Elizabeth Sloane is a lobbyist and often finds herself facing off against some of the most important politicians in America. She's a consummate professional and is often taken as cold and calculating but these elements of her personality only work to her benefit.
In many ways, being a successful lobbyist is like being a chess champion, you always must have the foresight to be at least one step ahead of your opponent and making sure they don't see your moves coming - and if they do, making equally sure that you have a counter measure in place.
After years of success, Elizabeth decides that her time has come to take on one of the biggest challenges; the Gun control laws and Elizabeth soon becomes aware at just what lengths people will go to in order to protect their second amendment right.
With the war between mankind and Skynet drawing to a close, resistance leader John Connor (Jason Clarke) discovers a terrible invention - a time machine. Knowing that the almost defeated Skynet have sent a terminator back in time to kill his own mother and stop the human resistance from forming, Connor has to send his best friend and most trusted lieutenant, Kyle Reese (Jai Courtney) back in time to protect her. When Reese arrives, Sarah Connor (Emilia Clarke) is already prepared for the coming storm, as she has been raised since childhood by the machines themselves. A reprogramed Terminator (Arnold Schwarzenegger) has protected her for years, and is not preparing for the ultimate fight against the greatest enemy.
Continue: Terminator Genisys Trailer
Sometimes, the most terrifying experiences come from childhood games. One such case is that of the Ouija board - a board game designed for communicating with the dead. Debbie (Shelley Hennig) choses to stay in one night and not go out on the town with her friends. While at home, she discovers a mysterious Ouija board in an upstairs room and is later found dead. Her friends decide that, as they miss her, they want to contact her in the afterlife via an Ouija board that they also discover. After making a connection with the afterlife, the friends soon realise that the board is linked to them and bringing them into conflict with an old spectre that seems hell-bent on tormenting them. The Ouija board is not a game for them anymore - it is a newfound level of ultimate terror.
Continue: Ouija Trailer
By mashing up so many genres, filmmaker Jerome Sable has made a thoroughly entertaining romp that's impossible to categorise. It may not work fully as a horror thriller, comedy, musical, coming-of-age drama or spoof, but it's hugely entertaining on all of those levels. Yes, this is a movie that scares us one minute, then has us laughing at some surprisingly sophisticated humour the next.
It's been 10 years since Kylie (Minnie Driver) was killed on the night her star-making show opened on Broadway. Now her children Camilla and Buddy (Allie MacDonald and Douglas Smith) are working at Center Stage performing arts camp, run by their guardian Roger (Meat Loaf). And this summer's big show will be a revival of their mother's fateful musical, The Haunting of the Opera, staged as Japanese kabuki by self-proclaimed genius director Artie (Brandon Uranovitz). Camilla is determined to get the lead role, sucking up to a cute crew member (Kent Nolan) who has a crush on her and then engaging in a battle with Liz (Melanie Leishman), her rival for the part. Meanwhile, a mysterious figure is creeping around the camp, and pretty much everyone has a motive for murder.
The film is skilfully shot and edited, with straight-faced performances heightening the subtle comedy that flows through every scene. Some moments are pure pastiche, while the songs merrily blur the lines between the movie we're watching and the stage musical these theatre brats are putting on. And the cast is terrific. MacDonald and Smith engagingly anchor the central plot, while Meat Loaf has a ball as the all-singing ex-producer who wants to get back to Broadway. The rest of the ensemble is like the cast of Glee, representing a variety of types who are willing to break into another bouncy song at the sound of a single note. The killer, by contrast, prefers death metal.
Continue reading: Stage Fright Review
There can't have been a very big demand for a sequel to 2010's The Lightning Thief, but at least this is another adequate adventure for the teen demigods. Much more child-friendly than the first movie, this episode is essentially just a series of heavily animated action set-pieces strung together by the flimsiest of plots. At least it has a sense of energy and some jagged humour to keep grown-ups engaged.
At Half-blood Camp, the refuge for the children of gods with mortals, Percy (Lerman) continues his rivalry with hot-shot Clarisse (Rambin). And when the protective barrier around the camp is poisoned, it's Clarisse who leads a mission to find the healing Golden Fleece in the Sea of Monsters. But Percy knows that he's the subject of a prophecy about the fleece being used to resurrect the destructive Chronos, and that his nemesis Luke (Abel) is up to something evil. So Percy takes his friends Grover and Annabeth (Jackson and Daddario), plus his newly discovered cyclops half-brother Tyson (Smith), and heads off on his own quest.
Despite a few close calls in which characters come close to death, we're pretty sure nothing nasty will happen to these young franchise characters. But director Freudenthal (Diary of a Wimpy Kid) never hangs around long enough for us to realise that there isn't actually any suspense or intrigue in the plot. The film's pace is frantic, as the characters bolt from one crazy scenario to the next, often without bothering to logically connect the two. Several scenes could be cut without changing the story, while others are pure indulgence, such as Fillion's extended cameo as Luke's parcel-delivering father Hermes.
Continue reading: Percy Jackson: Sea Of Monsters Review
Percy Jackson is the demi-god son of Poseidon and, what's more, all his friends are children of famous Greek gods too. When what he thought was a safe haven, Camp Half-Blood, is suddenly overrun by some deadly vengeful enemies who can only be defeated if her can locate the magical Golden Fleece. He and his friends Annabeth Chase and Tyson embark on a dangerous mission to bring down the reawakened spirit of Kronos, the father of Hades, and in doing so abandons his pride as he enlists the help of the arrogant and very feisty Clarisse La Rue, daughter of the God of War, who is his only hope at staying alive. Unfortunately, the journey ahead is not smooth and they are about to discover what lies beneath the Sea of Monsters.
'Percy Jackson: Sea of Monsters' follows on from events in the 2010 original movie 'Percy Jackson: The Lightning Thief'. It is based on the adored adventure novel series 'Percy Jackson & the Olympians' written by Rick Riordan. 'Sea of Monsters' sees Thor Freudenthal ('Diary of a Wimpy Kid', 'Hotel for Dogs') step into the role of director alongside screenwriters Scott Alexander and Larry Karaszewski ('Ed Wood', 'Agent Cody Banks') and Marc Guggenheim ('Green Lantern', 'Arrow'). It is set to appear in cinemas on August 7th 2013.
Leven Rambin, Douglas Smith, Logan Lerman, Alexandra Daddario and Brandon T. Jackson - Screening of Twentieth Century Fox and Fox 2000's 'Percy Jackson: Sea of Monsters' at The Americana - Glendale, California, United States - Thursday 1st August 2013
'Percy Jackson & The Olympians: Sea Of Monsters' is due for release this summer with fantastic new cast additions along with welcome returns from 'The Lightning Thief' ensemble.
The trailer for the second instalment of the Percy Jackson series 'The Sea of Monsters' is finally here welcoming the return of four members of 'The Lightning Thief's all-star cast along with some exciting new additions.
Following a pretty harrowing school year in discovering that his father is the Greek god Poseidon in 'Percy Jackson & the Lightning Thief', Percy Jackson's ordeal is nowhere near over. In the words of Spider-Man, 'With great power comes great responsibility' and that certainly applies here as now the new Percy Jackson Sea of Monsters trailer shows that Percy is forced to defend his half-god friends and family from the destructive forces of Kronos; a force so evil his sons Zeus, Hades and Poseidon had him destroyed. With his dark spirit now a threat to the world, Percy must recover the Golden Fleece; the only object that can save the world and which is located in the unambiguously named Sea of Monsters. Returning to join him on his quest is his good friend Annabeth Chase played by Alexandra Daddario plus new additions in the shape Douglas Smith as his half-brother Tyson and Leven Rambin, who plays the feisty Clarisse, daughter of the God of War. Logan Lerman makes his return as Percy and Jake Abel is back as the double-crossing son of Hermes, Luke. We also see Brandon T. Jackson back as Percy's best friend Grover Underwood, who's less than happy about Percy's dangerous mission.
If Percy Jackson's life hadn't already become chaotic enough already what with discovering that he's the demi-god son of Poseidon and that his friends are all children of Olympus, it's about to get even more out of control as his safe haven Camp Half-Blood suddenly comes under attack from some deadly foes hell bent on revenge. To save his kind, he must find the Golden Fleece in order to defeat the reawakened spirit of Kronos; the father of Hades, Zeus and Poseidon all of whom destroyed him many years ago. The Fleece can be found in the tumultuous waters of the Sea of Monsters, located in the Bermuda Triangle. To get hold of it, Percy must band together with the daughter of the God of War, Clarisse La Rue; his half-brother Tyson; and his other trusted friend Annabeth Chase. However, the journey doesn't bode to be easy and they discover just why the Sea of Monsters is named thus.
'Percy Jackson & The Olympians: Sea Of Monsters' is the sequel to the 2010 movie 'Percy Jackson & the Olympians: The Lightning Thief'; both based on the fantasy book series written by Rick Riordan. It has been directed by Thor Freudenthal ('Diary of a Wimpy Kid', 'Hotel for Dogs') and with several screenwriters: Scott Alexander and Larry Karaszewski ('Ed Wood', 'Agent Cody Banks'), and Marc Guggenheim ('Green Lantern', 'Arrow'). It is due to theaters from August 16th 2013.
It may be style over substance, but Brandon Cronenberg cleverly blends his father David's love of medical yuckiness with an elusive Lynchian-style mystery to keep us unnerved all the way through this low-key thriller. And the film also works as a dark satire on today's celebrity-obsessive culture, in which fans will go to any lengths to be closer to their idols. So imagine if they had the chance to share a star's illness.
This is the work done by the gleaming, futuristic Lucas Clinic, where clinician Syd (Jones) works. He injects one patient (Smith) with an STD taken from mega-star Hanna Geist (Gadon). But Syd has secretly given himself a more powerful virus, which he learns is killing Hannah. Now everyone wants to get their hands on him, even as he realises that he needs to find a cure before it's too late. So he gets in touch with Hannah's assistant (McCarthy) and doctor (McDowell), and discovers that there's a conspiracy afoot involving his clinic's main rival.
The idea that fans would go to this kind of extreme isn't actually that unbelievable in a culture in which we watch their every move on reality TV and feel like their friends through Twitter. And Cronenberg's idea goes beyond sharing viruses, including cloned skin grafts and even a butcher (Pingue) who sells meat grown from celebrity cells. While the ideas echo some of David Cronenberg's films (mainly Videodrome and eXistenZ), this is also a strikingly original approach. The imagery looks amazing, with all-white surfaces and a spare use of colour, against which Syd's unravelling physicality looks increasingly garish.
Continue reading: Antiviral Review
I'm pleased to report that neither was the case... I'm not sure I could bear to watch another one of either of those kinds of films. What State's Evidence is, rather, is an entry into the burgeoning teen violence genre, taking the form of, primarily, a home video confession of a high school student who's determined to commit suicide the next day. In chronicling his last day on earth, word gets out what Scott (Douglas Smith) is going to do, and he soon becomes a minor celebrity in school, as everyone wants to be a part of his last day on earth. But a few of his friends throw a wrench into things by deciding to join in, and a suicide pact is formed. As expected, this takes an even darker tone as the kids realize that, with no consequences facing them, morality may as well go out the window.
Continue reading: State's Evidence Review
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There can't have been a very big demand for a sequel to 2010's The Lightning...
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If Percy Jackson's life hadn't already become chaotic enough already what with discovering that he's...
It may be style over substance, but Brandon Cronenberg cleverly blends his father David's love...