Dong-kun Jang

The opening scenes are a barrage of fight sequences strung together by flash cuts, snapshots, blurs, tilts, whirls, and colors that bleed into one another like paintings. And those first ten minutes are all you need to see (and, not surprisingly, were used extensively in the American trailer). Choreographed to a fast paced, melancholy rock ballad, an assassin slices some businessman up and escapes the police. Meanwhile, a rogue cop jumps on a table and starts opening fire randomly on a group of thugs. It makes absolutely no sense, but it hardly matters. No plot, no character development, just pure carnage in full throttle.

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