Martin Joubert is a French baker living in Normandy who has a deep passion for the writer Gustave Flaubert and his masterpiece novel 'Madame Bovary', which takes place in the same town in which he lives. Soon he meets an English couple who have moved over to France to begin a new life, and of course their names are Charlie and Gemma Bovery. Joubert immediately senses oncoming disaster, especially when he notices problems in the couple's relationship. Gemma is an artist who, upon her arrival, is enlisted to help another English couple with some design work, and as fate would have it they introduce her to Patrick - who happens to be her former lover. Joubert watches as Gemma and Patrick begin an illicit affair and predicts that this is another story that's bound to end in tragedy, no matter what he does to try and stop it.
Continue: Gemma Bovery Trailer
A range of intelligent blockbusters, inventive foreign films and beautifully crafted storytelling made 2012 a good year at the cinema...
1. Life Of Pi
Ang Lee's clever, thoughtful adaptation of Yann Martel's acclaimed novel is an unexpected work of art. It's also one of the richest, most challenging, most visually spectacular movies we've ever seen.
Starring: Suraj Sharma & Irrfan Khan
Read the review of Life Of Pi Here!
2. Rust & Bone
French filmmaker Jacques Audiard follows up his amazing prison drama A Prophet with this startlingly edgy, tough-minded romance about two deeply wounded people who find each other.
Starring: Marion Cotillard & Matthias Schoenaerts.
Read the review of Rust And Bone Here!
Continue reading: The Ten Best Films Of 2012
Indescribably insane, this outrageously inventive French drama is so bracingly strange that we can't help but love every moment. It's certainly not like any movie you've ever seen before, and French director Carax packs it with so many offbeat touches - from wildly unexpected casting to witty movie references - that watching it is almost like a fever dream.
It's the story of Oscar (Lavant), who goes to work in a white stretch-limousine with his driver Celine (Scob). But the limo is actually his office, and his job entails dressing up in full make-up to play nine roles over the course of the day. These include a scabby homeless woman, a dying husband and a freaky green mischief-maker who invades a funeral and bites off people's fingers. But as the day progresses, Oscar begins to crack under the strain. Is it because of the job's huge emotional demands or because he's not living his own life?
The film is like a razor sharp satire of reality TV and social networking, as Carax cuts through the layers of artificiality of modern life. At the centre, these are all actors playing actors in a variety of scenarios. But who is watching? Some of these scenes are sexy and funny, while others are terrifying or darkly moving. But for all of the intensity of feeling, the situations are essentially shallow simply because they're not actually real. And Carax pushes each segment far beyond what we expect.
Continue reading: Holy Motors Review
When Kylie Minogue hit the red carpet for the premiere of her new movie, she cut a dazzling figure in a stunning black sequinned Dolce & Gabbana gown. On Tuesday night (September 17, 2012), the UK premiere for Holy Motors took place at the Curzon Mayfair and the movie’s Aussie star made sure that she really stood out in her shimmering, floor-length frock. She finished the look off with smoky eye-shadow and dangling diamond earrings.
The movie, a French drama, also stars Denis Lavant, Edith Scob and Eva Mendes. After posing for photos on the red carpet, Kylie then “cosied up to director Leos Carax,” according to the Daily Mail. It’s a rare film role for Kylie; even though she started out as an actress – in Australian soaps such as Neighbours - she has spent the last twenty-five years focusing mainly on her music career. Speaking about her decision to take part in the movie, Kylie said “I’m always intrigued and enticed by that which I haven’t done, so… there was every reason to do it and no reason not to do it… it turned out to be one of the best experiences I’ve ever had.”
Kylie plays the role of Eva Grace (Jean) in the movie. She has her hair cropped short for the role, a far cry from the elegant long locks that she was sporting Tuesday night. There are no Kylie Minogue songs in the movie, though she does have a singing part. Holy Motors receives its general release in the UK on September 28, 2012.
Denis Lavant, Edith Scob, Kylie Minogue and Leos Carax - Denis Lavant, Kylie Minogue, Leos Carax, Edith Scob, Elise Lhomeau and Jeanne Disson Wednesday 23rd May 2012 'Holy Motors' premiere during the 65th Cannes Film Festival
Edith Scob, Denis Lavant, Kylie Minogue and Leos Carax - Edith Scob, Denis Lavant, Kylie Minogue, director Leos Carax, Jeanne Disson and Elise Lhomeau Wednesday 23rd May 2012 'Holy Motors' photocall during the 65th Cannes Film Festival
The silver-haired matriarch of this subdued clan -- the antithesis of the tribe of lunatics in A Christmas Tale -- is Hélène (Edith Scob), a one-time art-world staple. Her three children are just about as different as three siblings can be: There's flighty Adrienne (Juliette Binoche), a designer of sorts living in New York; young and ambitious Jérémie (Jérémie Renier), who works for Puma Sneakers in Peking; and nostalgic Frédéric (Charles Berling), the eldest, an economist who doesn't believe in economics. Sentimentalist and stubborn nationalist that he is, Frédéric laughs his mother off when she tells him he will have to sell the house when she dies, insisting the house will stay in the family.
Continue reading: Summer Hours Review
Pity poor Angèle (Nathalie Baye). She toils away at the titular French beauty salon during the day, and looks for quick sexual encounters at night. In her 40s, she feels too burned by the loves in her past to get hurt again, and instead finds her happiness in hunting down men with whom to have trysts. Early in the film, she quickly approaches a stranger in a cafeteria, tactlessly luring him away from dinner so they can do it in his car. We get the feeling that she wants more -- a funny opening sequence where she gets dumped helps -- but she's too headstrong for that.
Continue reading: Venus Beauty Institute Review
Horror movies, once, were for adults as well as teenagers. Directors used black and white, evocative lighting, minimal make-up, and great acting to create rich, personally expressive images that frightened audiences. Now the Criterion Collection gives us another chance to see these kinds of movies, releasing a new print of the 1959 French classic Eyes Without a Face on DVD.
Continue reading: Eyes Without A Face Review
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