Vincent Laresca , Drea de Matteo - Celebrities attend 2016 NBCUniversal Press Tour at The Langham Huntington Hotel & Spa. at Langham Huntington Hotel & Spa - Los Angeles, California, United States - Wednesday 13th January 2016
Libby Day is a fragile and unemployed woman struggling to get away from the demons of her past. As a child of just 7, she bore witness to the violent murder of her mother and two sisters and even stood up in court to accuse her older brother Ben of the crimes. People were happy to take her word for it when it was unearthed that he was involved in Satanic activity, but now more than 20 years on the whole trauma is finally back for a visit with consequences no-one could've foreseen. Broke after living off charity funds all her life, she readily accepts a cash payment to make an appearance at a meeting of the Kill Club; a group specialising in murder mysteries and who have a particular interest in the case of her family - namely because they do not believe her brother was the killer. While sceptical of their thoughts, she soon agrees to help them pick apart what happened, re-visiting her memories of that fateful night and even seeing her brother for the first time since his trial.
Continue: Dark Places - Clips
Libby Day is a young woman, still permanently scarred from the events of her childhood. As a 7-year-old girl living in Kansas, she witnessed the brutal slaughter of her family, only weeks after discovering a bizarre interest of her brother Ben's and evidence that he practiced Satanism. After she accused Ben, then 16-years-old, of murder, he was locked up for life and her name went down in crime history. It left her with money from a charitable fund and royalities from her autobiography, but now in her early 30s she's completely broke. Soon though she meets Lyle Wirth, a member of a ghoulish group named The Kill Club, full of crime obsessed wannabe detectives who enjoy solving vicious crimes. They offer her money to help them solve what really happened when she was a girl, because hardly any of them believe her brother was the perpetrator of the massacre. She's sure it was him, but now she's forced to return to that time in her life and remember exactly what happened in the moments leading up to the tragedy - and that gets even more complicated when she finally visits Ben in prison.
Continue: Dark Places Trailer
James Gandolfini's funeral was held today in New York. 'The Sopranos' star died of a heart attack last week whilst holidaying in Italy with his son. He was just 51-years-old.
The funeral of Soprano's star James Gandolfini was held today (27th June 2013) at St John the Divine Catholic Church in New York. A private wake was held yesterday (Wednesday 26th June) in New Jersey for family members and close friends.
Representing the cast and crew of The Sopranos was actress Aida Turturra and creator David Chase, who gave a eulogy. Gandolfini's widow Deborah Lin Gandolfini and two close family friends also spoke.
The late James Gandolfini, pictured here attending the 8th Starlit Benefit Gala, New York, 10th June 2013
Continue reading: James Gandolfini's Funeral - Who Was In Attendance?
All of these stories take place in Manhattan, with only one or two brief forays into other boroughs, and they all centre around relatively well-off people, mainly white or Asian. They're also quite serious and emotional, with only brief moments of humour dotted here and there, although some make us smile more than others. Each is about a male-female relationship--marriages, brief encounters, possibilities, life-long companionship. Most have a somewhat gimmicky twist, and a few are intriguingly oblique.
Continue reading: New York, I Love You Review
Cast as The Eternal Earth Mother in Hunter Hill and Perry Moore's Lake City, Sissy Spacek is a one woman universe -- tilling the soil, pushing wheelbarrows, filling the cupboards, sitting on the porch, and staring pensively at the sunset or gazing at the eternal landscape. She is not channeling her characters in Badlands or The River so much as going back to the source -- Linda Arvidson's stoic pioneer women from the old D.W. Griffith two-reelers (all that is missing is waiting for her effeminate husband to reel in the fish). She lives alone and leads a hard life keeping her farm together in rural Virginia and even though local gas station attendant and part-time guitar picker Roy (Keith Carradine) pines for her, Spacek's Maggie Pope keeps to herself and tend to her chores.
Continue reading: Lake City Review
The dog in question belongs to the titular Walker Payne (Jason Patric), who's the resident rogue of his little Illinois burg. Laid off from the coal mine at the film's opening, Walker kicks about for some other way of getting by, biding his time in the local watering hole, racking up more notches on his bedpost, and generally charming the pants off everyone - with the exception of the ex-wife (Drea de Matteo), who hates him with a near volcanic passion. Williams was smart enough to give such so much of the film over Patric, a generally underused performer who can slip into moroseness if not nudged out of his corner. The early stretches of the film are concerned with little else but Walker and his dog as they scrounge about town, and it's actually not half bad considering how little is going on. But then the plot starts to kick in, along with the problems.
Continue reading: Walker Payne Review
Though it's a wisp of a movie at 83 minutes, Ferrara manages to bore us to tears with the film's dippy story of drug deals gone wrong. The spare dialogue is a place to start: What little the film has is drowned out by annoying music and the rest consists mainly of unbroken strings of swear words, sometimes in English.
Continue reading: 'R Xmas Review
Such is the sorry story of Assault on Precinct 13, a reimagining of John Carpenter's 1976 genre gem (which, in turn, was modeled after Howard Hawks' Rio Bravo) about cops and criminals trapped in an old police station who are forced to work together to fend off a horde of murderous invaders. Directed by Jean-François Richet, the new film holds to that fundamental premise, though it tweaks virtually every important aspect of Carpenter's thriller for maximum vapidity. Now set in snow-bound Detroit on New Year's Eve (rather than in arid California), Richet's Assault switches the skin color of its leads - the police sergeant (Ethan Hawke's Jake Roenick) is now white, while the head criminal (Laurence Fishburne's mythic Marion Bishop) is black - and abandons Carpenter's astute portrait of uneasy, ready-to-explode racial tensions. In this version, the cops are Caucasian (including Brian Dennehy's Irish racist, who tellingly refers to the inmates as "those people"), the bad guys are African-American and Hispanic, and any friction generated from such divisions is swept under the rug in favor of ratcheting up the ho-hum action.
Continue reading: Assault On Precinct 13 (2005) Review
"Swingers" lounge lizards Jon Favreau and Vince Vaughn are reunited in "Made" as a pair of feckless part-time boxers who try to make something of themselves by becoming inept bagmen for the mafia.
Another sardonic -- but more cinematically mature -- comedy written by Favreau (who also directed this time), the flick features Fav as Bobby, a hapless amateur of a pug who just wants to do right by his stripper girlfriend (Famke Janssen) and her angelic little daughter.
A downhearted but upright palooka, Bobby gets kicked off his "day" job as driver for his girlfriend's tease gigs when he punches out a grabby guest at a bachelor party. But his boss, a cranky back-room operator played with comedic panache by Peter Falk, gives him a chance to make up for it by going to New York to do a money drop for a high-rolling uptown gangster called Ruiz (hip-hop mogul Sean "Puffy" Combs).
Continue reading: Made Review
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