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Brooke Hogan: My Dad Has Been A Positive Influence

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Brooke Hogan has urged people to remember all the ''positive'' things her father Hulk Hogan has done in his lifetime.

The 27-year-old singer is still dismayed by the backlash her wrestling legend dad has suffered since the release of audio transcripts from an unauthorised sex tape recorded eight years ago which claim he used the 'N-word' while discussing Brooke's boyfriend.

Hulk's contract with WWE was terminated in the wake of the reports and he has been criticised by many people on Twitter for the language he used, although many members of the wrestling community have come out to publicly defend his character and state he is not a racist.

Continue reading: Brooke Hogan: My Dad Has Been A Positive Influence

Ultimate Warrior Killed By "Massive Heart Attack", Autopsy Finds

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Ultimate Warrior died as a result of a heart attack brought about by cardiovascular disease, his autopsy has concluded. The former WWE hall of famer died in Scottsdale, Arizona last Tuesday (8th April) with initially unknown causes. The 54 year-old wrestler reportedly collapsed as he walked from a hotel to his car with his wife after having been inducted into the WrestleMania Hall of Fame the night before.

Ultimate Warrior
Ultimate Warrior Died Last Tuesday Due To A "Massive Heart Attack."

Ultimate Warrior, birth name James Hellwig, was taken to a nearby hospital, where he was pronounced dead after suffering what doctor's termed a "catastrophic medical event" until an autopsy could be conducted. A post-mortem was conducted on Thursday by the county Medical Examiner's Office, confirmed Cari Gerchick, a spokesperson from Maricopa County in Phoenix, via The Independent.

Continue reading: Ultimate Warrior Killed By "Massive Heart Attack", Autopsy Finds

Perfect Timing For Hulk Hogan's WWE Return, Says DDP

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Hulk Hogan's return to WWE is perfect timing, according Diamond Dallas Page.

Retired wrestler Dallas - who is the creator of exercise phenomenon DDP Yoga - was thrilled to see the iconic star back on TV show 'RAW' this week and insists with the 30th anniversary of 'WrestleMania' in April and the launch of the WWE Network streaming service everything is just right for The Hulkster's comeback after six years away.

Speaking to BANG Showbiz, Dallas said: ''I think it's great that Hogan is back not only because the WWE Network is such an awesome thing but it also couldn't be better timing with 'WrestleMania XXX' round the corner.''

Continue reading: Perfect Timing For Hulk Hogan's WWE Return, Says DDP

The 5th Annual 'inCONCERT' To Benefit Project Angel Food At The Howard Fine Theatre - Arrivals

Diamond Dallas Page and Howard Fine - Diamond Dallas Page and Howard Fine Los Angeles, California - The 5th Annual 'inCONCERT' to benefit Project Angel Food at the Howard Fine Theatre - Arrivals Saturday 17th October 2009

Diamond Dallas Page and Howard Fine

The L.A. Premiere Of 'The Wrestler' Held At The Academy Of Motion Pictures Arts And Sciences

Diamond Dallas Page Tuesday 16th December 2008 The L.A. Premiere of 'The Wrestler' held at the Academy of Motion Pictures Arts and Sciences Los Angeles, California

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The 'Do Something Awards', The Pre-party Of 'Teen Choice 2008' At The Level 3 Club At Hollywood & Highland - Arrivals

Diamond Dallas Page Saturday 2nd August 2008 The 'Do Something Awards', the pre-party of 'Teen Choice 2008' at the Level 3 Club at Hollywood & Highland - arrivals Los Angeles, California

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Jay-z Pays Out To Wrestler Over Hand Dispute

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Rap mogul SHAWN 'JAY-Z' CARTER has agreed to pay wrestler Diamond Dallas Page an undisclosed sum after infringing on his trademark.
A lawsuit filed by Page alleges that a hand symbol that flashes in Jay-Z's music videos, is trademarked by Page.
Page has agreed to drop legal proceedings after the settlement - that requires both parties to cover their own legal fees.

Wrestler Sues Jay-Z

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Jay-Z has been slapped with a lawsuit by wrestler Diamond Dallas Page for unlawful use of his 'Diamond Cutter' hand signal.

Page, real name Page Falkinburg, filed the lawsuit in Los Angeles Federal Court, claiming he trademarked the rights to the diamond-shaped symbol in 1996 and has used it for wrestling and other entertainment ventures on multiple occasions.

Page contends that Jay-Z, real name SHAWN CARTER, started using the diamond symbol years after on various commercial products.

Continue reading: Wrestler Sues Jay-Z

The Devil's Rejects Review

House of 1000 Corpses, the last song on Rob Zombie's 2001 album The Sinister Urge, also served as the title track to the metal frontman-turned-filmmaker's 2003 directorial debut, but the cut's country twang-inflected ghoulishness would have made a more apt musical accompaniment for Zombie's The Devil's Rejects. Less a sequel than a spiritual follow-up, the director's latest revisits House's serial-killing Firefly clan as they're cast into the backwater dustbowls of rural America by a sheriff (William Forsythe) intent on exacting vigilante revenge for the murder of his brother. A gritty Western-via-grindhouse modern exploitation flick imbued with the ferocity of independent '70s horror, Zombie's splatterfest wisely alters virtually everything (narratively, stylistically, thematically) that characterized his campy, cartoonish and awkward first film. And from its coarse, graphic visual aesthetic, profusion of classic Southern rock tunes, and portrait of unrepentant mayhem, his film reverentially exults in the deranged spirit and impulsive, unpredictable energy of seminal genre masterpieces The Texas Chain Saw Massacre and The Hills Have Eyes.

The Devil's Rejects diverges from its predecessor beginning with its opening frames, in which the depiction of the Firefly residence - no longer a remote, forest-shrouded funhouse of horrors but, rather, a dilapidated structure situated in a stretch of open land - speaks to the film's rejection of atmospheric claustrophobia in favor of wide-open anarchy. A fascination with rampant disorder certainly fuels the tour de force intro sequence, a bullet-strewn siege on the Firefly home by Sheriff Wydell (Forsythe) and an army of police officers heightened by Zombie's sly use of freeze frames, Sergio Leone-esque close-ups, and The Allman Brothers' "Midnight Rider." Exhibiting a directorial maturity devoid of his former MTV-ish gimmickry (no hyper-edited montages with varying film stocks or bludgeoning industrial heavy metal here), the director orchestrates the chaotic events with feverish abandon, his shaky handheld camera set-ups and scraggly, sun-bleached cinematography (courtesy of Phil Parmet) placing us directly inside the carnage. By the time murderous siblings Otis (Bill Moseley) and Baby (Sheri Moon) escape their now overrun home to seek shelter in the rotting, blindingly white desert, Zombie has demonstrated a newfound adeptness at lacing nasty action with a breakneck thrust and vicious wit.

Continue reading: The Devil's Rejects Review

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