Derek McLane, David Lander, Susan Hilferty and Doug Wright - Opening night party for the Atlantic Theater Company production Posterity, held at Moran's restaurant - Arrivals. at Moran's restaurant, - New York City, New York, United States - Monday 16th March 2015
Doug Wright and David Clement - Opening night party for the Atlantic Theater Company production Posterity, held at Moran's restaurant - Arrivals. at Moran's restaurant, - New York City, New York, United States - Sunday 15th March 2015
Marshall gives the film, especially its early scenes where Sayuri (Ziyi Zhang) gets schooled in the hard-knock ways of the okiya, a goodly amount of sound and fury that has more than a hint of Spielberg to it (the original director of the project, he stayed on as producer). Having one of the world's most photogenic period settings, Marshall makes all that he can of it, and the results are astonishing. This is a film of fluttering cherry blossoms and dark alleyways lit by paper lanterns, where all houses have their own deftly-maintained garden and everyone is dressed to the nines. The problem is that no amount of amped-up drama or pretty window-dressing can make up for the fact that the phenomenally talented cast has been stuck with hackneyed dialogue to deliver in English - a first language for none of them.
Continue reading: Memoirs Of A Geisha Review
As portrayed in Quills, based on the Obie Award-winning play by Doug Wright, the Marquis is an earthy, dirty, jolly old soul with the unquenchable desire to write his perverse dreams on paper. He's the unflinching id in the face of mediocrity and tolerance, the middle finger held like a candle to the powerful hypocrites, and the loud fart in the house of God, an affront to restrictive dogma.
Continue reading: Quills Review
Ford attributes his career success to films that pass 'from generation to generation'.
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