightly. Such altitudes and temperatures are not meant to be experienced by human beings as frostbite and altitude sickness are almost inevitable perils, not to mention falling, strong winds and, of course, avalanches. As fate would have it, these climbers are about to run into one of the worst snowstorms ever documented as an earthquake hits the nation and mother nature has no mercy. Victory turns to catastrophe in an event that will change the lives of the survivors.
Continue: Everest Trailer
America and Russia have never seen eye to eye, but they do have some of the best government spies the world has to offer. Now's the time to put their differences aside in a bid to fight the real enemy - crime - as an international organised gang find themselves in possession of an atomic bomb powerful enough to kill billions. Napoleon Solo and Illya Kuryakin, American and Russian agents respectively, are thrust together as a team to hunt down the criminals and save the world, returning the destructive weapon to the CIA. However, predictably, it's not the most comfortable of duos, but perhaps these competitive professionals can use their animosity usefully, because they're about to face off against some unlikely and dangerous suspects.
Napoleon Solo and Illya Kuryakin are American and Russian government agents respectively - and an unlikely team given America's long history with the European nation. Unfortunately for them, whether they like each other or not, they have no choice but to band together to save the world from a deadly threat. A criminal organisation with global membership have managed to get their hands on an atom bomb with which they could destroy billions of lives, so they have to investigate to ensure it's returned safely to the American government before anyone can get hurt. Along the way though they meet some unlikely suspects, including femme fatale Victoria Vinciguerra, and team up with another feisty agent named Gaby Teller. They are willing to do anything to succeed in their mission. They have the skills to save the world. They are U.N.C.L.E.
Some people get a once in a lifetime chance to make history. Some people, unfortunately end fining themselves part of events that live in infamy. Such is the story of the people who attempted to climb the highest mountain in the world, Mount Everest, in 1996. Their story would later be referred to as the 1996 Mount Everest disaster, as two competing expeditions were caught on the mountain by a horrific storm, leading to the most terrifying events on the mountain until that point. This is the story of those climbers.
Continue: Everest - Teaser Trailer
After a long, hard battle, a Scottish Thane learns of a prophesy that will change his life forever. Macbeth (Michael Fassbender) is confronted by three witches, who inform him that he shall one day be king, and that no man born by a woman shall ever kill him. When another of their prophecies comes true, he confronts his wife (Marion Cotillard), who convinces him that he must murder King Duncan (David Thewlis). From there, Macbeth falls into the darkest depths of the human soul, as he betrays those he loves for power, and abandons his friends for the love of prophesies.
Continue: Macbeth - Teaser Trailer
Throughout the early 1960s, the Cold War was in full swing. Two agents, one from Russia and one from America are at each other's throats throughout the conflict. Napoleon Solo (Henry Cavill) is a CIA agent, known for his suave and womanising nature. Illya Kuryakin (Armie Hammer) is a KGB known for his brutality and deadly efficiency. When a criminal organisation sprouts from former Nazi soldiers, Russia and America temporarily put aside their differences to find a solution to the problem. Unfortunately, getting the two men (who have made a career out of trying to kill one another) to work together, may not be as easy as it seems.
Continue: The Man From U.N.C.L.E - Teaser Trailer
The Man From U.N.C.L.E looks pretty awesome.
The first trailer for Guy Ritchie's take on the iconic 1960s spy series The Man from U.N.C.L.E has rolled out online and the British filmmaker appears to have made a movie - or at least attempted to make a movie - that is stylish, humorous and action-packed.
Henry Cavill replaced Tom Cruise in The Man From U.N.C.L.E
In the big-screen adaptation, Henry Cavill plays Napoleon Solo, a slick American spy who teams up with Russian Illya Kuryakin (Armie Hammer) to stop a rogue organization that is fully nuclear equipped. The duo's only real lead is the daughter of a vanished German scientist who is key to infiltrating the shadowy organization. They now face a race against time to save the world - which just sounds awesome, doesn't it?
Continue reading: First Look At Guy Ritchie's 'The Man From Uncle' [Trailer + Pictures]
Elizabeth Debicki - 2015 G'DAY USA Gala featuring the AACTA International Awards presented by Qantas at Hollywood Palladium - Arrivals at Hollywood Palladium - Los Angeles, California, United States - Saturday 31st January 2015
Baz Luhrmann (Moulin Rouge) is the perfect director to take on F. Scott Fitzgerald's iconic novel about the American dream, simply because he's an expert at showing the emptiness of hyperactive excess. The film is a feast for the eye from start to finish, but it also eats away at us with its bleak story of people who live the high life even though it leaves them naggingly unsatisfied.
The tale is told by Nick (Maguire), trying to work through his life-changing summer in 1922 Long Island, where he rented a small cottage across the sound from his wealthy cousin Daisy (Mulligan), who is married to his college pal Tom (Edgerton), an all-American sportsman with an eye for other women. Next door to Nick's cottage is the vast mansion owned by reclusive millionaire Jay Gatsby (DiCaprio), who throws outrageously raucous parties for New York's celebrity class. But Nick realises that Jay only does this to catch the eye of Daisy, because he's still in love with her after a romance five years earlier. Now he wants to take her away from Tom, and he needs Nick's help.
It's tricky to know whether Luhrmann is celebrating Gatsby's luxuriant lifestyle or offering a cautionary tale about the emptiness of materialism. Obviously, the story is trying to do both, and Luhrmann fills the surfaces with decadent extravagance, filling the air with wafting fabric, buckets of glitter and exploding fireworks. Like a lavish 3D pop-up book, the party scenes are wildly over-the-top, as are smaller gatherings in opulent city flats or roaring open-top cars. These people's lives are so vacuous that they live at top speed, always in search of the next thrill. And it's difficult not to see Gatsby's earnest quest as just another greedy acquisition.
Continue reading: The Great Gatsby Review