Instead, it centres on the interpersonal drama and exhilarating dance moves.
After his mother dies, Boston teen Ren (Wormald) moves to small-town Bomont to live with his aunt and uncle (Dickens and McKinnon). Teens here are prohibited from dancing due to a tragedy three years earlier, so Ren is soon at loggerheads with the local minister (Quaid), whose daughter Ariel (Hough) is a wild child with a redneck boyfriend (Flueger) and an eye for Ren. As Ren deals with his own issues, he teams up with new friends Willard and Woody (Teller and Blain) to take on the system.
Continue reading: Footloose Review
The Replacements is a hokey mistake of a football film, a mishmash collage of one-dimensional characters, rampant stereotypes of cultures and races, cliched emotional statements of purpose, and Keanu Reeves wishing for The Matrix sequel to start principal photography. The story is loosely based around the pro football players' strike in 1987 and a rag-tag team of replacement football players taking up the reins of professional play for a variety of teams with names like the Washington Sentinels. Keanu Reeves stars as Shane Falco, a has-been football college player looking for redemption. Gene Hackman dons a fedora like Tom Landry and speaks with gusto like a certain coach in Hoosiers.
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Then a miraculous thing happened: Cody Banks 2 started and there was a heavenly quiet--occasionally broken by laughter--that was maintained for the next hour and forty-odd minutes. That's a tremendous compliment for a kids' movie. I would like to say that Cody Banks 2 has a lot to offer adults, as well. For anyone over the age of 16, the movie moves briskly and doesn't make you curse the gods of time. In this pre-summer movie season, those qualities will be a blessing.
Continue reading: Agent Cody Banks 2: Destination London Review
Agent Cody Banks was made just to make money, and to stock Toys 'R' Us shelves and McDonald's Happy Meal boxes with cheap action figures. The script, which feels like the cheapest writers available threw it together in a week, is actually quite impressive in how every mind-numbing scene attempts to manipulate the minds of susceptible adolescents. It uses every trick in the book, from pre-teen humor and Bond rip-offs, to busty secret agents, phony special effects, and, of course, Frankie Muniz. If -- God forbid -- the movie is a hit, the producers have even secured an easy sequel with its carefully formulated ending.
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What we've got here is your standard grade horror flick in the vein of Scream and Urban Legend, revolving around a mysterious killer devising a supposed revenge plot -- a geeky kid who got a Carrie pulled on him in 6th grade. My how the tables have turned! The bunch of girls who refused to dance with him are now getting killed, 13 years later. Has this nobody returned from obscurity to exact his revenge for having punch poured on him?
Continue reading: Valentine Review
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