The WWE superstar died from heart disease.
Ultimate Warrior died as a result of a heart attack brought about by cardiovascular disease, his autopsy has concluded. The former WWE hall of famer died in Scottsdale, Arizona last Tuesday (8th April) with initially unknown causes. The 54 year-old wrestler reportedly collapsed as he walked from a hotel to his car with his wife after having been inducted into the WrestleMania Hall of Fame the night before.
Ultimate Warrior Died Last Tuesday Due To A "Massive Heart Attack."
Ultimate Warrior, birth name James Hellwig, was taken to a nearby hospital, where he was pronounced dead after suffering what doctor's termed a "catastrophic medical event" until an autopsy could be conducted. A post-mortem was conducted on Thursday by the county Medical Examiner's Office, confirmed Cari Gerchick, a spokesperson from Maricopa County in Phoenix, via The Independent.
Continue reading: Ultimate Warrior Killed By "Massive Heart Attack", Autopsy Finds
Diamond Dallas Page and Howard Fine - Diamond Dallas Page and Howard Fine Los Angeles, California - The 5th Annual 'inCONCERT' to benefit Project Angel Food at the Howard Fine Theatre - Arrivals Saturday 17th October 2009
The Devil's Rejects diverges from its predecessor beginning with its opening frames, in which the depiction of the Firefly residence - no longer a remote, forest-shrouded funhouse of horrors but, rather, a dilapidated structure situated in a stretch of open land - speaks to the film's rejection of atmospheric claustrophobia in favor of wide-open anarchy. A fascination with rampant disorder certainly fuels the tour de force intro sequence, a bullet-strewn siege on the Firefly home by Sheriff Wydell (Forsythe) and an army of police officers heightened by Zombie's sly use of freeze frames, Sergio Leone-esque close-ups, and The Allman Brothers' "Midnight Rider." Exhibiting a directorial maturity devoid of his former MTV-ish gimmickry (no hyper-edited montages with varying film stocks or bludgeoning industrial heavy metal here), the director orchestrates the chaotic events with feverish abandon, his shaky handheld camera set-ups and scraggly, sun-bleached cinematography (courtesy of Phil Parmet) placing us directly inside the carnage. By the time murderous siblings Otis (Bill Moseley) and Baby (Sheri Moon) escape their now overrun home to seek shelter in the rotting, blindingly white desert, Zombie has demonstrated a newfound adeptness at lacing nasty action with a breakneck thrust and vicious wit.
Continue reading: The Devil's Rejects Review