In the 19th Century in Cumbria, England, an old house stood overlooking a tremendous stretch of land. That house was Crimson Peak, inhabited by Sir Thomas Sharpe (Tom Hiddleston) and his sister, Lady Lucille Sharpe (Jessica Chastain). When author Edith Cushing (Mia Wasikowska) marries the handsome and quite Thomas Sharpe, she moves to Crimson Peak to live with the siblings. However, upon arrival, strange thing begin to occur. Mysterious visions and terrifying objects begin to emerge, showing that the house is not as it appears. As Cushing struggles to get to the bottom of the house's dark history, the secrets of the family steadily begin to unveil themselves to her.
Continue: Crimson Peak Trailer
Scroll for pictures from the geekiest night of the year!
The geekiest of geek outs happened on Sunday night when The Geekie Awards took place. Returning for the second time and with a fresh batch of new sponsors, the ceremony was streamed on Twitch and, judging by the photos below, was a hoot.
Aiming to celebrate and reward the best of geek culture, which is probably the most varied and quickly emerging sub-culture around, it was announced that the Oscar and Emmy-winning producer Gale Anne Hurd will receive the Stan Lee Lifetime Achievement Award from the award's first recipient, Stan Lee, the co-creator of Spider-Man, the Hulk, the Fantastic Four, Iron Man, Thor, the X-Men.
“I have always considered myself a geek, so being the recipient of a Lifetime Achievement award named after the ‘King of the Geeks', Stan Lee, is really a dream come true,” said Hurd, who co-wrote “The Terminator” and executive produces “The Walking Dead” which is due to return later this year for AMC.
Continue reading: The Geekie Awards 2014 [Pictures]
The Watch are Costco manager Evan, father of a teenage daughter Bob, police reject Franklin and Jamarcus who seeks the love of a beautiful woman. Evan formed the Watch after his wife Abby forced him to move to the suburbs of Glenview, Ohio in an attempt to escape the mundaneness of his daily family life. The others, with same mindset, soon followed despite the persistent mockery from local kids and police officers that came along with it. Once they obtain their team jackets that truly scream don't-mess-with-us with their tiger/ wings/ fire emblems 'All on the same logo!', they are ready to sniff out the covert aliens of the town. What they weren't betting on was actually finding anything so when their vehicle collides with something in the road, coming across a splatter of your average mysterious green slime came as a bit of a surprise. They discover a mystifying ball of some sort that they eventually recognise as a deadly weapon after obliterating a cow with a beam of energy. The Watch realise that they must be the ones to defend their planet from this extra-terrestrial threat.
Continue: The Watch Trailer
Lucien Ginsburg (Mottet-Klein) was born to Jewish parents (Vasilescu and Droukarova) and, after surviving the Nazi occupation, studied art and music.
It's his skill at songwriting that propels him to stardom. Now known as Serge Gainsbourg (Elmosnino), he goes through two marriages, two children and a passionate late-1960s affair with Brigitte Bardot (Casta) before falling in love with the young British actress Jane Birkin (Gordon) and then the model Bambou (Jampanoi). His increasingly manic behaviour, fuelled by alcohol, sabotages his relationships even as it adds fire to his work.
Springing from his own comic-strip about Gainsbourg, filmmaker Sfar infuses the film with Jonze/Gondry-style visual trickery. This lushly crowded movie is a riot of clever camera angles, animation, effects work and puppetry, all bringing Gainsbourg's imagination to life. Sfar creates a pointy spectre called La Gueule (Jones) who follows Gainsbourg through life, spurring him to artistic and personal excess like a demonic muse in contrast to the more angelic Bardot, Birkin and Bambou.
Continue reading: Gainsbourg [Vie Heroique] Review
Hellboy II takes the fantastic make-up artistry, creature creation, and set design that we grew fond of in Pan's Labyrinth and combines all of these elements with mindblowing CGI and stunning choreography. The script this time around is sharp and witty; you'll be laughing for most of this movie (which is good, because Hellboy II would look silly if it took itself too seriously). Most importantly, the movie contains some of the best (i.e., least-fake-looking) action sequences I've ever seen in a comic-book movie, and lots of them, too, which makes it even better than Iron Man, its biggest summer contender next to the upcoming Dark Knight.
Continue reading: Hellboy II: The Golden Army Review
In 1944, Ofelia (Ivana Baquero), a bookish 12-year-old arrives with her pregnant mother Carmen (Ariadna Gil) at an isolated farmhouse in northern Spain. Here, amidst the dark woods and quietly subservient peasants, her new stepfather Vidal (Sergi López), an army captain, has set up base to harass leftover anti-Fascist rebels from the Civil War. The carefully sadistic Vidal has no squeamishness about the humanity of his anti-insurgent campaign, coolly ordering that all food and medical supplies for the nearby villagers be locked up in the farmhouse and only doled out under guard -- an attempt to starve out the rebels hiding up in the mountains. While the adults (including the excellent Maribel Verdú from Y Tu Mamá También as a woman with rebel ties) are fully enmeshed in their pungent dramas, Ofelia has her own problems of a different sort.
Continue reading: Pan's Labyrinth Review
The origin of the mutants in "X-Men" is a concept based on evolution that requires only a little suspension of disbelief. But a whole lot of supernatural B-movie overkill goes into the birth of the title character in "Hellboy" -- including occultish Nazis, a resurrected Rasputin, and the opening of an intergalactic wormhole meant to unleash the "seven gods of chaos" (whatever they are) upon the Earth.
The pre-credits sequence of this effects-heavy summer's-come-early superhero action flick -- based on Mike Mignola's cult comic of the same name -- is a real eye-roller, especially since a battalion of G.I. Joes sent expressly to stop this fascist-black-magic conspiracy just sits on its collective hands doing nothing until the whole shebang is already underway.
But once writer-director Guillermo del Toro ("Blade II," "The Devil's Backbone") moves into the modern day -- where the demon-like spawn of that evil experiment has paradoxically grown into a muscle-bound, horn-headed, red-skinned and stone-fisted, paranormal, crime-fighting anti-hero called Hellboy -- the film settles into a distinctively sharp, sardonic rhythm full of character and imagination.
Continue reading: Hellboy Review