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I Confess Review


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Montgomery Clift's staid performance is arguably the best thing about I Confess, a minor work in Hitchcock's canon, and that isn't saying much. Here Clift plays a quiet priest with a dilemma: He's been the recipient of a murderer's confession, and now he himself is suspected of the crime.

Does Clift confess or does he maintain his vow of silence with respect to confessions of his parishioners? This issue has been studied at length in the Law & Orders of the world, and they all end the same: Priest/lawyer/psychiatrist keeps the vow of silence until the very end, when the accused either comes forward and confesses or is convicted by some other means at the very last second.

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