Like Pearl, Horman was a reporter -- or, at least, he wanted to be one -- which brought him to Chile during the violent upheaval in this troubled South American country. Martial law is in full effect: If you can't tell by the military officials and machine guns on every corner, then perhaps the piles of dead bodies -- some covered, some not -- might clue you in.
Continue reading: Missing Review
John Frankenheimer crafts a surprisingly rich and interesting movie that's set during the rise of auto racing. Not only does it capture the spectacle of these tiny little open-air cars hurtling around European village streets (no ovals here), it also builds an interesting story of rivalries, friendly and otherwise.
Continue reading: Grand Prix Review
An old friend phones him out of the blue: Come to this address and prepare for an unimaginable new future. Indeed, no sooner has Hamilton entered the building (couriered there from a meat-packing plant, naturally) than he has become a customer, willing or not, of "the organization," which provides a radical plastic surgery regemin to cut about 30 years off the looks of its clients. Oh, and it also fakes the death of the client and provides a new identity -- and the client's new life is paid for with backdated insurance policies (after the organization takes its cut, of course).
Continue reading: Seconds Review
The Vault lets loose its first unreleased material.
Here's what he thinks about the veteran filmmaker.
Ocean's two albums, ‘Blonde’ and ‘Endless’, both missed the Grammy deadline.