Actor/comedian Demetri Martin's directorial feature film debut proved to be a big hit at the 2016 Tribeca Film Festival, earning him the event's top prize .
Martin, who also wrote and stars in comedy/drama Dean, was awarded the coveted Best Narrative Feature honour at the annual New York City film celebration.
Other winners in the Narrative Feature Film categories were acclaimed indie director Ingrid Jungermann (Best Screenplay for Women Who Kill), Dominic Rains (Best Actor for The Fixer), and MACkenzie Davis (Best Actress for Always Shine).
Meanwhile, in the international race, Israeli director Udi Aloni won Best Narrative Feature for Junction 48, while Alan Sabbagh (The Tenth Man) and Radhika Apte (Clean Shaven) picked up Best Actor and Actress accolades, respectively.
Continue reading: Demetri Martin Wins Top Prize At Tribeca Film Festival
After playing comical sidekicks in rom-coms like No Strings Attached and What Happens in Vegas, Lake Bell emerges as a rising-star filmmaker with the smartest, funniest comedy of the year. Winner of the screenwriting award at Sundance, this script is painfully hilarious, drawing on the characters' personalities to take us into a previously unseen side of the movie industry. It's also a rare Hollywood movie that refuses to shy away from anything.
We're talking about voiceover artists here, specifically those who provide the rumbling commentary for movie trailers. The late Don LaFountaine was the voice behind all of those iconic "In a world..." trailers, and now a studio wants to revive them for a new epic quadrilogy. The top contender for the job is Sam (Melamed), a veteran who decides to let his protege, the egotistical womaniser Gustav (Marino), have the job. Then Sam's voice-coach daughter Carol (Bell) throws her hat in the ring, which is unthinkable because a woman has never narrated this kind of trailer. She prepares for the audition with the help of a love-struck sound engineer (Martin), but is distracted by issues between her sister and brother-in-law (Watkins and Corddry) and the fact that her dad's new girlfriend (Holden) is younger than she is.
Bell juggles all of these plot strands brilliantly as a writer, director and actor, generously giving her costars the most riotously funny dialog while Carol pings around between them. And since we see everything through her eyes, she emerges as a hugely engaging woman who is smart, skilled and also likeably flawed. Every performance is natural and amusing, with the kind of astutely witty dialog actors can really sink their teeth into. And there are some uproarious cameos along the way, including Offerman as a wry colleague, Davis as a studio head, Longoria as a vocal client and Diaz as the star of a Hunger Games-style saga.
Continue reading: In A World... Review
Lake Bell, who is usually cast as the quirky best friend in the majority of films she's in, comes into her own in this independent comedy about a struggling female voice over artist. She asks the question 'why are female voices so rarely used on film trailers?'
Lake Bell revealed in an interview with Yahoo! Movies that she was trying to address more than an inequality in the film industry with her new movie In A World, if we subconsciously associate power and a sense of omnipotence (which is needed for narrating film trailers) with manliness, thus culturally its preferable for us to hear a man narrating. Or that "resonance" makes it "easier and more authoritative to hear".
Another reason for doing the film is Bell's own strident stance on the power of speech and intonation she uses the insipid use of "sexy baby talk" as an example emphasising the importance of using your voice as it "is such a profound tool for communication and how you are perceived".
That all sounds terribly deep and philosophical yet that's not how it comes across in the trailer with Bell showing off her vocal skills (the Russian Star Wars impression is something to look out for).
Continue reading: 'In A World'...Where Lake Bell Talks About Voices [Trailer]
Carol is a successful vocal coach with an extraordinary talent for accents, even training the likes of Eva Longoria for acting roles. However, her one ambition remains practically unattainable - to become a voiceover star. With her father, a talented master of voiceovers himself, showing little confidence in her because of the fact that she is a woman along with her own struggle to sound foreboding and intimidating, Carol seems destined to coach people on accents for the rest of her career. Can Carol coach herself to become one of very few voiceover legends, or will her own talent fail her at the last hurdle?
Continue: In A World Trailer
When Beth Emhoff returns home after visiting an opening ceremony for a new factory, she complains of jet lag and her husband, Thomas Emhoff, thinks nothing of it. He becomes concerned when she falls ill, even more so when she has a seizure in front of him and has to be rushed to hospital. It comes as a shock to Thomas when she dies; her cause of death: a highly contagious and rapidly mutating bird flu virus that spreads via human contact. The virus is spreading so fast there is no vaccine or cure for it.
Continue: Contagion Trailer
Clearly, the intention was to recreate the vibe of 1983's freewheeling romp Risky Business. And while it's good fun, it's also forgettable.
Matt (Grace) was a high-achiever in the class of 1984. He's just earned a top four-year engineering degree from MIT, but has no idea what to do with the rest of his life. Then one day he bumps into his high school crush Tori (Palmer) and pretends to be a successful banker. Soon he's invited to a cool party at the home of Kyle (Pratt), the hard-partying boyfriend of Matt's twin sister Wendy (Faris). And when Matt's goofy pal Barry (Fogler) tags along, it becomes clear that trouble won't be too far behind.
Continue reading: Take Me Home Tonight Review
Elliot (Martin) leaves New York City to go upstate to help his stubborn parents (Staunton and Goodman) keep their hotel in business. Then he hears that a friend from the city, Michael (Groff), is having trouble getting a permit for his music festival. Elliot happens to already have one in hand, so puts Michael in contact with a local farmer (Levy). And as he helps Michael make the arrangements, he never grasps quite how massive this event is going to be. But then no one did.
Continue reading: Taking Woodstock Review
Performance artist Charlyne Yi and her friend Nick (Johnson) decide to make a documentary examining why Charlyne doesn't believe she's capable of falling in love. Nick follows her around the country talking to people about relationships. And he also photographs her regular life, during which she meets the actor Michael Cera at a party and starts a tentative relationship. Nick is a bit overexcited by this turn of events, and starts pushing them to fall in love so his film will have a great finale.
Continue reading: Paper Heart Review
Watch the trailer for Taking Woodstock
Woodstock Festival was almost not meant to be, originally the permit was pulled, only when Elliot Tiber stepped in and spoke to the organisers offering them the use of his parents motel and his next door neighbour, Max Yasgur, land that things got rolling. Taking Woodstock starts the moving story of Elliot Tiber and his personal struggle to keep the family motel open, what eventually develops from Elliot's plans is way beyond anyone's expectation.
Directed by Academy Award winner Ang Lee
UK Release date: 13th November 2009
Starring: Demetri Martin, Emile Hirsch, Liev Schreiber, Paul Dano, Henry Goodman, Imelda Staunton, Jeffrey Dean Morgan, Eugene Levy, Jonathan Groff, Kelli Garner, Adam LeFevre, Edward Hibbert, Dan Fogler, Damian Kulash, Christina Kirk, Skylar Astin and Gabriel Sunday
A sleekly made thriller with a sparky sense of humour, this is also a rare action movie that has something important to say.
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