Dennis Hopper’s daughter may only be 9-years-old, but she’s just become a multi-millionaire thanks to her famous father’s lucrative estate. The Oscar-nominated star and his estranged wife Victoria Duffy were entangled in a nasty divorce battle at the time of his death – and she later fought for a stake in his estate – though ultimately came up dry.
According to legal documents obtained by TMZ.com, Hopper – star of the 1969 classic ‘Easy Rider – made sure his daughter Galen received $2.25 million in cash plus $600,000 worth of property, all of which is being placed into a trust. In the documents, Hopper’s legal team make it pretty clear that Victoria – whom he was married to for 13 years – receives absolutely nothing, thanks to a pre-nuptial agreement. She will also have zero control over the money in her daughter’s trust. According to the Daily Mail, Galen missed her father’s funeral after her mother stopped her from attending. A source said at the time, “That's the thing that's just tragic. A seven-year-old girl has just lost her father, and she can't even go to his funeral.” A letter from the actor’s lawyer suggested Hopper did not want Victoria to attend the ceremony in New Mexico, though made it clear that Galen should be there.
The Hollywood star was married five times during his lifetime, and had three other children, daughters Marin and Ruthanna and son Henry Lee.
And the result is stunning, making an astonishing film even more powerful ...
but changing it completely in the process.
Continue reading: Apocalypse Now Redux Review
Martin Sheen stars as Captain Willard, sent upriver in war-torn 'Nam to "terminate, with extreme prejudice" one Colonel Kurtz (Brando), a former green beret who has gone primal all the way in Cambodia and has taken on the guise of a god to the local people of the area.
Continue reading: Apocalypse Now Review
The movie begins when a deranged mad bomber, Howard Payne (Dennis Hopper), severs cables to an elevator inside a Los Angeles skyscraper. The bomber demands $3 million ransom or he'll blow the emergency cables. LA Bomb Squad members Jack (Keanu Reeves) and his partner, Harry (Jeff Daniels), must defuse the bomb before Payne blows the cables. This situation alone could provoke a feature length thriller, but it merely serves as the first act for Speed.
Continue reading: Speed Review
The story begs for description but truly makes no sense at all. I'll try my best: Serial killer Jesse Mowatt (Pavan Grover, who also wrote the script) is fried in the electric chair, but it just won't take. He keeps coming back to life! Enter psychologist Diana Purlow (Dina Meyer), who has a kick-ass machine that can turn your memories into video. Somehow she feels this will help matters, and though angry prison warden (Dennis Hopper, yeah baby!) doesn't like the idea, she goes ahead anyway. The subsequent gore is balanced by mealworms crawling out of ears and split-open brains plus a bizarre story about Purlow having an abortion secreted in her past.
Continue reading: Unspeakable Review
Of course, there's a plot you need to suffer through to marvel at the stunt casting, and it involves a presumably true story about Sinatra being wooed to visit Australia in 1974 by a two-bit promoter. Getting him Down Under is only half the fun. Once he arrives, Frank -- in his inimitable way -- insults a reporter (Portia de Rossi) by calling her a whore. Aussie's native sons rise to defend her, and over 100 unions go on strike to ensure Frank won't be able to eat, drink, travel, or take a shower -- much less perform on stage. Hilarity ensues as our promoter friend (Joel Edgerton) tries to patch things back together, dealing with his own love life along the way.
Continue reading: All The Way Review
A gripping study of teen ambivalence and the utter lack of angst, River's Edge is a creepy, powerful, and underseen picture that features some virtuoso performances (notably Crispin Glover's Layne, who organizes an ill-conceived campaign to get John out of town). Featuring some of the most inventive and believable dialogue, the locals (including Keanu Reeves and Ione Skye as the only kids even remotely bothered by the death of their friend) are at a loss for what to do. Atmospheric and numbing, the picture is an obvious precursor to Twin Peaks, and a better template David Lynch couldn't have found. The story is loosely based on a real murder, which makes it all the more chilling.
Continue reading: River's Edge Review
Regardless, James Dean (in one of only three roles on film) makes quite an impression, and Taylor reminds us why we ever liked her to begin with. The cinematography is equally Giant as well -- showing off the dusty nothing of central Texas, long low plains with brush and low hills in the distant background. George Stevens (Shane) has always had a knack for landscapes, and he's at the top of his game here. On the new DVD (two restored discs, one of which is double-sided), Stevens' son asks us to reconsider the film and enjoy it one again, 45 years after the making. In a commentary track with critic Stephen Farmber and writer Ivan Moffat, he reflects on his departed father and the trio reflect on Giant's legacy. That second disc has all the usual retrospectives and testimonials we've come to expect.
Continue reading: Giant Review
That something is a base level of information about Jean Michel Basquiat, a Haitian artisté in the early '80s who became Andy Warhol's favorite son. (What is it with Warhol movies this year?) Basquiat rose from living in a cardboard box and decorating the streets of New York with cryptic graffiti to a high-profile yet short-lived career in the highest of art circles. All before his not-too-untimely death at the age of 27 from a (take a guess) heroin overdose.
Continue reading: Basquiat Review
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