Eddie Cahill

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attending the premiere afterparty for the '3C', held at the Dublin 6 Bar and Lounge

Eddie Cahill and Anna Chlumsky - Eddie Cahill, Jake Silbermann, Hannah Cabell, David Adjmi, Anna Chlumsky, Bill Buell and Kate Buddeke Thursday 21st June 2012 attending the premiere afterparty for the '3C', held at the Dublin 6 Bar and Lounge

attending the premiere afterparty for the '3C', held at the Dublin 6 Bar and Lounge

Eddie Cahill and Anna Chlumsky - Eddie Cahill, Hannah Cabell, Jake Silbermann, Anna Chlumsky, Bill Buell and Kate Buddeke Thursday 21st June 2012 attending the premiere afterparty for the '3C', held at the Dublin 6 Bar and Lounge

attending the premiere afterparty for the '3C', held at the Dublin 6 Bar and Lounge

Eddie Cahill Thursday 21st June 2012 attending the premiere afterparty for the '3C', held at the Dublin 6 Bar and Lounge

out and about in Manhattan

Eddie Cahill - A.J. Buckley and Eddie Cahill New York City, USA - out and about in Manhattan Tuesday 4th October 2011

Eddie Cahill
Eddie Cahill
Eddie Cahill
Eddie Cahill
Eddie Cahill

Lords of Dogtown Review


Good
Catherine Hardwicke's Lords of Dogtown tells virtually the same story recounted by Stacy Peralta's 2001 documentary Dogtown and Z-Boys, which autobiographically detailed his and his friends' teen years as pioneers of modern skateboard culture. Peralta, along with buddies Tony Alva and Jay Adams, were hardcore surfers from the grimy "Dogtown" of Venice, California, and with the help of some cutting-edge urethane wheels and legendary surfboard sculptor Skip Engblom - whose Zephyr store financed their original skate team, and bestowed them with the nickname "Z-Boys" - the brash trio became overnight icons for a new asphalt-grinding youth movement that championed experimentation and insolence in equal measures. Their rags-to-riches story is one in which triumph was achieved from go-for-broke rebelliousness, and thus stands as the complementary flip-side to Hardwicke's girls-gone-wild Thirteen, which illustrated the audacious and often-injurious lengths to which kids will go for attention, popularity and defiant thrills.

During the height of California's suffocating drought in the mid-1970s, quiet, long-haired Peralta (Elephant's John Robinson), cocky Alva (Raising Victor Vargas' Victor Rasuk), and self-destructive Adams (Emile Hirsch) began transferring their ocean-skimming techniques to the city's blacktop and empty swimming pools, resulting in an almost instantaneous phenomenon that thrust them onto the covers of magazines, into lucrative endorsement contracts, and onto the set of Charlie's Angels. Hardwicke's film (written by Peralta) presents this real-life tale with a mixture of exuberance and cautionary wariness, depicting the benefits (sex, money, fame) and pitfalls (jealousy, clashes over girls, obligations to their less-than-supportive parents) of these adolescents' sudden rise to superstardom. Thanks to Elliot Davis' bleached-out, nostalgically hazy cinematography (which mirrors the pulverizing propulsion of street skating by twirling, spinning and sticking low to the ground) and liberal use of thunderous '70s tunes by Hendrix and Sabbath, Hardwicke's period piece has a groovy, hard-charging dynamism. And as in her last film, the director - via Peralta and Adams' rivalry over Alva's sister Kathy (Nikki Reed) and Adams' difficulties at home with his irresponsible mom (Rebecca De Mornay) - laces such heady, sun-dappled optimism with an undercurrent of looming menace.

Continue reading: Lords of Dogtown Review

Miracle Review


Excellent
You'd have to work extra hard to botch the feel-good story of the underdog U.S.A. hockey team that overcame adversity in the 1980 Olympics and earned an unexpected gold medal. Miracle, which recounts the team's remarkable Olympic run, receives a calculated, polished, and affectionate treatment courtesy of Disney's involvement, but benefits immensely from the casting of relative unknowns in the prime hockey player roles. These actors actually look a lot like kids from Minnesota and Boston. Think how distracting it would be to see Matt Damon as Mike Eruzione or Ashton Kutcher as unflappable goalie Jim Craig.

Miracle's focuses falls heavily on coach Herb Brooks (Kurt Russell), both in how he chooses his players and how he re-trains them to play his way en route to the winter Olympic games in Lake Placid, N.Y. Brooks preaches team chemistry to his players, but it's the cast that catches on. Miracle isn't a movie of individuals, it's the perfect combination of unknown actors and veteran stars.

Continue reading: Miracle Review

Lords of Dogtown Review


Grim
"Lords of Dogtown" is a fictionalized accountof the birth of modern skateboarding that doesn't have half the spontaneityand maverick spirit of the vivid, kinetic, crowd-pleasing documentary thatinspired it.

2002's "Dogtownand Z-Boys" (now available in an excellentDVD) was an adrenaline-rush history of the Zephyr Skateboarding Team, adaredevil band of teenage surf bums who were the first to take wave-ridingmoves to the streets and empty swimming pools of drought-stricken SantaMonica in the early 1970s.

This handful of young turks (oneof whom became the director of that film andthe writer of this one) invented the board-gripping, back-scratching, wall-climbingstyle that launched the entire rebel culture of extreme sports -- but youwouldn't know it from "Lords of Dogtown," which concerns itselfmore with fabricated love triangles, unhappy home lives and rivalries thatformed when fame came calling.

While the performances of the young cast members -- keyZ-Boys are played by John Robinson from "Elephant,"Emile Hirsch from "TheGirl Next Door" and Victor Rasuk from "RaisingVictor Vargas" -- are multifaceted, they sometimes have the under-rehearsedfeel of a bawdier after-school special. Or maybe that's just the clumsyexpository dialogue: "Hey, I think we should start a skateboard team,man," says one shirtless, long-haired dude to another. "There'smoney in this!"

Continue reading: Lords of Dogtown Review

Miracle Review


OK

Could it be that Disney, the studio that holds the trademark on triteness, has developed a true flair for non-patronizing, fact-based feel-good sports movies?

By all rights of Hollywood true-storydom, the Mouse House's 2002 film "The Rookie" -- based on the late-blooming career of Tampa Bay Devil Rays relief pitcher Jim Morris -- should have been stale, pedestrian junk. Yet director John Lee Hancock brilliantly balanced easy-going sentimentality and cinematic luster to produce one of the best baseball movies of all time.

Now comes "Miracle," a rousing and satisfying (if more perfunctory and less masterful) chronicle of the 1980 U.S. Olympic hockey team -- a band of unknown young scrubs who captured America's imagination and pride by beating the unbeatable Russians (and later winning the gold medal) at the Lake Placid games.

Continue reading: Miracle Review

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