Maisie is a 6-year-old girl whose parents are the veteran rock star Susanna and the art dealer Beale. As high profile as they are, Maisie is hardly living the high life as her selfish and ignorant folks never seem to have time to think about being parents and when their rocky relationship ends in a fiery divorce, she is used merely as a weapon in court as the bitter custody battle gets underway. Being passed from mother to father and vice versa hardly has the effect of making each parent want to spend more time with her to make up for their time apart as Susanna is often busy on tour and Beale takes many long work trips away. As a result, their respective new spouses Lincoln and Margo (also her ex-Nanny) are forced to take on the responsibility of caring for Maisie together and the young girl finds herself becoming happier by the day.
This is a heart-warming movie challenges the idea of child custody and is viewed through the eyes of an innocent girl who tries to construct a new family after her own is bitterly torn apart. Based on the novel of the same name by Henry James, this adaptation of 'What Maisie Knew' has been directed by Scott McGehee and David Siegel ('Suture', 'Uncertainty', 'Bee Season') and written by Carroll Cartwright ('Dungeons & Dragons', 'Where the Money Is') and Nancy Doyne in her feature film debut.
Nombre opens with Caspar tutoring 12-year-old Smiley (Kristyan Ferrer) on the finer points of gang life, principally how to cover your hombres. To Smiley, watching Caspar grab a quickie with Martha is the best advertisement for being a gangster imaginable. The would-be hoodlum certainly doesn't find much honor in the execution he is forced to carry out nor the beating he receives during his initiation. But, unlike Smiley, Caspar has become numb to these images. Even the sight of a rival gang-member's entrails being fed to the Mara Salvatchura's German shepherds is commonplace.
Continue reading: Sin Nombre Review
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