It's hard to fault director George C. Wolfe, however. His Nights in Rodanthe adaptation merely adheres to a blueprint provided by best-selling author Nicholas Sparks, who makes use of a tempest in his source novel but also provides earnest human connections and palpable heartache.
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Hopkins's performance aside, The Mask of Zorro somehow managed to keep itself afloat despite steamrolling through almost every action movie cliche in the books. In retrospect, The Mask of Zorro never loses its freshness precisely because we are continually presented with new formations of the action movie spectacle in a genre we haven't seen much of in a while. Part Robin Hood, part disaster movie, part young warrior in training movie, another part Robin Hood, Zorro seems to take the most classical elements of all of these action genres and put them together in a way that we know we've seen it all before, yet still enjoy the ride.
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