Duncan Tucker

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Transamerica Review


Grim
From the moment that Felicity Huffman comes on screen in Transamerica, with her rumbling voice and the cloistered manners of a 1950s housewife, it's apparent you're in for something rarely seen before in American film. Playing the transsexual Bree, who is getting ready for the final gender reassignment surgery that will complete her transition to true womanhood, Huffman creates a character who isn't terribly interested in gender politics but just wants to be allowed to live on her own terms. As such, it's a brave and tough piece of acting - a woman playing a man aching to become a woman - that truly breaks barriers. Unfortunately, there's a lousy movie wrapped around her that one must suffer through to see her.

Conceived by writer/director Duncan Tucker as the kind of wacky road movie being churned out by Sundance-grubbing indie studios about 10 years ago, Transamerica has a strong conception of Bree's character but little idea of what to do with it. Living in a small, rundown house and working two jobs to save money, Bree puts all her hopes and dreams into her long-awaited surgery, doing everything she can to convince her therapist (Elizabeth Peña) that she's ready for the change. All that gets put on hold, though, when she finds out that a relationship she had back when she was still living as a man resulted in a child, Toby (Kevin Zegers, hardly up to the task), now a teen runaway calling from a New York jail looking for his dad. Since her therapist won't consent to the surgery until she deals with her past, Bree hops a plane to New York. That's where the road trip comes in.

Continue reading: Transamerica Review

Transamerica Review


Grim
From the moment that Felicity Huffman comes on screen in Transamerica, with her rumbling voice and the cloistered manners of a 1950s housewife, it's apparent you're in for something rarely seen before in American film. Playing the transsexual Bree, who is getting ready for the final gender reassignment surgery that will complete her transition to true womanhood, Huffman creates a character who isn't terribly interested in gender politics but just wants to be allowed to live on her own terms. As such, it's a brave and tough piece of acting - a woman playing a man aching to become a woman - that truly breaks barriers. Unfortunately, there's a lousy movie wrapped around her that one must suffer through to see her.

Conceived by writer/director Duncan Tucker as the kind of wacky road movie being churned out by Sundance-grubbing indie studios about 10 years ago, Transamerica has a strong conception of Bree's character but little idea of what to do with it. Living in a small, rundown house and working two jobs to save money, Bree puts all her hopes and dreams into her long-awaited surgery, doing everything she can to convince her therapist (Elizabeth Peña) that she's ready for the change. All that gets put on hold, though, when she finds out that a relationship she had back when she was still living as a man resulted in a child, Toby (Kevin Zegers, hardly up to the task), now a teen runaway calling from a New York jail looking for his dad. Since her therapist won't consent to the surgery until she deals with her past, Bree hops a plane to New York. That's where the road trip comes in.

Continue reading: Transamerica Review

Duncan Tucker

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