Morrissey has remembered his good friend Elaine Stritch.
Morrissey is one of numerous high profile stars to pay tribute to the late actress Elaine Stritch, who died on Friday at 89. The singer, who recently released his new album World Peace Is None Of Your Business, was close friends with Stritch and wrote about the actress in his autobiography.
Stritch was an icon on both stage and screen and recently starred as Alec Baldwin's on-screen mother in 30 Rock.
Continue reading: Morrissey Pays Tribute to "Demented Genius" Elaine Stritch
Stritch will be missed by friends, family and fans, who just loved to watch her go.
Elaine Stritch, the Broadway star and all-round kick-ass lady, passed away on Thursday at the age of 89. Stritch was known for her long and storied Broadway career. Stritch started her Broadway career with Loco in 1946, but was only given minor and understudy roles for several years before having getting what would turn out to be her big break with Noel Coward’s Sail Away in 1961. She was originally cast as the leading lady’s understudy, but replaced her full time, when it turned out that the other actress’ voice was too operatic for the part.
The actress is survived by seven nieces and nephews and their families.
Since then, Stritch has been dropping truth bombs on stage, film and television. Her best known recent stage work was at the New York Public Theater in 2001 and on Broadway in 2002 with Elaine Stritch on Liberty – a one-woman show, which received rave reviews and earned the Tony for Best Special Theatrical Event. TV fans may recognize her as the the sharp-tongued mother of Alec Baldwin’s Jack Donaghy. She won her third Emmy award for that one.
Continue reading: Remembering Elaine Stritch - Actress, Comedian, Modern Day Rebel
Michael Feinstein, Martin Short, Elaine Stritch and Bernadette Peters - Opening night of 'Elaine Stritch At The Carlyle: Movin' Over And Out' at the Cafe Carlyle - Reception - New York City, United States - Tuesday 2nd April 2013
Elaine Stritch - Elaine Stritch performs during the opening night of 'Elaine Stritch At The Carlyle: Movin' Over And Out' at the Cafe Carlyle - New York City, NY, United States - Tuesday 2nd April 2013
It's set in the sleepy town of Blithe Hollow, a tourist village cashing in on its grisly history of 18th century witch trials. This is where Norman (Smit-McPhee) lives, which is a bit annoying since he can speak to the ghosts which are lurking everywhere. His parents (Mann and Garlin) dismiss this as a childhood fantasy, while his boy-obsessed teen sister (Kendrick) just ignores him. At school, the class bully (Mintz-Plasse) makes his life miserable, and just when Norman thinks things can't get worse, his vagabond uncle (Goodman) tells him that he's the next in line to make sure the town's legendary witch doesn't enact her curse on the 300th anniversary of her death.
Continue reading: ParaNorman Review
Somewhere in all Turturro's chaos is a story about Nick Murder (James Gandolfini), a blue-collar schlub with a stolid wife, Kitty (Susan Sarandon), and a trio of slightly cracked daughters -- Constance, Baby, and Rosebud (Mary-Louise Parker, Aida Turturro, and Mandy Moore, respectively) -- who function partially as a junior set of Furies but are mostly there to bash out songs in the backyard as part of the three-piece bubblegum garage band they've formed. In short: Nick's a two-timing bastard who's stepping out on the wife with Tula (the previously mentioned Irish hussy), a fact Kitty doesn't take to overly well, and numerous friends and family get dragged into their scuffle and forcing everyone to occasionally bust out in song.
Continue reading: Romance & Cigarettes Review
An unabashed comedic fable, Small Time Crooks presents Woody as Ray Winkler, an ex-con living in a New York rathole and scraping by as a dishwasher. His wife Frenchy (Tracy Ullman) does nails by day, gives Ray a whole lot of lip by night. And when Ray comes home with a new "master plan" that promises to make them rich so they can retire to Florida (the dream to end all dreams in Small Time Crooks), Frenchy becomes a reluctant partner.
Continue reading: Small Time Crooks Review
Although McKay - whose irritating narration, the usual guff about moving to New York from Indiana and just how exciting it all was, brackets the film - never really posits what exactly he's on about with "The Golden Age," two things quickly become clear: The time period he and his subjects want to talk about is Broadway theater from the 1930s to the 1950s, and that period really would have been something to behold. The cavalcade of interviewees all point to not just the embarrassment of riches that were around then in terms of both the material (Lerner & Lowe and Rodgers & Hammerstein were like musical hit factories, not to mention the new dramatic work being produced by the likes of Tennessee Williams and Arthur Miller) and the talent, but another very simple factor: It was cheap. In a time of $480 The Producers tickets, it's partially nice but mostly infuriating to know that not so long ago it could cost less to go to a Broadway show than the movies.
Continue reading: Broadway: The Golden Age, By The Legends Who Were There Review
Autumn in New York, directed by Joan Chen (Xiu Xiu: The Sent Down Girl), is the recycled love story of a man who has it all but nobody to share it with. The tacky promo, "He taught her how to live, she taught him how to love," basically explains the plot in a nutshell. Flourishing Manhattan restaurant owner Will Keane (Gere) sees something in the beauty, wit, and innocence of young Charlotte (Winona Ryder), despite the fact that he dated her deceased mother in the past. On the flip side, Charlotte has merely a year to live and is not afraid to die because she has nothing truly worth living for. The two find sustenance in one another, but as all love stories go, they endure trying times. Winona is either too young or too sick, and he can't control his libido or escape his shady past. So they're meant for one another, but how long can it last?
Continue reading: Autumn In New York Review
Screwed concerns a butler (Norm MacDonald) and a chicken wing vendor (David Chapelle) who team up to try to, well, screw a bitter old hag out of five million dollars. Needless to say, the plan goes south, and the two have to run all over Pittsburgh (which is obviously not really Pittsburgh) to get away with their perfect crime. Norm sleeps with some girl in a bit part that should have been bigger, David convinces good old Norm to fake his death with the help of a mortician (Danny DeVito), and all the while we watch the hag bitch and gripe, not really caring
Continue reading: Screwed Review
The short answer is "No."
But while hardly original and certainly predictable, "Monster-in-Law"does have some good chuckles -- although few of them come from Lopez, whogives a shrug-worthy performance as an off-the-shelf romantic-comedy heroine,tailored with all the sweetly quirky foibles that Hollywood thinks willmake gorgeous actresses seem like everyday gals who can't find a man.
In this case Lopez plays a struggling artist and officetemp with a dozen part-time jobs (dog walker, receptionist, caterer), whononetheless has her own roomy, sunny, well-decorated beachfront apartmentin Venice, California.
Continue reading: Monster-In-Law Review
Date of birth
2nd February, 1925
Date of death
17th July, 2014