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Age of Uprising: The Legend of Michael Kohlhaas Trailer

Michael Kohlhaas is a horse dealer living a simple but idyllic life with his beautiful wife, children and their quaint home. He buys some carefully selected horses to take home from a nearby town but on the way he is stopped by a greedy local baron who removes several of his horses apparently unlawfully. When Kohlhaas protests his rights, he discovers that his beloved wife has been ruthlessly killed and so he decides, with his whole world crashing down around him, to embark on a fearless voyage of vengeance. While attempting to gather an army to destroy the monsters who ruined his life, he is confronted by his own religious beliefs which tell him he must forgive his enemies. However, is seems Kohlhaas is willing to face the fiery depths of hell for what those enemies have taken from him.

Continue: Age of Uprising: The Legend of Michael Kohlhaas Trailer

The Ten Best Films of 2012

Ang Lee Suraj Sharma Marion Cotillard Jacques Audiard Jean-Louis Trintignant Emmanuelle Riva Alice Lowe Steve Oram Ben Affleck Bryan Cranston Aubrey Plaza Mark Duplass Bradley Cooper Jennifer Lawrence Denis Lavant Edith Scob

A range of intelligent blockbusters, inventive foreign films and beautifully crafted storytelling made 2012 a good year at the cinema...

Life Of Pi Poster1. Life Of Pi
Ang Lee's clever, thoughtful adaptation of Yann Martel's acclaimed novel is an unexpected work of art. It's also one of the richest, most challenging, most visually spectacular movies we've ever seen.
Starring: Suraj Sharma & Irrfan Khan
Read the review of Life Of Pi Here!

Rust And Bone film still
2. Rust & Bone
French filmmaker Jacques Audiard follows up his amazing prison drama A Prophet with this startlingly edgy, tough-minded romance about two deeply wounded people who find each other.
Starring: Marion Cotillard & Matthias Schoenaerts.
Read the review of Rust And Bone Here!

Continue reading: The Ten Best Films of 2012

Holy Motors: Kylie Minogue Charms Critics In New Art-House Movie

Kylie Minogue Leos Carax Eva Mendes Denis Lavant

Kylie Minogue’s new movie Holy Motors has impressed the critics. It’s been a long time since the Aussie pop star ventured in the word of movies but with this art-house offering, directed by Leos Carax, she seems to have done herself proud. It’s an unusual film, seemingly with little in the way of a fixed narrative structure, but that’s part of its off-beat charm.

The Telegraph review reveals that Kylie’s starring moment, though brief, is a highlight: ” Kylie Minogue, memorably, singing an ex-lover’s torch song along the dusty walkways of a derelict department store. We’re left with a vast amount to puzzle over and process. One thing’s for sure: you may struggle to wrest unified meaning out of this entirely irreducible movie, but like Kylie’s other featured song, you can’t get it out of your head.” Equally, The Guardian describes Kylie Minogue’s performance in Holy Motors as “stylish yet gentle.” The New Statesman review does a better job of un-ravelling the meaning of Holy Motors by explaining “the central enigma of Holy Motors rests on where life ends and performance begins, or whether the distinction is irrelevant.”

Also starring Eva Mendes and Denis Lavant, Holy Motors may seem like a peculiarly avant-garde excursion for Kylie but she seems quite at home in front of the camera and look relaxed, though evidently excited at the movie’s recent London premiere, where she revealed that she “couldn’t not do” the film.

Holy Motors Review


Indescribably insane, this outrageously inventive French drama is so bracingly strange that we can't help but love every moment. It's certainly not like any movie you've ever seen before, and French director Carax packs it with so many offbeat touches - from wildly unexpected casting to witty movie references - that watching it is almost like a fever dream.

It's the story of Oscar (Lavant), who goes to work in a white stretch-limousine with his driver Celine (Scob). But the limo is actually his office, and his job entails dressing up in full make-up to play nine roles over the course of the day. These include a scabby homeless woman, a dying husband and a freaky green mischief-maker who invades a funeral and bites off people's fingers. But as the day progresses, Oscar begins to crack under the strain. Is it because of the job's huge emotional demands or because he's not living his own life?

The film is like a razor sharp satire of reality TV and social networking, as Carax cuts through the layers of artificiality of modern life. At the centre, these are all actors playing actors in a variety of scenarios. But who is watching? Some of these scenes are sexy and funny, while others are terrifying or darkly moving. But for all of the intensity of feeling, the situations are essentially shallow simply because they're not actually real. And Carax pushes each segment far beyond what we expect.

Continue reading: Holy Motors Review

Kylie Minogue Dazzles In Dolce & Gabbana At Holy Motors Premiere

Kylie Minogue Denis Lavant Edith Scob Eva Mendes Leos Carax

When Kylie Minogue hit the red carpet for the premiere of her new movie, she cut a dazzling figure in a stunning black sequinned Dolce & Gabbana gown. On Tuesday night (September 17, 2012), the UK premiere for Holy Motors took place at the Curzon Mayfair and the movie’s Aussie star made sure that she really stood out in her shimmering, floor-length frock. She finished the look off with smoky eye-shadow and dangling diamond earrings.

The movie, a French drama, also stars Denis Lavant, Edith Scob and Eva Mendes. After posing for photos on the red carpet, Kylie then “cosied up to director Leos Carax,” according to the Daily Mail. It’s a rare film role for Kylie; even though she started out as an actress – in Australian soaps such as Neighbours - she has spent the last twenty-five years focusing mainly on her music career. Speaking about her decision to take part in the movie, Kylie said “I’m always intrigued and enticed by that which I haven’t done, so… there was every reason to do it and no reason not to do it… it turned out to be one of the best experiences I’ve ever had.”

Kylie plays the role of Eva Grace (Jean) in the movie. She has her hair cropped short for the role, a far cry from the elegant long locks that she was sporting Tuesday night. There are no Kylie Minogue songs in the movie, though she does have a singing part. Holy Motors receives its general release in the UK on September 28, 2012.

'Holy Motors' premiere during the 65th Cannes Film Festival

Denis Lavant, Edith Scob, Kylie Minogue and Leos Carax - Denis Lavant, Kylie Minogue, Leos Carax, Edith Scob, Elise Lhomeau and Jeanne Disson Wednesday 23rd May 2012 'Holy Motors' premiere during the 65th Cannes Film Festival

Denis Lavant, Edith Scob, Kylie Minogue and Leos Carax
Denis Lavant, Edith Scob, Kylie Minogue and Leos Carax
Denis Lavant, Edith Scob, Kylie Minogue and Leos Carax
Denis Lavant, Edith Scob, Kylie Minogue and Leos Carax

'Holy Motors' premiere during the 65th Cannes Film Festival

Kylie Minogue, Denis Lavant and Cannes Film Festival - Kylie Minogue and Denis Lavant Wednesday 23rd May 2012 'Holy Motors' premiere during the 65th Cannes Film Festival

Kylie Minogue, Denis Lavant and Cannes Film Festival

'Holy Motors' photocall during the 65th Cannes Film Festival

Edith Scob, Denis Lavant, Kylie Minogue and Leos Carax - Edith Scob, Denis Lavant, Kylie Minogue and director Leos Carax Wednesday 23rd May 2012 'Holy Motors' photocall during the 65th Cannes Film Festival

'Holy Motors' photocall during the 65th Cannes Film Festival

Edith Scob, Denis Lavant, Kylie Minogue and Leos Carax - Edith Scob, Denis Lavant, Kylie Minogue, director Leos Carax, Jeanne Disson and Elise Lhomeau Wednesday 23rd May 2012 'Holy Motors' photocall during the 65th Cannes Film Festival

Tokyo! Review

Tokyo! is a curious conundrum. The movie is a triptych of short films about the titular metropolis made by Michel Gondry, Leos Carax, and Joon-ho Bong, three non-Japanese filmmakers. Each tries to offer up personalized impressions of the Japanese capital, and that alone would suggest a worthwhile cinematic experience. But the films themselves lack the intimacy with Tokyo's cultural nuances that we crave from a piece like this, trafficking instead in stereotypes and platitudes.

For its easy charm and humor, Michel Gondry's "Interior Design" comes off best. Gondry's story follows a young couple -- Hiroko and Akira (Ayako Fujitani and Ryo Kase) -- who have just moved to Tokyo, struggling to find an apartment, jobs, and generally to start their new lives. Akira's an aspiring filmmaker-artist, hence a bit of a space case, while his girlfriend Hiroko is smart but directionless. While getting started in Tokyo, they bunk up with a friend in her absurdly tiny apartment. Gradually, Hiroko pulls away from Akira and, in a Gondry-esque bit of transmogrification, she suddenly has the ability to shift from human to chair form and back. As a chair, she becomes part of the furnishings in a stranger's home, and feels herself an object of value, something she lacked as a human being. Gondry pokes fun at Tokyo's housing crisis: The living spaces are hilariously cramped, hardly more than glorified closets. With the low-key bantering of its characters, the quotidian details of Tokyo street life, its movie-within-a-movie device, the human-chair magic trick, and the overall theme of life-as-reverie, this is a Gondry project through and through. And, though not illuminating on the subject of its city, it's still a cute, clever take on Tokyo to keep us amused.

Continue reading: Tokyo! Review

Wild Camp Review

A title like Wild Camp lends itself to all kinds of connoations -- none of which indicate a very good movie might be coming -- but this French pseudo-thriller is actually not half bad.

I've read that this movie is based on true events (though the film itself does allude to them and I can't confirm that anywhere), and it plays out with the almost clinical plotting that indicates it could be "ripped from the headlines." Either way, it sounds familiar: Vacationing at a low-budget camp with her parents, Camille (Isild Le Besco) lives a usual life of drinking beer, wearing next to nothing, and wasting away most of the summer. Enter Blaise (Denis Lavant, France's answer to Billy Bob Thornton), the brother-in-law of the camp director, a sad sack who finds pity and a job at the camp. Despite the unlikelihood, Camille (20 years younger and two inches taller) takes a fancy to Blaise, and soon they're canoodling and launching mega gossip throughout the camp. Naturally, Camille's boyfriend dislikes this turn of events, and ultimately things turn nasty.

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Beau Travail Review

Claire Denis's updating and Frenchification of Herman Melville's Billy Budd -- and both turn out to be roughly as equally snoozy. The story of a sailor who spars with his captain is told slowly, sparely, and virtually entirely voiced-over. Uncompelling and tiresome, though not without a certain sense of cinematographic flair. But geez, what's with all the yoga, huh?

Continue reading: Beau Travail Review

A Very Long Engagement Review

Although there are likely better directors who could have been found to film Sebastien Japrisot's World War I-set novel A Very Long Engagement than Jean-Pierre Jeunet, of City of Lost Children fame and Alien: Resurrection infamy, there are many more who would have been worse - and if that sounds like a backhanded insult, it's not. The story of five French soldiers who are sentenced to death for self-inflicted wounds (done so that they could be evacuated from the front lines) and condemned to march out into the no man's land between the Germans' trenches and theirs, it's a tricky mix of war epic, black comedy, and heart-stirring romance that would have left many filmmakers flummoxed. And although Jeunet takes some serious missteps and doesn't know when to leave the jokes alone, he has mostly succeeded where many would have failed.

Although it starts off like a war film - opening in the muck and mire, as all good war films must - and gives us plenty of reason to understand why these soldiers shot themselves in the hand (a sort of purposeful self-stigmata), A Very Long Engagement is really about a woman trying to find her lost love. The woman, Mathilde, is played by Jeunet's muse, Audrey Tautou, and though she doesn't here have the near-angelic glow he gave her in Amelie, she's plenty captivating nonetheless. Mathilde fell in love with her childhood friend, Manech (Gaspard Ulliel), and we see their romance in flashback, all frolicking in their picturesque village, swooning episodes atop a lighthouse and innocent carnality. Then the war comes, and poor, fresh-faced Manech is sent off to the front, later to be one of the five hurled into no man's land by a callous military bureaucracy determined to make an example of them. After the war, Mathilde refuses to accept what seems obvious to everybody else, that Manech is dead, and she launches on a journey to dig up every last piece of information she can about the case and find out what happened to her one true love.

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Tuvalu Review

Just because you can make a silent film in black and white, doesn't mean you should, does it? Tuvalu tells us that demon technology like, you know, dialogue, is really really bad.

Get beyond the many gimmicks, and you'll find a reasonably good story waiting to get out. As told through images and various characters' grunts, we watch as a public spa/pool/gym struggles with its rapidly disintegrating edifice. The fact that the inspector is about to condemn the place is one thing -- an evil boatman who wants a crucial part from the gym's steam engine is yet another headache.

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