With a tagline like "The Greatest Production Since The Birth Of Motion Pictures," you get a little something like the unmanageable monstrosity that Follies ultimately becomes. Structured as a series of unrelated vignettes, directed by different people (not to mention that screenwriting credit list), it's ultimately just a jumble of parts that add up to less than a whole movie.
Continue reading: Ziegfeld Follies Review
That famous quote is, of course, "One of us! One of us!" (Lyle ommitted the "Gooble gobble" that precedes it.) The movie is Freaks, Tod Browning's bizarre 1932 film that takes place behind the scenes at a circus freakshow.
Continue reading: Freaks Review
Oz was groundbreaking in a number of ways, most obviously in its visual impact. Movies in color had been made for a while, but most films in 1939 were still in black and white, so the gimmick of beginning in B&W and shifting to Technicolor was very effective. Some of the special effects were advanced at the time (and are still one of the movie's strengths). One of the most famous sequences, the tornado which sweeps across the farm fields, was created by filming a windsock being blown around by electric fans. It's more realistic and believable than the computer-generated tornadoes in the movie Twister, made 57 years later. That's progress.
Continue reading: The Wizard Of Oz Review
The Vault lets loose its first unreleased material.
Here's what he thinks about the veteran filmmaker.
Ocean's two albums, ‘Blonde’ and ‘Endless’, both missed the Grammy deadline.