Judith Light and Dylan Baker - A variety of stars were photographed as they arrived at the 2015 Roundabout Theatre Company Spring Gala which was held at the Waldorf Astoria Hotel in New York City, New York, United States - Monday 2nd March 2015
One of the finest biopics in recent memory, this drama manages to present someone as iconic as Martin Luther King Jr. as a normal man anyone can aspire to emulate. Anchored by an internalised performance from David Oyelowo, the film is skilfully directed by Ava DuVernay (Middle of Nowhere) with a sharp attention to subtle details. And the script by newcomer Paul Webb draws the characters with such complexity that the film has provoked controversy from people who like their heroes untextured.
The film enters Martin's story as he is awarded the Nobel Peace Prize alongside his activist wife Coretta (Carmen Ejogo) in October 1964, just over a year after his soaring "I have a dream" speech. And a few months later, he's called to Selma, Alabama, to help blacks who are being denied the right to vote by racially motivated voter registration laws. Martin meets with President Lyndon Johnson (Tom Wilkinson), who has more pressing things on his political agenda, then heads to Selma to lead a march on the state capitol in Montgomery. But the peaceful protest is met with nightmarish violence, ordered by Governor George Wallace (Tim Roth). So as the protesters regroup and plan a second march, Martin heads back to Washington to challenge Johnson to set some new priorities.
Cleverly, the script just covers a few months, punctuated with a series of King's most rousing speeches. Since none of this is presented for its big inspirational value, it has a much stronger kick than we expect. The film's punchiest scenes are almost silent, as King struggles to knot his tie before an appearance or fails to find the words to confess his infidelities to his wife. Oyelowo is so transparent in the role that King emerges as an everyday man with a gift for oratory in the right place at the right time. But it's his steely desire to do the right thing that makes him inspirational. And how he reacts when he discovers the human cost of his actions.
Continue reading: Selma Review
The New York premiere of 'Selma' took place at the Ziegfeld Theatre. The red carpet in New York was graced by the likes of Aretha Franklin, and American actor, director and screen/playwright, Tyler Perry.
Dylan Baker - Shots of a variety of stars as they took the the red carpet for the premiere of the movie drama 'Selma' which was held at the Ziegfeld Theater in New York City, New York, United States - Sunday 14th December 2014
“What happens when a man stands up and says ‘enough is enough’?” So goes the question raised by Martin Luther King, Jr. (David Oyelowo) when President Lyndon B. Johnson (Tom Wilkinson) declines to help him in battling the race-related violence in Alabama. In retaliation, King organises a peaceful protest; he has African Americans march into Selma, Alabama, in an attempt to gain rights to vote. What follows, is a truly horrifying attack from the police on the peaceful protest which was televised and seen by millions, forcing the President’s hand, as he is forced to watch innocent people suffer.
Continue: Selma Trailer
Stephen Lang, Victor Garber and Dylan Baker - Shots of celebs as they arrived for the Premiere of '23 Blast' The premiere was held at the Regal Cinemas E-Walk Theater in New York City, New York, United States - Monday 20th October 2014
Almost everybody received a ticket to the New York premiere of 'Fury'. David Ayer, the film's director, snuck in almost unnoticed in the crowds. Jim Parrack, who appears in the film, was also there with his fiancé - 'Hunger Games' actress Leven Rambin.
"All the world's a stage, and the men and women merely players". Or so thinks Simon Axler (Al Pacino), a washed up aged actor who struggles to distinguish real life from the stage. With no money and all but no dignity left, his agent is desperate to help him get a new job advertising. Then he meets Pegeen (Greta Gerwig), the daughter of a close friend. As his flirtation is returned, Simon is more than confused to discover that Pegeen is a lesbian. Through a web of hilarious deception, Simon is warned to stay away, yet his odd relationship with Pegeen blossoms into something both self-destructive and moving.
Continue: The Humbling Trailer
Breaking Bad has won five of the nine categories in the Primetime Emmy Drama Awards. The series, which finished its run last year, dominated this section of the awards and won the award for Outstanding Drama Series amongst others. Here is a quick analysis of each drama category.
The Primetime Emmy Awards were held on Monday evening (25th August) in Los Angeles and there was stiff competition in every category although the results were ultimately highly predictable.
Breaking Bad dominated the drama awards at the Primetime Emmys.
Continue reading: Primetime Emmy Awards 2014 -Breaking Bad Predictably Dominates Drama
It's been nearly 10 years since we first met Ron Burgundy, and this sequel is just as random and silly as expected. It's also more like a series of referential gags than an actual movie comedy, and as with the original film the best bits are knowing jabs at absurdities of the news media. This time we're in the 1980s, so there's plenty to make fun of here.
Over the past decade, Ron (Ferrell) has married Veronica (Applegate), and they've taken a joint anchor job in New York, where they live with their son (Nelson). But when Veronica lands a coveted network news job, Ron has a meltdown. Drunk and unemployed, he's approached to work on a new station: a 24-hour cable news channel. Even though he's sure this crazy idea will never catch on, Ron re-assembles his old team (swaggering reporter Rudd, dazed weatherman Carell and goofy sports guy Koechner) to beat handsome anchor Jack Lime (Marsden) in the ratings. And Ron's offbeat, populist approach changes the news forever.
This comical exploration of how TV news has shifted from hard reporting to shameless audience pandering gives the film a whiff of depth, which helps make the comical moments a lot funnier. The screenplay is a series of sketch-comedy episodes that don't quite hang together. For example, you could delete an extended sequence in which Ron goes blind, nurses a shark to health and sings a big musical number, and the movie wouldn't change at all. But all of these sequences have an absurd genius behind them that often gets us laughing, sometimes in disbelief.
Continue reading: Anchorman 2: The Legend Continues Review
The legend of San Diego's Channel 4 news team may have long since dissolved over the years, but anchors Ron Burgundy, Brian Fantana, Brick Tamland and Champ Kind are set to return as part of a brand new 24-hour news channel. In a bid to innovate newsreading and once again come out on top over Ron's wife and rival Veronica, they decide that they're going to give viewers the news they want to hear rather than what they need to. As usual, their antics involve the usual scandal and debauchery, putting their careers and tarnished reputations once again in the media's line of fire. No matter though, as these co-workers have each other's backs all the way.
The news used to be a noble profession before the likes of Ron Burgundy with his set of San Diego anchors Brian Fantana, Brick Tamland and Champ Kind took over. Now it's all about scandal, debauchery and vulgarity and Burgundy and his team are fighting hard to keep it that way. As per usual, they manage to get themselves in all kinds of trouble involving drugs in the studio, completely inappropriate news headlines, accidental racism (not to mention homophobia) and, of course, getting laid, and it's all in a bid to remain on top of the media as Ron fights his own battle to professionally tower over his wife and rival Veronica.
'Anchorman 2: The Legend Continues' is the even more hilarious sequel to 2004's 'Anchorman: The Legend of Ron Burgundy'. There's definitely more laughs to be had from everyone's favourite news readers as Judd Apatow ('The 40 Year Old Virgin', 'Knocked Up', 'Forgetting Sarah Marshall') returns to produce it. Director Adam McKay ('Step Brothers', 'The Other Guys', 'Talladega Nights') is also back alongside his co-writer and star Will Ferrell. It is set to feature in cinemas just in time for Christmas, premiering in theatres everywhere on December 20th 2013.