Dominique Lavanant

Dominique Lavanant

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The Monster (1994) Review


Good
I suppose that the problem with subtitled films is one of being literary. Sure, you can watch intelligent films until the cows come home, but the passerby on CNN's Showbiz Today said it best when he said "I don't like to read when I go to movies."

The fact is that most people don't like to read anymore. I am highly unusual in my affinity for the written word (I not only read books, but write them as a hobby), in my love of conversation as an art form. A small percentage of America likes that. This is the latter half of the 20th century. The information age where the only things that we like to read anymore are web pages. Our stories are told to us through movies. Our book reports are done courtesy of Cliffs (who, don't ask me why, did Slaughterhouse-Five, one of the easiest reads ever).

Continue reading: The Monster (1994) Review

The Monster Review


Good
I suppose that the problem with subtitled films is one of being literary. Sure, you can watch intelligent films until the cows come home, but the passerby on CNN's Showbiz Today said it best when he said "I don't like to read when I go to movies."

The fact is that most people don't like to read anymore. I am highly unusual in my affinity for the written word (I not only read books, but write them as a hobby), in my love of conversation as an art form. A small percentage of America likes that. This is the latter half of the 20th century. The information age where the only things that we like to read anymore are web pages. Our stories are told to us through movies. Our book reports are done courtesy of Cliffs (who, don't ask me why, did Slaughterhouse-Five, one of the easiest reads ever).

Continue reading: The Monster Review

Rendez-vous Review


Good
Good news for you pervs out there: Juliette Binoche spends virtually the entirety of Rendez-vous buck naked, usually begging for sex from one of two men she's just met. At 20 years old, she may look like a teenage boy, but hey, that's the price of gratuitous nudity.

Rendez-vous begins with aspiring actress Nina (Binoche) fresh off the boat in Paris, where she immediately falls into bed with both real estate clerk Paulot (Wadeck Stanczak) and his in-your-face roommate Quentin (Lambert Wilson). Soon enough, secrecy is put aside and the whole affair becomes a messy conflagration of emotion and raw sexuality.

Continue reading: Rendez-vous Review

Dominique Lavanant

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