Imelda Staunton received the UK Theatre Award for Best Musical Performance on Sunday (18th October).
Imelda Staunton has won a UK Theatre Award for her performance in Gypsy. Staunton received the award for Best Musical Performance at the UK Theatre Awards 2015 at London’s Guildhall on Sunday (18th October).
Imelda Staunton at the 2015 BAFTA Ceremony in London, February 2015.
Continue reading: Imelda Staunton Wins UK Theatre Award For Her Performance In ‘Gypsy’
During the Second World War, France was quickly and violently taken over by the German army. Now, under enemy occupation, the residents find themselves having to house and shelter their victorious enemies. Lucille Angellier (Michelle Williams) is one of these people, having to share her house with Commander Bruno von Falk (Matthias Schoenaerts). Despite being on two different sides of the conflict, the two find a strange attraction to one-another, and a romance begins to blossom. But Madame Angellier (Kristin Scott Thomas), Lucille's mother-in-law, distrusts the German officer, leading to a series of events that will test the strength of love and trust, in a time of war.
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After the high of last year's Blue Jasmine, Woody Allen is back in playful mode for this rather goofy comedy, which only works for audience members willing to abandon their cynicism and just go with the flow. A solid cast makes the most of Allen's cleverly barbed dialogue, even if the performances and filmmaking sometimes feel a bit slapdash. And Allen's deeper existential themes add a hint of depth to the silliness.
It opens in 1928 Berlin, as the magician Stanley (Colin Firth) is convinced by his friend Howard (Simon McBurney) to travel to the South of France to debunk a young American mystic named Sophie (Emma Stone), who has a wealthy family in her thrall. Not only has Sophie convinced the matriarch (Jacki Weaver) that she can communicate with her dead husband, but she has also attracted the puppy-dog devotion of Brice (Hamish Linklater), the sweetly dim heir to the family fortune. But no matter how hard Stanley tries, he can't prove that Sophie is a fraud, and accepting her supernatural powers completely upends his relentlessly pessimistic view of humanity. Although it's even trickier to convince himself that he might be falling for Sophie.
Allen sets all of this up in a very simple way, prodding Firth to a hilariously ridiculous performance as a repressed Englishman for whom life has to be completely rational. Facing him off against Stone's young, free-flowing American is a bit obvious, but the script makes sure that their barbed banter overflows with witty repartee. This includes astute commentary on Allen's favourite theme: exploring the meaning of life through the contradictory blending of science, religion and human emotion. So even if the performances are rather oddly matched, Firth and Stone find some superb chemistry along the way. Although the snappiest role belongs to Eileen Atkins, as Stanley's beloved aunt, who has a wonderfully dry way of speaking the truth.
Continue reading: Magic In The Moonlight Review
Stanley is a talented magician who goes by the name of Wei Ling Soo professionally, and he is also a renowned cynic. One day, an associate enlists him to help him expose a self-proclaimed spirit medium named Sophie living in the South of France and he decides to travel over, convinced that he will easily debunk her. Despite everyone around her insisting that she has displayed psychic abilities beyond anyone's comprehension, Stanley is determined to force her to reveal her deceptive secrets, but on meeting her it seems that he also is captivated. Extremely beautiful, Sophie becomes something of a love interest for Stanley and, in spite of his initial doubts, he too finds himself unable to explain some of the extraordinary feats Sophie is demonstrating, and he starts to wonder if the world really is full of magic.
Continue: Magic In The Moonlight Trailer
The Sam Wanamaker Theatre has announced a varied opening season.
The new Sam Wanamaker Playhouse, an indoor Jacobean counterpart to Shakespeare's Globe, will open to the public on January 9, 2014 with a season of plays, opera and one-off concerts. The opening of the visually stunning venue completes the vision of actor, producer and director Sam Wanamaker first conceived for the Shakespeare's Globe complex in 1949.
According to The Guardian, the small 340-capacity theatre will host the company's winter plays as well as other events throughout the year. It will be lit almost entirely by candles. The grisly tragedy The Duchess of Malfi will open the season on January 9, directed by the Globe's artistic director Dominic Dromgoole, followed by Francis Beamont's satire The Knight of The Burning Pestle, which opens on February 20, 2012.
While this package has all of the key marketing elements to reach the Twilight audience, the film itself is rather a lot more fun, made with some wit and intelligence, plus a cast that's happy to chomp on the scenery. Based on a four-novel series, this film actually has more in common with True Blood than Twilight, with its Deep South setting and the clash between religious fundamentalism and supernatural beings.
At the centre is Ethan (Ehrehreich), a 16-year-old who is bristling against the isolation of his small South Carolina town. His recently deceased mother instilled in him a love of books banned by the town's hyper-religious leaders, and the local librarian Amma (Davis) helps keep his interest alive. As a result, he's more open than the other teens when Lena (Englert) arrives at school. But she's shunned because her Uncle Macon (Irons) is the town's pariah, a landowner whom everyone thinks is a devil worshipper. Actually, the whole family are casters, people with special powers that are designated good or evil on their 16th birthday.
The plot stirs up some suspense as Lena's big day of reckoning approaches. She's terrified that she'll go over to the dark side like her man-eating cousin (Rossum) or, worse still, her spectral mother, who does her mischief by inhabiting the body of the town's most pious housewife Mrs Lincoln (Thompson). This of course gives Thompson two insane characters to play at the same time, and she has a ball with it. As does Irons with the shadowy, snaky Macon. And at the centre, Ehrenreich and Englert both show considerable promise, with their strikingly non-Hollywood good looks and a depth of character that makes the film more engaging than we expect.
Continue reading: Beautiful Creatures Review
Lena Duchannes is a Caster whose family has plenty of dark power between them, but rather than feeling empowered, Lena just wishes she can be mortal so she wouldn't have to hide and people wouldn't talk about her all the time. When she moves to the small and somewhat conservative town of Gatlin, South Carolina, she finds herself an outcast but is soon noticed by her school mate Ethan Wate who is enchanted by her and the excitement her arrival brings to this ordinary, unmoving town. However, their relationship is compromised by the fact that Lena only has a matter of days left before she is subjected to the Claiming; a process that will decide whether she will turn to the Light or the Dark side of magic. While her uncle does everything in her power to make sure she is claimed to the Light, the all-powerful Sarafine is convinced that she will have great magical supremacy which would better be served in the Dark.
'Beautiful Creatures' is the story of just how much love can conquer and, equally, the devastation it brings. It has been adapted to screen by Oscar nominated director and screenwriter Richard LaGravenese ('P.S. I Love You', 'The Mirror Has Two Faces') from the book of the same name by Kami Garcia and Margaret Stohl. The fantasy romance will be released in time for Valentine's Day on February 13th 2013.
Director: Richard LaGravenese
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Victor (Nighy) is an efficient hitman who lives a quiet life that's more than a little obsessive-compulsive. He's been in the business since he was a child, inheriting the job from his late father, and now his mother (Atkins) is pushing him to have a son of his own. His next job is for an art dealer (Everett) who has been double-crossed by con artist Rose (Blunt), but Victor is taken by her breezily shameless methods. He's also interrupted by Tony (Grint), a rootless young guy who shows some skill with a gun.
Continue reading: Wild Target Review
Robin Longstride (Crowe) fought alongside King Richard (Danny Huston) in the crusades but returned to England under shady circumstances with two of his archer buddies (Grimes and Doyle) and a beefy fighter (Durand). Heading to Nottingham to honour an oath, he meets Sir Walter (von Sydow) and his feisty daughter-in-law Marian (Blanchett), who are being squeezed out of their land by the Sheriff (Macfadyen). But there are bigger problems, as Godfrey (Strong) marauds through the country with an army of French goons, plotting to steal the country from the vain new King John (Isaac).
Continue reading: Robin Hood Review
The Hallmark-ready story begins with Harvey Shine (Dustin Hoffman), a borderline jerk of a guy who appears to have shut down on life by the time we find him. A jingle writer who once hoped for greater things musically, he's on his way to London where his daughter is marrying into a family that seems to have a greater affinity for his ex-wife's new husband than himself.
Continue reading: Last Chance Harvey Review