Christy Turlington Burns and Ed Burns - Calvin Klein has announced its new global advertising campaign for ETERNITY Calvin Klein, to debut in June 2014. The campaign heralds the return of model and maternal health advocate Christy Turlington Burns, the original face of ETERNITY Calvin Klein, alongside her husband, writer, director and actor Ed Burns. Shot on location in stunning Turks & Caicos, the new ETERNITY Calvin Klein campaign features the couple as they share intimate moments on a quiet beach. Turlington Burns and Burns will also appear in an advertising campaign for ETERNITY NIGHT Calvin Klein, a new creamy floral fragrance, and ETERNITY NIGHT Calvin Klein for men, a new woody fougere fragrance, set to launch globally in August 2014. For the advertising visuals, they are shown in a serene beach setting captured at twilight. Both the new ETERNITY Calvin Klein and ETERNITY NIGHT Calvin Klein advertising campaigns were shot by renowned photographers Inez Van Lamsweerde and Vinoodh Matatin, and directed by Trey Laird of Laird + Partners in conjunction with Calvin Klein's in-house ad agency and creative studio. "I am so grateful for the support of Every Mother Counts and thrilled to be back representing this brand along with my husband. This is my new favorite ETERNITY Calvin Klein campaign of all time," said Turlington Burns. "ETERNITY Calvin Klein has remained a top-selling global fragrance brand and is still as relevant as when it launched 25 years ago," said Steve Mormoris, Senior Vice President of American Fragrances, Coty Prestige. "Christy is synonymous with the house, and featuring her alongside Ed was a natural choice, because together they perfectly capture the spirit of eternal love." Tom Murry, Chief Executive Officer of Calvin Klein, Inc., said, "We are thrilled to continue the house's longstanding relationship with Christy, while welcoming Ed into Calvin Klein's ever-evolving legacy of iconic advertising visuals. Christy and Ed are the ideal couple to represen - Tuesday 13th May 2014
Frank Darabont's 'Mob City' hits on Wednesday, but can we make comparisons to 'Walking Dead'?
Walking Dead writer and director Frank Darabont is already onto his next project, and you might have assumed he'd have gone in the exact opposite direction. But Darabont sees many similarities between the AMC show and his new series Mob City.
Is Frank Darabont's 'Mob City' The Next Big Thing?
But this time, you can sit back and relax, knowing no zombies are going to jump out at you. Fans of the Walking Dead know that the un-dead are only secondary to the human drama, and Darabont said that is what he brings to both shows.
Continue reading: What's In 'Mob City' For 'Walking Dead' Fans?
It's not the first show to be promoted over Twitter, but it might be the first to "air" there as well.
Social media isn’t on the rise any more, it’s booming and taking over in new and creative ways, as TNT’s promotional stunt for their upcoming Mob City demonstrates. The channel will promote its “three-week television event,” by tweeting out the script for the first episode, in its entirety, 140 characters at a time.
Jon Bernthal stars in this inovative (at least in its promotion) drama.
We wouldn’t worry about spoilers though, since even followers of the show’s Twitter (@MobCityTNT) probably won’t be able to keep up with the hundreds of statuses this is bound to produce. The “adaptweetion” will go live line by line, two days before the premiere, the network has announced, via Deadline. The project, a collaboration between TNT and Deutsch NY is a 1940s period series, focusing on 1940s Los Angeles.
Mob City - previously known as Lost Angels - will begin it's 6-episode run on TNT on December 4
Mob City is filmmaker Frank Darabont's take on the novel L.A. Noir: The Struggle For The Soul Of America’s Most Seductive City - a detailed account of post-World War II Los Angeles gripped by corrupt police and a rampant organised crime network. On Tuesday (13 August) TNT announced that the show will be airing on the network on Wednesday 4 December, also revealing a shiny new title and a shiny new trailer to go with the announcement.
Neal McDonough's Willaim Parker will try to rid LA of organised crime in the series
The show - originally title Lost Angels - follows the mostly fact-based story of Los Angeles darkest periods; a time when a corrupt police force do little to curtail the gains of the violent criminal world it should be controlling, as it further cements LA as the hub of organised criminal activity on the West Coast. Arriving in the city to free it from this scourge of criminal activity is Police Chief William Parker (Neal McDonough), who has made it his mission to make Los Angeles a city where people can feel safe to walk the streets again.
Continue reading: Frank Darabont's New Mob Drama Gets Premiere Date, New Title And Trailer
Wright was a Rolling Stone reporter who somehow got himself embedded in the First Recon Marine unit that was frequently at the very point of the entire American military machine rolling into Iraq in 2003. In the capable hands of Simon and Burns, his story of these turbo-trained alpha-male hunter-killers becomes something unlike most any other film project about the war. It opens in the sands of Kuwait, with the platoons tussling in the sand like overgrown boys, primed with teeth-bared intensity to launch themselves at Saddam's forces; only, in the manner of Jarhead, that great battle never quite seems to come.
Continue reading: Generation Kill Review
That's not to say that HBO doesn't know how to get the most out of its most Maxim-reader-friendly property, a fact perfectly well displayed in the channel's decision to split up the DVD release of season three into two parts, nicely maximizing revenue. The second part, containing the piddling last eight episodes on two discs, is barely enough to get you through a long and dreary Saturday, but is nevertheless a worthy distraction from the messy realities of life.
Continue reading: Entourage: Season Three, Part Two Review
Fifteen months later, The Wire returned for its brilliant swan song. David Simon, Ed Burns, and crew famously dedicated each season of The Wire to an institutional failure (the drug war, the middle class, political reform, the schools) that has contributed to the extended death of Baltimore, and by extension all of America's inner cities. For the show's final go-round, the show takes on the decline of local media. Simon spent years -- several of them tumultuous -- at the Baltimore Sun before he started creating amazing TV shows. Naturally, Simon brings much of his personal disaffection and melancholy to his portrayal of that disintegrating daily.
Continue reading: The Wire: Season Five Review
But don't blame the leads. Last year's breakout charmers Katherine Heigl (Knocked Up) and James Marsden (Hairspray, Enchanted) almost salvage this shabby, flabby date movie. He displays impressive comedic timing, and she shows off her deep reservoir of charm. If Knocked marked the arrival of a new rom-com starlet, Dresses at least proves Hollywood's relationship with Heigl is built to last.
Continue reading: 27 Dresses Review
More than enough, it turns out.
Continue reading: The Wire: Season Four Review
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