Witness Denys Arcand's celebrated The Decline of the American Empire, a lauded film (which made my own top 10 list for 1986) that consists of little more than a series of conversations between men and between women and between men and women -- all about sex. From infidelity to disease, Empire runs the gamut of sex talk. The implication, one wonders, is whether this is what the decline of the American empire is all about -- and why is it happening in a French-speaking province of Canada? Never mind the accents, it's juicy gossip that proves that all of us -- men and women -- are dirty pigs.
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Stardom tells the story of an unknown female hockey player named Tina (Jessica Paré) who finds celebrity in the modeling biz when a happenstance candid photo of her on the ice becomes all the rage. Soon enough she's an up-and-comer in Montreal, jetting off to Europe for photo shoots and parties, and indulging in the usual trappings of the supermodel race.
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Arcand is too experienced to be satisfied with this singular friendship as a focal point. Instead, it's just one of the delicate links that the veteran writer/director examines in this tale that briskly comments on everything from healthcare to ethics to today's Christianity.
Continue reading: The Barbarian Invasions Review
Made in 1989 by French Canadian director Denys Arcand (The Barbarian Invasions), Jesus of Montreal was much honored at the time of its release, receiving the jurors' prize at Cannes and an Oscar nomination for best foreign language film. It's easy to see why. The premise - that a group of young, unconventional actors find themselves at odds with the established church when they investigate Christ's teachings - is a whopper, and Arcand pulls if off with some finesse; he never preaches and he refuses easy ironies. Jesus of Montreal delivers no facile moral lesson, but it never descends into simple church-bashing either. It is, rather, a little bit of both worlds; like The Barbarian Invasions, it's a social comedy, and it invites a little reflection, too.
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