In this World War I yarn, unflinching U.S. Navy Captain Bob Kingsley (George O' Brien -- all smugness and self-assurance) is in charge of a "mystery ship" -- a schooner posing as a merchant vessel decked out with an immense cannon hidden in a giant box -- sent out to hunt down notorious German U-Boat 172 and its dashing commander Franz Schiller (John Loder). It's not much of a secret since when they land in a Spanish port riddled with undercover German spies -- including the luscious blonde Anna Maria (Marion Lessing), who takes a liking to Bob but also happens to be Schiller's sister -- Schiller is there with his boat refueling. Nevertheless, Bob and Schiller continue with the gentlemanly art of war and when they run into each other in a cantina they toast each other with Schiller exiting with, "Until our next meeting." Meet they do, in a rousing battle on the open seas, submarines and ships sinking along with the plot.
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Long before Hollywood suits thought it was a good idea to hide Freddie Prinze Jr.'s hottitude under a pair of spectacles (see Boys and Girls, if you dare), it was decided that for a change of pace, Cary Grant should be similarly four-eyed and socially reticent. And so he was cast in Bringing Up Baby as Dr. David Huxley, a nebbish scientist about to marry his icy prig of a colleague and who's been roped into wooing a rich potential donor to their museum. It's not that Grant can't play this guy, he pulls off the role just fine, but the whole enterprise seems reminiscent of covering a fine antique in layers of shellac or casting George Clooney as an antisocial computer hacker with poor fashion sense. Just because you can do it doesn't mean you should.
Continue reading: Bringing Up Baby Review
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