Dileep Rao

Dileep Rao

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The world premiere of the 'Kingdom Come' at the Harmony Gold Theater - Arrivals

Dileep Rao Tuesday 2nd October 2012 The world premiere of the 'Kingdom Come' at the Harmony Gold Theater - Arrivals

2nd Annual Hollywood Rush Benefiting The Baby Dragon Fund held at the Wilshire Ebell Theater

Dileep Rao Sunday 19th February 2012 2nd Annual Hollywood Rush Benefiting The Baby Dragon Fund held at the Wilshire Ebell Theater

2nd Annual Hollywood Rush Benefiting The Baby Dragon Fund held at the Wilshire Ebell Theater

Emmanuelle Chriqui and Dileep Rao - Jayson Blair, Michelle Borth, Emmanuelle Chriqui, Dileep Rao, Abe Benrubi Sunday 19th February 2012 2nd Annual Hollywood Rush Benefiting The Baby Dragon Fund held at the Wilshire Ebell Theater

Emmanuelle Chriqui and Dileep Rao

24 Hour Hollywood Rush at the Wilshire Ebell Theatre

Dileep Rao Sunday 20th February 2011 24 Hour Hollywood Rush at the Wilshire Ebell Theatre Los Angeles, California, USA

Inception Review


Essential
Nolan pulls us into another fiendishly entertaining scenario, engaging our brains while taking us on a thrilling ride. And while the mind-bending story might not be as cerebral as it seems, it completely envelops us.

Cobb (DiCaprio) invades people's dreams for a living, stealing ideas with the help of his sidekick Arthur (Gordon-Levitt). But a new client (Watanabe) wants him to try inception instead: implanting an idea in the mind of media heir Fischer (Murphy). So Cobb hires a new architect (Page) and two other skilled experts (Hardy and Rao) to create an elaborately layered dreamworld for the reverse heist. The problem is that Cobb's wife (Cotillard) is lurking in this alternate reality and could bring the whole plan crashing down around them.

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Avatar Review


Extraordinary
After a 12-year-break, Cameron returns to feature filmmaking with a mind-bending epic that's both visually spectacular and emotionally involving.

And the fact that it's in gorgeously rendered 3D is icing on the cake.

In the year 2154, paraplegic Marine Jake (Worthington) is transported to the planet Pandora to join the avatar project. Soon he's in the middle of hostile territory in the genetically cloned body of the Na'vi: three metres tall with blue skin, a tail and a very sensitive ponytail. In the jungle, Jake befriends Neytiri (Saldana), who trains him in the ways of the Na'vi. But this puts him at odds with his employers, who want him to help move the Na'vi so they can plunder the land for a rare mineral.

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Drag Me To Hell Review


Excellent
With the Spider-Man films sitting out there like tarted-up, tawdry trophy wives, it's easy to forget how good a filmmaker Sam Raimi really is. If it weren't for the commercial strictures of the comic book movie, mandates which tend to stifle outright creativity, he might still be churning out the quality spine-tinglers. Instead, he's been lost in a sea of sparkle and spectacle, forgetting us fright fans who propped him up and suggested he might sell to a strict Tinseltown demo. Now, he's back crafting the kind of spook shows that made us all fall in love with him in the first place -- and Drag Me to Hell is quite an act of crazed contrition.

Loan Officer Christine Brown (Alison Lohman) wants the available assistant manager position in her bank. She hopes it will impress the parents of her psychology professor boyfriend Clay Dalton (Justin Long). But when a need for cutthroat tactics causes her to deny a geriatric gypsy woman (Lorna Raver) a third extension on her mortgage, there is literally hell to pay. Seems the old lady places a curse on Christine, guaranteeing that, in three days, a demon will arrive to drag her down to Satan's dominion. Hoping to avoid such a horrible fate, she seeks the aid of psychic Rham Jas (Dileep Rao). He suggests a medium (Adriana Barraza) who had a run in with the same spirit several years before. Unfortunately, it seems Christine's soul is condemned, and nothing can save her.

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Drag Me To Hell Trailer


Watch the trailer for Drag me To Hell

Continue: Drag Me To Hell Trailer

Dileep Rao

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