Doug Hutchison

Doug Hutchison

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Star Hollywood Rocks presents Jason Derulo

Doug Hutchison and Courtney Stodden - A variety of celebrities were snapped on arrival as they attended the Star Hollywood Rocks presents Jason Derulo event which was held at The Argyle Hollywood in Los Angeles, California, United States - Wednesday 15th April 2015

Courtney Stodden Shopping In Beverly Hills

Courtney Stodden and Doug Hutchison - Courtney Stodden and Doug Hutchison shops at Pussy and Pooch in Beverly Hills - Los Angeles, California, United States - Monday 21st April 2014

Courtney Stodden and Beverly Hills
Courtney Stodden
Courtney Stodden and Doug Hutchison
Courtney Stodden and Beverly Hills
Courtney Stodden and Doug Hutchison

Courtney Stodden music video party

Courtney Stodden and Doug Hutchison - Courtney Stodden celebrates the premiere of her new music video "REALITY" at Eleven NightClub - Los Angeles, California, United States - Sunday 10th February 2013

Courtney Stodden and Doug Hutchison

Celebrity Big Brother Eviction

Doug Hutchison - Ron Atkinson becomes the second celebrity to be evicted from the Big Brother House - Borehamwood, United Kingdom - Friday 30th August 2013

Courtney Stodden puts on a private pole dancing show at Eleven NightClub

Courtney Stodden and Doug Hutchison - Courtney Stodden puts on a private pole dancing show at Eleven NightClub - Los Angeles, California, United States - Saturday 9th February 2013

The Burrowers Review


Good
Though it's been compared to the 1987 creature feature cum comedy flick Tremors, J. T. Petty's The Burrowers is a subtler, creepier effort that is rewarding both as a horror film and a period piece.

Ostensibly a Lovecraftian creature flick set in 1870s Dakota Territories, the film's monster plot is housed in a gorgeous Malick-like picture of homesteaders and Indians lost and wandering in the vastness of the American plains. And while it might have been tempting to get all political, the film eschews rough ideology for sweeping vistas, rugged men, tribal mythologies, and downright creepy flesh-dissolving grasshopper men.

Continue reading: The Burrowers Review

Punisher: War Zone Review


Terrible
As superheroes go, Frank Castle, also known as The Punisher, doesn't seem like the most worthy candidate to warrant three different movie adaptations in 20 years. His mission is vengeance, and his superpower is just a van full of guns. Someone like Spider-Man or Batman requires a rich yet relatable backstory, explaining the relationship between his fate- or self-given powers and how he chooses to use them. The Punisher's logline is comparably simple (bad guys killed his family; now he kills bad guys), and no one needs to explain where he got his van or guns (probably Wal-Mart).

To make this man interesting requires a certain amount of style and attention to detail, two of many qualities lacking in Punisher: War Zone, the newest Punisher... well, "adventure" sounds too frolicsome, so let's say "incident." Like The Incredible Hulk, Punisher: War Zone ignores but doesn't quite contradict the events of its immediate predecessor; it's not a direct sequel to 2004's The Punisher, but at least allows the previous film to take care of the origin business.

Continue reading: Punisher: War Zone Review

The Green Mile Review


Excellent
The Green Mile? Let's talk about 26 miles. The length of a marathon. Start the race and the movie together: The race would long be over before the film. The winner would be at home, taking a nap. Yes, The Green Mile is three hours long.

Not that long movies have never been successful, and not that The Green Mile is bad. You might even think a long movie is required here. Pulled from Stephen King's acclaimed series of six books by the same name, King returns to the kind of work he was doing in The Shawshank Redemption (based on a short story of his), the kind that seems to perform the best, away from splatter and gore, and into the minds of the strangest of characters.

Continue reading: The Green Mile Review

The Green Mile Review


Excellent
The Green Mile? Let's talk about 26 miles. The length of a marathon. Start the race and the movie together: The race would long be over before the film. The winner would be at home, taking a nap. Yes, The Green Mile is three hours long.

Not that long movies have never been successful, and not that The Green Mile is bad. You might even think a long movie is required here. Pulled from Stephen King's acclaimed series of six books by the same name, King returns to the kind of work he was doing in The Shawshank Redemption (based on a short story of his), the kind that seems to perform the best, away from splatter and gore, and into the minds of the strangest of characters.

Continue reading: The Green Mile Review

Bait Review


OK
The American fascination with personal surveillance and voyeurism has reached a new and strange level. TV shows such as Survivor, Big Brother - and movies such as Enemy of the State and The Blair Witch Project have raised the bar for compulsive interest in other peoples' lives. It is as if America has become a nation of stalkers and shut-ins locked away behind their television and computer screens. The new Jamie Foxx film Bait is a prime example of how this sadistic, cultural phenomenon has been constructed into mainstream Hollywood fodder for the masses.

I didn't know what to expect of Bait. From the media blitz in the past couple weeks, the movie looked like a weird hybrid of Blue Streak, Enemy of the State, and Hackers without Angeline Jolie (dammit!). The story follows Foxx as an inept thief named Alvin Sanders who involuntarily helps Federal agents track down an ultra-cool computer hacker -- Doug Hutchison (that asshole guard Percy Wetmore from The Green Mile) -- who has robbed the U.S. Gold Reserve with lackey Robert Pastorelli of 42 million dollars.

Continue reading: Bait Review

No Good Deed Review


Terrible
A closer look at No Good Deed reveals a lot of sad truths. You realize that the once terrific Samuel L. Jackson is quickly becoming this generation's Ernest Borgnine, grabbing any role that comes his way. It dawns on you that director Bob Rafelson's last movie of impact was Five Easy Pieces and that was 33 years ago. You nearly shed a tear that Stellan SkarsgÄrd and Doug Hutchison (Percy in The Green Mile), both good actors, are stuck in a barely released feature.

Based on a Dashiell Hammett short story ("The House on Turk Street"), the movie has Jackson playing Jack Friar, a cop who is cajoled into looking for his neighbor's lost girl. While chasing leads, Jackson helps an old lady with her groceries and inadvertently stumbles upon a gang's hideout. He's konked on the noggin, tied up, and supervised by the gang's stock femme fatale, Erin (Milla Jovovich).

Continue reading: No Good Deed Review

I Am Sam Review


Unbearable

To grasp the shameless, trolling-for-Oscars concept behind "I Am Sam," an insufferably mawkish, mentally-challenged melodrama of self-aggrandizing proportions, just imagine a tear-jerking "Rain Man" sequel with Dustin Hoffman in a custody battle over a button-cute 7-year-old daughter.

Somebody pass the Pepto-Bismol.

The patience-testing, 100-percent predictable picture stars Sean Penn (who I can only assume took the role to finance some smaller, smarter project in the works) in a mannerism-congested performance as a man whose mental capacity has been surpassed by his blond-haired, blue-eyed China-doll kid, and now the state wants to take her away from him.

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The Salton Sea Review


Weak

A handsomely stylish, semi-punk, drug-culture updating of the wronged-man's-revenge film noir plot, "The Salton Sea" has one of the most enticingly, quintessentially film noir opening scenes I've ever seen.

Picture this: Val Kilmer, dressed as a hep cat who just finished a gig at a downtown jazz club, sits on the floor of his burning apartment. Leaning on a wall, silhouetted against the orange flames, he's playing his trumpet and bleeding -- possibly to death -- from a gunshot wound. A bag full of money lies beside him with wads of bills spilling out onto the floor beside him.

"My name is Tom Van Allen. Or Danny Parker. I honestly don't know any more," he breathes in a honeyed, genre-perfect voice-over. "You can decide -- yeah, maybe you can help me, friend. You can help me decide who I am. Avenging Angel? Judas Iscariot? Loving husband? Trumpet player? Speed freak?"

Continue reading: The Salton Sea Review

Bait Review


Terrible

Director Anthony Fuqua doesn't seem terribly interested in the plot of "Bait," a impotent "Enemy of the State" knock-off that reeks of a sloppy re-write designed to accommodate the comedy stylings of Jamie Foxx in the Will Smith-type role.

Fuqua's main focus is turning the picture into a resume-builder and he spends the whole two hours showing off his technique. Dripping with visual flair overkill, the chase scenes, stunts and explosions get the deluxe treatment. A 30-second sex scene is shot from about 20 angles. Even a throwaway speech Foxx gives about missing his father (it's just a line to get his ex-girlfriend in the sack) is filmed with four or five cameras -- one of them restlessly circling him as he mock-emotes -- and edited with slow-motion effects and multiple fade-ins and fade-outs.

"Lookie what I can do!" Fuqua seems to be saying, much as he did in "The Replacement Killers," Chow Yun-Fat's Hong-Kong-style American debut. "Please don't send me back to making music videos!"

Continue reading: Bait Review

The Green Mile Review


OK

"The Green Mile" begins with a little deja vu. Like Tom Hanks' last mid-Century, Oscar-baiting drama, "Saving Private Ryan," it's bookended by a modern framework that finds an old man reluctantly reminiscing about a difficult year of his life, more than half a century ago.

Because of the familiar faces and the similar prestige posturing, this platitudinous structure invites a little eye-rolling as Dabbs Greer (Reverend Alden on "Little House On the Prairie"), playing the aged Hanks, begins to spin what becomes an engrossing three-hour yarn about a year of extraordinary horrors and miracles on death row in a Louisiana state penitentiary.

Hanks plays prison guard Paul Edgecomb, an unjaded joe in charge of death row who treats people on both sides of the bars with humanity and civility. Set in 1935, the central story opens with the arrival of a kindly colossus of a condemned killer named John Coffey (Michael Clarke Duncan).

Continue reading: The Green Mile Review

Doug Hutchison

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