A soap-opera quality twist in the last 20 minutes of Brian De Palma's erotic noir thriller "Femme Fatale" almost puts the kibosh on what is otherwise a sumptuous work of B-movie imagination.
From its complex, spectacularly executed and near-silent opening-act heist -- in which a beautiful, sexy, icy-tough thief (Rebecca Romijn-Stamos) lifts a diamond-encrusted, barely-there bustier off a director's arm-candy date at the Cannes Film Festival -- to the anti-heroine's later seduction and set-up of an unsuspecting Paris paparazzi (Antonio Banderas) for her own kidnapping, this picture is an engrossingly elaborate and stylish affair.
Romijn-Stamos gives a highly charged, chameleonic performance as Laure, an American con artist who is forced to disappear after the jewelry pinch goes bad and she double-crosses her partners in the crime. Mistaken, in a far-fetched coincidence, for a young widow (also played by Romijn-Stamos) who is suicidal over the deaths of her husband and daughter, she swipes her look-alike's passport, posses as a French girl and meets a multi-millionaire (Peter Coyote) on a flight to America.
Continue reading: Femme Fatale Review
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The film is expected to continue without Mendes' involvement.