Eli Wallach, Josh Brolin and Wall Street - Eli Wallach and Josh Brolin Monday 20th September 2010 at Ziegfeld Theatre The New York movie premiere of 'Wall Street: Money Never Sleeps' at the Ziegfeld Theatre
Baby Doll (as she's known) turns out to be a virgin, and Malden's Archie is due to change that on her 20th birthday, which is set to occur in two days. But things take a strange turn when one of Archie's competitors, Silva (Eli Wallach) -- both men are cotton gin owner/operators -- accuses Archie of burning down his gin. As payback, Silva figures he'll take the only thing of value that Archie has: His wife... if you could call her that.
Continue reading: Baby Doll Review
Continue reading: The Misfits Review
But Leone's mixture of seemingly incompatible elements is what makes The Good, the Bad, and the Ugly so great. Not only does he combine a Cinemascope-era outlook with an eye for grittiness, but he mingles tasteful realism with a flamboyant, self-conscious style. Freeze frames, intertitles, and point-of-view shots brilliantly co-exist with the meticulously appointed period sets and sweeping frontier vistas. This fusion, in addition to a surplus of creativity and lack of restraint, makes the third in the so-called "man with no name" series the crowning glory of his career.
Continue reading: The Good, The Bad, And The Ugly Review
In a seemingly endless procession of sequences, Thorson captures them all through extraordinary means. Yet he has a pregnant girl waiting for him back home -- so isn't it time he hung all this up and settled down? Well, wouldn't you know it... an angry killer who Thorson has tangled with in the past reappears on the scene, so maybe Thorson's mind will be made up for him!
Continue reading: The Hunter Review
The Associate is boilerplate Tootsie, lifting the entire plot structure from Dorothy's television world and dropping it on Wall Street, where Whoopi Goldberg finds herself forced to impersonate a man (named Cutty after Cutty Sark scotch) in order to be taken seriously.
Continue reading: The Associate Review
Keeping the Faith may not be quite that bad, but it's nothing to, ahem, preach about. Setting the film up with all the trappings of your classic, neurotic, New York relationship comedy, Faith wants to be a wry When Harry Met Sally... tale of opposites attracting and love conquering all. Oh, the opposites aren't the rabbi Jake (Ben Stiller) and the priest Brian (Ed Norton) -- that might actually be a movie worth watching. The kink in this picture is Jenna Elfman's Anna, the old childhood friend of Jake and Brian, who swishes into town and promptly falls in love with our rabbi.
Continue reading: Keeping The Faith Review
A cowboy retelling of Akira Kurosawa's The Seven Samurai, the movie takes place in a Mexican farming village which has been overrun by bandits. The outlaws take the villagers' food, making a grueling life that much tougher. Tired of getting pushed around, several men consult the resident wise old man. "Fight, you must fight," he says.
Continue reading: The Magnificent Seven Review
While the film is well-acted (with the surprising exception of Diane Keaton reprising a role that wasn't all that interesting to begin with), masterfully lighted, and gorgeously photographed -- most notably the various shootout scenes -- it ultimately treads over old ground: material from the first two movies as well as repeating itself. This is most telling in the aforementioned shootouts -- the Atlantic City shoot-'em-up (courtesy of a helicopter outside) is horrifyingly grotesque (in a good way), but it seems more fitting for the histrionics of Scarface than the subtle and jaw-dropping one-two punch of Michael Corleone's assassination work at Louis' Italian-American Restaurant in The Godfather. Ultimately, the movie is simply one assassination after another -- and in Coppola's commentary track, he acknowledges this, placing much of the blame at the foot of the studio. It's also a testament to the amount of power that Coppola lost in the intervening decades -- again, something he acknowledges in the commentary.
Continue reading: The Godfather: Part III Review
A deftly updated homage to the screwball comedy stylings Howard Hawks, George Cukor and Billy Wilder, "Keeping the Faith" acknowledges right away that its plot, about two men of the cloth falling in love with the same girl, sounds like a lame bar joke.
It opens with the fantastic and versatile Edward Norton ("Fight Club," "American History X") playing a spiritually conflicted -- and at the moment, completely sauced -- Catholic priest, pouring his soul out to a patient bartender. "So there's this priest and this rabbi, and they're best friends, see...," he slurs into his beer.
The rest of the story goes something like this: Ben Stiller co-stars as the padre's rabbi rival for the affections of the magnetic Jenna Elfman, a long-lost friend from their shared Brooklyn childhood who pops back into their lives 20 years later, all grown up, sexy, sweet and irresistible.
Continue reading: Keeping The Faith Review
Date of birth
7th December, 1915
Date of death
24th June, 2014
There are 11 captivating short films in this anthology, the second in the Cities of...
Michael Douglas returns to his most iconic role for this 20-years-later sequel to Oliver Stone's...
23 years after Gordon Gekko's incarceration for insider trading, he finds himself being released into...
Tightly wound and told without much fuss, this political thriller is captivating and often quite...