Damien is now grown up, and being played by a creepy Sam Neill with such menacing fire that it's a miracle his career recovered to the point where he'd become mostly known for blonde "good guys." Having run Thorn Industries for seven years, Damien uses his powers to coerce the American ambassador to England into committing suicide, then finagles the appointment for himself. Exactly why he needs such a job is never explained, but it does bring the story full circle, as Damien's original dad in The Omen held that very position.
Continue reading: The Final Conflict Review
McQueen plays Frank Bullitt, a celebrated lieutenant with the San Francisco Police Department, assigned to protect a celebrity witness in a Senate subcommittee meeting on organized crime. When the witness is killed in his hotel room, Bullitt has little time to discover the truth before the city's powerful DA (Robert Vaughn) unleashes his wrath.
Continue reading: Bullitt Review
The trouble lies in its placement in the evolution of the Hollywood action film. Papillon is a transitional species. At the same time it soars on old-fashioned virtue, it also suffers from modern vice. Its 150-minute running time, false endings, and mind-numbing repetitions make it an early predecessor of the indulgent blockbuster of today.
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The Borrower, directed by John McNaughton (who directed Henry: Portrait of a Serial Killer, briefly mentioned in this film), is one more movie in this hoary tradition. Movies just like this air weekly on cable, so why do actors, writers and directors bother to make more? Why not just show one from a couple of years back that nobody saw?
Continue reading: The Borrower Review