An appropriately moody, gray and madly passionate ode to misery-embracing, famously suicidal author and poetess Sylvia Plath, the biographical "Sylvia" nonetheless paints a very incomplete picture of its subject's life. In fact, it doesn't have much to offer anyone who isn't already well versed in Plath lore.
With only a few scattered, out-of-context quotes from her works (the film went ahead despite disapproval and refusals from the Plath estate), the film provides little sense of her emotionally blistering talent, instead relying on the appraisals of peers. "The wealth of imagery," one friend exalts. "Such horrors but expressed with such coolness."
With its awkward sense of time passage, the storytelling sometimes feels like Cliffs Notes. In one comprehensive segment Plath (Gwyneth Paltrow) and husband Ted Hughes (Daniel Craig) move from England to Boston (where Plath's mom is played by Paltrow's mom, Blythe Danner), then live on the coast for a summer, become frustrated by writer's block, move back to England, become college lecturers, begin struggling with marital problems, and have a baby -- all in 1960. Then suddenly it's two or three years later and she's launching a book of poems ("The Colossus") without even a mention of her revitalized inspiration or a shot of her actually writing.
Continue reading: Sylvia Review
The film is almost half an hour longer than 'The Force Awakens'.
The film is expected to continue without Mendes' involvement.