While Kevin Reynolds' (Waterworld) recent adaptation was warmly received by both audiences and critics (myself included), his was a truncated version. It made up for graceless transitions with gorgeously shot action sequences and American melodrama. Reynolds focused on the story's conflict but lost all the subtlety of the inner narrative, the character growth, and the true turning of the worm. While not as breathtakingly visual, Josée Dayan's earlier television production is superior to Reynolds' film because it assumes that the audience is familiar not just with the story but the novel.
Continue reading: The Count Of Monte Cristo (1998) Review
We're obsessed with this Scottish hero.
How are the world's biggest superstars changing?
Graham J tells all about his experience with the Jazz Journal.
An interview with Nick Wilson.
He dropped his newest single Losing Sleep earlier this year.
Seven ways you can be greener at a music festival.