Quite the best thing Verhoeven has going for him is his fantastic Dutch cast, headed up by Carice van Houten in a relentlessly fearless performance as the singer Rachel Stein, who is forced into one morally compromising position after another. The film starts in 1944, when Stein has been in hiding for years, but is sent on the run after an errant Allied bomb destroys her hideout. As a former singer, she's able to take on new personas with great ease, but there's always a tough brightness about her, the statuesque ease of someone who's accustomed to being stared at and fought over.
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The Unbearable Lightness of Being focuses on Tomas (Daniel-Day Lewis), a Don Juanist terrified of commitment and a surgeon at a Prague hospital. He is trapped between his platonic and semi-erotic love of Teresa (Academy Award winner Juliette Binoche), a photographer and his wife and a erotic and semi-platonic love of Sabina (Lena Olin), a painter and his mistress.
Continue reading: The Unbearable Lightness Of Being Review
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