Ozu plops his camera down in each scene and never moves it, giving us a directorial simplicity and stuffiness that melds beautifully with the vitriol on screen. It's just like Japan: All smiles on faces but turmoil in the gut. This allegory about appearances and attitudes is simply too rich to miss.
Continue reading: Good Morning Review
The Guardians return two months after their epic battle against Ronan with their criminal records erased