Matthew Fox, Tyler Perry, Rachel Nichols, Edward Burns and ArcLight Cinemas - Matthew Fox, Tyler Perry and Rachel Nichols an Edward Burns Monday 15th October 2012 Premiere of Summit Entertainment's 'Alex Cross' at the ArcLight Cinemas Cinerama Dome - Arrivals
Alex Cross is a homicide detective in Washington DC who comes across a series of gruesome and elaborate murders on duty. The victims look as if they've been tortured to death with a reasonable amount of skill, as if the perpetrator was an expert in inflicting pain. Cross deduces that their suspect is ex-military going by his techniques and it doesn't take long before he and the murderer, Michael 'The Butcher' Sullivan make contact. It is clear that Sullivan is deranged, believing that inflicting pain is his calling in life. In spite of any mental incapacities, however, Cross loses all sense of his own morality and indeed sanity when Sullivan targets and murders his beautiful wife on their anniversary and he sets out to track down this killer once and for all, though things do not appear as easy as he might've thought.
'Alex Cross' is the crime thriller adapted from the popular American novelist James Patterson's twelfth book on the character, 'Cross'. The movie's screenplay has been written by Marc Moss, who also wrote the previous Alex Cross-based movie 'Along Came a Spider', alongside Kerry Williamson in her writing debut. With a director like Rob Cohen ('The Fast and the Furious', 'xXx'), expect high-energy action and thrilling danger from this exciting upcoming flick set ton hit UK cinemas on November 30th 2012.
Starring: Tyler Perry, Matthew Fox, Jean Reno, Giancarlo Esposito, Rachel Nichols, Edward Burns, John C. McGinley, Yara Shahidi, Chad Lindberg, Cicely Tyson, Carmen Ejogo, Stephanie Jacobsen and Ingo Rademacher
Jason (Scott) and his best friend Julie (Westfeldt) are a bit horrified when their coupled pals Leslie and Alex (Rudolph and O'Dowd) and Ben and Missy (Hamm and Wiig) have children. So they decide to have a child without the baggage of a relationship, freeing them to find the right person once they're already single parents. Their baby son is adorable, and raising him brings them closer as friends while allowing them to pursue romances with the hot Mary Jane (Fox) and the sexy Kurt (Burns). But no one else is buying it.
Continue reading: Friends With Kids Review
Ex-cop Nick (Worthington) is only a couple of years into an excessively long prison sentence for stealing a giant diamond from a ruthless jewel magnate (Harris). But he manages to escape, positioning himself on a 21st-floor ledge above a busy Manhattan street. As the crowd gathers and cops (Banks and Burns) come to talk him down, Nick's brother Joey (Bell) and his bendy girlfriend Angie (Rodriguez) are breaking into a nearby building. Basically, it's Nick's last-ditch effort to clear his name.
Continue reading: Man On A Ledge Review
Nick used to be a cop, before he was jailed for stealing a diamond worth forty million dollars. Not long after he was released, he got set up by the same man he stole the diamond from. Nick climbs out of his window that's twenty stories up, intending to jump.
Continue: Man On A Ledge Trailer
Adapted with sub-simian grace from the iconic Ray Bradbury story, the film puts us in the year 2055, where a Chicago firm called Time Safari takes wealthy, bored men back in time and hunt dinosaurs. The trick here is that Bradbury - prefiguring all the great time travel paradox stories and films to follow - realized one couldn't just do this without creating massive complications further down the time pipeline. So Time Safari has its hunters walk through the 65-million-year-old jungle on a pathway suspended above the ground, with the strict dictum not to touch anything, never step off the path and not to bring even the most microscopic thing back with them. And the dinosaur that they "hunt" (over and over again) has been selected for the fact that it's going to die anyway, bare seconds after the safari team shoots it. Thusly the time continuum remains unchanged and everybody's happy.
Continue reading: A Sound Of Thunder Review
Well just because you can do these things doesn't mean you should, and sure enough Looking for Kitty is the type of movie that rank amateurs usually turn in, an undercooked affair that doesn't offer any emotional response and which could have used a whole lot of vetting from people who weren't attached to a singular idea. It's nowhere near Burns' best work. I dare use a word I try to avoid in film criticism: It's just boring.
Continue reading: Looking For Kitty Review
Confidence has triple the pizzazz of any caper movie released in the past several years. To say that it keeps you guessing would be misleading; the film has so many twists, turns, and reveals them in such an order that you don't even know where to start guessing. You'll need a scorecard to keep everything in order. Yet, remarkably, in the end, everything adds up without any apparent plot holes. It's astonishing.
Continue reading: Confidence Review
Jack (Jack Mulcahy), the only married brother, is tempted by another woman. Patrick (Mike McGlone) is torn between committing to his long-time girlfriend and striking out for something new. Barry (Edward Burns, who also wrote and directed), is the classic slacker, unable to even conceive of commitment and an unbeliever in the very notion of true love.
Continue reading: The Brothers McMullen Review
The Ray Bradbury short story "A Sound of Thunder," an unnerving morality tale about modern man's arrogant disregard for nature, ends with time-traveling dinosaur hunters returning to the future to discover that by stepping on a single butterfly, they've altered history inexorably. The hunters become trapped in an alien world of their own making.
But the new movie "A Sound of Thunder" not only misses Bradbury's point entirely -- using his ending as a jumping-off point for an action-adventure attempt to fix the hunters' mistake -- it's also a catastrophe of bad acting, ludicrous science and conspicuously cheap special effects that can't even follow its own internal logic from one scene to the next.
Stoic, beer-and-cigarettes guy's guy Edward Burns ("15 Minutes") is unconvincing as a genetic scientist and utterly bland as an action hero who leads the hunting exhibitions for wealthy thrill-seekers to fund his research on wildlife cloning.
Continue reading: A Sound Of Thunder Review
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