Retired and, frankly, bored, 70-year-old Ben Whittaker decides the quiet life is not one he needs right now and instead opts for a career move. He applies as a senior intern for a fashion website following the death of his wife, and despite his age he is taken on by the young company CEO Jules Ostin. It isn't long before Ostin beccomes increasingly reliant on Whittaker as he becomes something of a grandfather figure to her; his old-fashioned charm, positive energy and kind wisdown beguiling her as she struggles under the pressure of managing an ever-growing business. Even the board are suggesting she take on a new manager to take off some of the pressure, so Whittaker is exactly what she needs to boost her self esteem and help her stay on track. She's not the only one with a soft spot for Whittaker; the youth of the rest of the office are being taught a thing or two about relationships of all kinds, as he himself learns about the beauty of the modern world.
Continue: The Intern - Extended Trailer
Joy Mangano always wanted to be an inventor and, after getting married, having three children and then getting divorced, she finally decides to follow her dream. It's often the male entrepreneurs that people remember in history, but Joy proves that women can be just as powerful as she rises to become president of her own company, Ingenious Designs, and invents the cutting edge cleaning system, 'Miracle Mop'; all while taking care of a family on her own and running into some difficult circumstances along the way. Betrayed, occasionally on the wrong side of the law and suffering from many losses, Joy is the living embodiment of what doesn't kill you makes you stronger - and with millions of dollars in sales, she's certainly stronger.
Continue: Joy Trailer
Devereaux is well known by the people closest to him as an uninhibited playboy, using his wealth and his high status as a rich French politician to gain him access to a whole world of sexual adventures. Despite the fact that he has a loving wife, nothing stops him in his pursuit of pleasure, but such undisciplined behaviour is always likely to be dangerous. After one spontaneous encounter with a New York hotel maid, he finds himself suddenly accused by authorities of being a rapist. While everyone knows of his womanizing ways, no-one would've suspected such an occurence and Devereaux is left cowering and desperate, and feeling guilty that his lifestyle has led to such injustice. Will a man who has so many big ideas on rescuing the economy manage to hold his high for long enough to protest his innocence? Or has he managed to end his promising career?
Continue: Welcome To New York Trailer
The first 20 minutes of the cop-reality show comedy "Showtime" are ripe with glossy satire. Robert De Niro plays a no-nonsense Los Angeles detective forced to let TV crews follow him on and off the job so the department won't get sued for his assault on a network cameraman. The guy got in his way during a collar.
The new show's producer (Renee Russo) -- a zealous Hollywood power-broad-in-Prada-shoes with her finger forever on the pulse of the latest demographic data -- quickly realizes her high concept is going to implode if grumpy, frumpy De Niro is all the program has to offer. So she recruits him a wisecracking, showboating, fame-seeking partner (Eddie Murphy) from the dregs of the patrol ranks. She redecorates police headquarters and his dumpy apartment, IKEA-style. She hires former "T.J. Hooker" star William Shatner (in a funnier than usual send-up of himself) to coach her reluctant star on the finer points of eyebrow arching and moving car hood-jumping.
But after spending Act One on all this establishing, director Tom Dey ("Shanghai Noon") utterly abandons the picture's fertile, sarcastic, "real cop" concept and allows "Showtime" to become a high-concept hack job of undiluted Hollywood hypocrisy. Suddenly there's a bleach-blonde Euro-trash bad guy (Pedro Damian) who engineers ridiculously extravagant daylight armored car robberies for no apparent reason except to show off his customized uber-machine gun that fires one-inch ammunition. Suddenly unmotivated cars chases erupt out of nowhere, always ending in slow-mo explosion-crashes.
Continue reading: Showtime Review
The operative word in the phrase "based on a true story" is usually the first one. Real lives are always souped up for cinematic consumption, often to a astonishing degree, like the way former Long Beach, New York, cop Vincent LaMarca's has been for the film "City By the Sea."
LaMarca's true story is that his father was executed for the kidnapping, ransom and murder of a baby in the 1950s, yet he grew up to join the police force under the wing of one of his father's arresting officers. Then after he retired to Florida, his own estranged son was arrested and convicted of a ruthless murder.
But in this movie -- inspired by an article about the LaMarcas in Esquire magazine -- Vincent (played by Robert De Niro) is a Manhattan homicide detective whose most recent investigation leads him to his own drug-addled son Joey (James Franco), who accidentally killed a drug dealer in a brawl. A girlfriend (Frances McDormand) and a grandchild have been added to beef up the plot, and so has the murder of another cop by the drug dealer's boss, out to avenge himself on Joey.
Continue reading: City By The Sea Review
David Bowie and Rag'n'Bone Man both won two awards at the 2017 BRIT Awards at the O2 Arena in London last night.
The grime superstar will top the bill on Saturday night at Finsbury Park's Wireless Festival in July, with The Weeknd and Chance The Rapper also...
Retired and, frankly, bored, 70-year-old Ben Whittaker decides the quiet life is not one he...
Joy Mangano always wanted to be an inventor and, after getting married, having three children...
Devereaux is well known by the people closest to him as an uninhibited playboy, using...
The first 20 minutes of the cop-reality show comedy "Showtime" are ripe with glossy satire....
The operative word in the phrase "based on a true story" is usually the first...