Desmond Askew

Desmond Askew

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Turistas Review


Terrible
A tradesman in the ways of directing half-naked women, director John Stockwell has his hands full in his first foray into the horror genre. Stockwell has spent most of his career constructing exercises in bromidic romance and laughs, but here he attempts to follow up Into the Blue, his insipid take on The Deep, with a much darker trip into a tropical locale.

On a bus heading to a popular tourist town in Brazil, Alex (Josh Duhamel) has been given the charge of looking after his late-teen sister Bea (Olivia Wilde) and her friend Amy (Beau Garrett). When a near-accident sends the bus careening down a mountain and leaves the passengers waiting for another one, Alex, Bea, and Amy hook up with two Brits (Desmond Askew and Max Brown) and Pru (Melissa George), a tanned-up, bilingual woman who catches Alex's eye. They all head down to a beach bar where they proceed to drink themselves silly, grind against one another and practice the ancient art of putting on a bikini without getting naked (admittedly, my technique is lagging). When the sun comes up, the group realizes they have been drugged and that someone has stolen all their belongings, including passports and airplane tickets.

Continue reading: Turistas Review

Turistas Review


Terrible
A tradesman in the ways of directing half-naked women, director John Stockwell has his hands full in his first foray into the horror genre. Stockwell has spent most of his career constructing exercises in bromidic romance and laughs, but here he attempts to follow up Into the Blue, his insipid take on The Deep, with a much darker trip into a tropical locale.

On a bus heading to a popular tourist town in Brazil, Alex (Josh Duhamel) has been given the charge of looking after his late-teen sister Bea (Olivia Wilde) and her friend Amy (Beau Garrett). When a near-accident sends the bus careening down a mountain and leaves the passengers waiting for another one, Alex, Bea, and Amy hook up with two Brits (Desmond Askew and Max Brown) and Pru (Melissa George), a tanned-up, bilingual woman who catches Alex's eye. They all head down to a beach bar where they proceed to drink themselves silly, grind against one another and practice the ancient art of putting on a bikini without getting naked (admittedly, my technique is lagging). When the sun comes up, the group realizes they have been drugged and that someone has stolen all their belongings, including passports and airplane tickets.

Continue reading: Turistas Review

The Hills Have Eyes (2006) Review


Good
The Hills Have Eyes is a truly American horror film. Like Manifest Destiny gone horribly awry, the film reflects our obsession with the danger of the West: Its forbidden, desolate landscapes, the rugged masochism it inspires. For Americans, the West is a place where anything can and does happen. And in The Hills Have Eyes our nastiest nightmares are bloodily realized.

Wes Craven's brutal 1977 micro-budgeted The Hills Have Eyes was a post-hippie scream of horror, both at the collapse of the youth-led revolution and the dreadfulness of the Vietnam War. Craven turned his eye to home, to the desolate stretches of vast American desert where he could posit a family of bloodthirsty mutants preying on those who stumble onto their fallout abode, and it could almost (almost) seem plausible. With a world of misery at large, how strange would it be to find murderous maniacs in our own backyard? Sure, the original film suffers from some notably outré moments and jagged pacing, but Craven succeeded in bringing a grimly gleeful sense of humor to what was essentially a Texas Chainsaw Massacre riff.

Continue reading: The Hills Have Eyes (2006) Review

Go Review


Essential
Believe it or not, this is a Christmas movie! And here it is, the middle of April, and there's nothing else I'd rather see.

Let me put it this way: Go is the best movie I've seen since Fargo. Doug Liman, the man behind the brilliant Swingers, (which, I realized, came out much too long ago, in 1996), has concocted such a film that I'm almost compelled to pay the whopping $8.50 to see it again.

Continue reading: Go Review

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