Karen Black, the Golden Globe winning actress, died on Thursday (August 8th) after battling cancer for nearly three years.
Karen Black, the actress famous for her roles in films such as Easy Rider, Five Easy Pieces and Nashville, died yesterday (Thursday 8th August). Her husband, Stephen Eckelberry, made the announcement on his Facebook page. She passed away in a nursing facility in Santa Monica, CA after a lengthy battle with cancer. She was 74 years old.
Karen Black after a performance, at the Metropolitan in New York, of her How I Learned to Stop Worrying and Sing the Song.
Eckelberry wrote: "it is with great sadness that I have to report that my wife and best friend, Karen Black has just passed away, only a few minutes ago." He thanked Black's friends and fans for their "prayers and love", adding "they meant so much to her as they did to me."
And the result is stunning, making an astonishing film even more powerful ...
but changing it completely in the process.
Continue reading: Apocalypse Now Redux Review
Martin Sheen stars as Captain Willard, sent upriver in war-torn 'Nam to "terminate, with extreme prejudice" one Colonel Kurtz (Brando), a former green beret who has gone primal all the way in Cambodia and has taken on the guise of a god to the local people of the area.
Continue reading: Apocalypse Now Review
The story is pretty straightforward, as Twin Peaks' James Marshall finds the plates in his possession and discovers has warring factions of thugs as well as cops immediately on his ass. Frankly, that rather pedestrian story occupies the entire film, and it doesn't merit much additional detail.
Continue reading: Luck Of The Draw Review
The movie begins when a deranged mad bomber, Howard Payne (Dennis Hopper), severs cables to an elevator inside a Los Angeles skyscraper. The bomber demands $3 million ransom or he'll blow the emergency cables. LA Bomb Squad members Jack (Keanu Reeves) and his partner, Harry (Jeff Daniels), must defuse the bomb before Payne blows the cables. This situation alone could provoke a feature length thriller, but it merely serves as the first act for Speed.
Continue reading: Speed Review
The story begs for description but truly makes no sense at all. I'll try my best: Serial killer Jesse Mowatt (Pavan Grover, who also wrote the script) is fried in the electric chair, but it just won't take. He keeps coming back to life! Enter psychologist Diana Purlow (Dina Meyer), who has a kick-ass machine that can turn your memories into video. Somehow she feels this will help matters, and though angry prison warden (Dennis Hopper, yeah baby!) doesn't like the idea, she goes ahead anyway. The subsequent gore is balanced by mealworms crawling out of ears and split-open brains plus a bizarre story about Purlow having an abortion secreted in her past.
Continue reading: Unspeakable Review
Of course, there's a plot you need to suffer through to marvel at the stunt casting, and it involves a presumably true story about Sinatra being wooed to visit Australia in 1974 by a two-bit promoter. Getting him Down Under is only half the fun. Once he arrives, Frank -- in his inimitable way -- insults a reporter (Portia de Rossi) by calling her a whore. Aussie's native sons rise to defend her, and over 100 unions go on strike to ensure Frank won't be able to eat, drink, travel, or take a shower -- much less perform on stage. Hilarity ensues as our promoter friend (Joel Edgerton) tries to patch things back together, dealing with his own love life along the way.
Continue reading: All The Way Review
Regardless, James Dean (in one of only three roles on film) makes quite an impression, and Taylor reminds us why we ever liked her to begin with. The cinematography is equally Giant as well -- showing off the dusty nothing of central Texas, long low plains with brush and low hills in the distant background. George Stevens (Shane) has always had a knack for landscapes, and he's at the top of his game here. On the new DVD (two restored discs, one of which is double-sided), Stevens' son asks us to reconsider the film and enjoy it one again, 45 years after the making. In a commentary track with critic Stephen Farmber and writer Ivan Moffat, he reflects on his departed father and the trio reflect on Giant's legacy. That second disc has all the usual retrospectives and testimonials we've come to expect.
Continue reading: Giant Review
That something is a base level of information about Jean Michel Basquiat, a Haitian artisté in the early '80s who became Andy Warhol's favorite son. (What is it with Warhol movies this year?) Basquiat rose from living in a cardboard box and decorating the streets of New York with cryptic graffiti to a high-profile yet short-lived career in the highest of art circles. All before his not-too-untimely death at the age of 27 from a (take a guess) heroin overdose.
Continue reading: Basquiat Review
Hoosiers stars Gene Hackman as Norman Dale, a former successful college coach with a checkered past, who takes a last chance job coaching small Hickory High in 1951. Despite being located in basketball-crazed Indiana, the Huskers only have six players and they're missing their star, Jimmy Chitwood, a troubled boy who doesn't say much. His soft shooting touch does all of the talking.
Continue reading: Hoosiers Review
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