Lost Horizon is a strange but haunting mixture of drama, long expository passages, and romance, with lavish, Xanadu-like sets set against stock footage of icy mountains -- but the performance of Ronald Colman carries the movie. Colman's character is a Brit who decides he doesn't mind hanging with the Buddhists and enjoying the quiet life, but some of his companions are unhappy in the worker's paradise and debate whether to try to escape. Sensuality is provided by the young Jane Wyatt, later the matron on TV's Father Knows Best (Wyatt's character is even shown in a distant frontal nude scene, a wink at the Hays Code).
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The plot is thin, as is common in 1930s musicals: Astaire is a dancer that's just busting at the seams with his art. He shows off some moves one night in his apartment (and what moves they are, making excellent use of the props in the room), only this annoys the hell out of the woman (Rogers) living downstairs. It's one of the few times that a musical actually makes reference to the fact that it's not normal to break into song and dance whenever the mood strikes you, though of course, eventually, Rogers gets in on the act herself.
Continue reading: Top Hat Review
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