Johnny Utah rarely lets his professional life as a promising new FBI recruit cross over with his personal passion of extreme sports, namely surfing some of the world's biggest waves. However, it seems his prowess as an athlete has finally found its use at work, as he is enlisted to go undercover on one of the FBI's most difficult cases. A group of masked men have managed to make off with extraordinary amounts of money in bank raids by using the most unexpected of escape techniques. Indeed, their ability to flee from a crime scene for exceeds the talents of those chasing them, which is why Utah is their only hope left. After successfully integrating himself into a group of suspicious-looking sports fanatics, he meets Bodhi; a charismatic individual with whom Utah embarks on a number of extreme escapades. Utah needs firm proof that Bodhi is behind the robberies, but as he becomes ever closer to him, the friendship evolves into an unexpected and highly dangerous bond.
Continue: Point Break - 2015 Trailer
Johnny Utah is a young new agent in the FBI who also happens to be an incredible athlete in extreme sports. Thus, this makes him the perfect agent to go undercover on a rather unique case, where a group of particularly talented masked individuals are raiding banks with an extraordinary ability to escape in ever more astonishing ways. Utah soon infiltrates one particular gang of sportsmen, led by the charismatic Bodhi who he becomes particularly drawn to as together they venture on dangerous excursions from rock climbing to surfing. He's deeply suspicious that Bodhi is part of the robberies, but getting solid proof means getting even closer to him; close enough that even Utah's boss starts to get uneasy. Utah's got a lead, but can he bring himself to follow it? Or will he find an unlikely loyalty in his so-called friendship with Bodhi?
Continue: Point Break (2015) - Teaser Trailer
In a dark and corrupt world, the rich and powerful are the bad guys, while those who strive to bring them down are destined to fail. With sin and vice running wild, the dirty police force are pushed into a war with the criminals they have spent so long supporting. Cymbeline (Ed Harris) is a powerful drug lord that one day decides he no longer wants to pay the police for their protection, pushing both sides to put their financial goals aside and embark in a bitter and desperate battle to rid the world of one-another.
Continue: Cymbeline Trailer
A top-notch trailer teases tonight's tense thriller premiere.
Are you ready for tonight's pilot of the chilling Believe? The joint cinematic forces of Alfonso Cuarón and J. J. Abrams will bring an unnerving new television experience to our small screens with what could well be the series premiere of the year. Comic-Con 2013 audiences were treated to a gripping teaser trailer which sets the scene perfectly for this evening's NBC debut.
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Alfonso Cuaron Directs Tonight's 'Believe' Pilot On NBC.
The spine-chilling premiere begins with a classic Cuarón shot: an unsuspecting family are driving along as a little girl on the backseat sings a song that she tells her mother she heard in a dream. Headlights appear behind them but instead of overtaking the family, the vehicle runs them off the road. A sickening shot shows the unconscious couple bumped around as their car rolls and suddenly we are hooked into the surreal world of Believe.
Believe Cast, Jj Abrams, Jamie Chung, Delroy Lindo, Kyle MacLachlan, Jake McLaughlin and Johnny Sequoyah - NBC TCA Winter 2014 Press Tour - Pasadena, California, United States - Sunday 19th January 2014
The story, very loosely based on the exploits of female bounty hunter Domino Harvey (Keira Knightley), follows our heroine as she grows dissatisfied with her socialite upbringing and embraces the darker side of law enforcement. Her mentor on this journey is legendary bounty hunter Ed Mosbey (Mickey Rourke), assisted by pseudo-comic relief Choco (Edgar Ramirez). That she meets these gentlemen as they try to scam hundreds of dollars off of would-be bounty hunters (including herself) doesn't dissuade her from trusting them with her new life.
Continue reading: Domino Review
When the core of our planet stops spinning on its axis - a reason is given, though it makes little sense - a motley crew of hastily-trained scientists must accompany two astronauts (Bruce Greenwood, Hilary Swank) to the Earth's center so they can jump-start our globe using nuclear weapons.
Continue reading: The Core Review
A tongue-in-cheek action-adventure movie loosely basedon Clive Cussler's best-selling novel, this wild ride stars Matthew McConaugheyas maritime treasure-hunter Dirk Pitt, who follows rumors about a missingCivil War ironclad halfway around the world to the North African desert.
But on his way he becomes sidetracked by a higher senseof purpose when a willful, beautiful World Health Organization doctor (PenelopeCruz) enlists his help to sneak into a war-torn country, against orders,to track the industrial-waste source of an illness spreading through localvillages.
The picture's often over-the-top action sequences havean excess of boys-with-toys spirit. Especially fun are a guns-a-blazin'chase between a speedboat and paramilitary gunboat down a picturesque desertriver, and a scene in which McConaughey and his requisite wisecrackingcool-dork sidekick Steve Zahn (who has practically cornered the marketon such roles) fashion decades-old biplane wreckage into a land-sailingcatamaran after escaping from bad guys in a remote bank of sand dunes.
Continue reading: Sahara Review
Most freely adapted from Shakespeare, "Romeo Must Die" is a pounding-adrenaline martial arts action flick with a rival gang romance subplot that seems to have lifted more from "Macbeth" than "Romeo and Juliet" -- mainly that it's full of sound and fury, signifying nothing.
The marquee-topping American debut of Jet Li -- the high-kicking crown prince of Hong Kong kung fu movies and the bad guy from "Lethal Weapon 4" -- this MTV-minded festival of bullets and flying fists is a very slick affair. Taking a cue from "The Matrix," cinematographer Andrzej Bartkowiak (who shot "LW4") makes an action extravaganza of his first directing effort by employing suspension-wire acrobatics and a souped-up version of the now-famous rotating freeze-frame technique to enhance Li's 200-octane fight sequences.
Right out of the gate, Li kicks the asses of half a dozen Hong Kong prison guards, while hanging upside-down, one-legged, from a chain in a torture chamber. The raucous scene turns into a spectacular jailbreak, inspired by Li's desire to get to America and avenge the murder of his gangster brother.
Continue reading: Romeo Must Die Review
With the United States in the throes of an unexpected war, the timing may not seem right for a movie about military infighting. But "The Last Castle" has a certain popcorn-picture kind of flag-waving pride about it that is enormously satisfying and oddly apropos for this particular moment in history.
Robert Redford could be a gentleman's John Wayne in his starring role as Gen. Eugene Irwin, a highly decorated and revered Army officer beginning a 10-year sentence in military prison for leading his troops, against orders from the President, on a rescue mission that ended in catastrophe.
He's a humble but cocksure leader, greatly admired even by ironhanded warden Colonel Winters (James Gandolfini), who asks the general up to his office to shake his hand before having him shown to his cell. But Winters' respect soon turns to resentment as Irwin begins questioning his methods of managing the men in his jail -- nicknamed The Castle for its stately courtyard-and-towers design.
Continue reading: The Last Castle Review
You know, there's nothing really wrong with "The Cider House Rules," per se.
The story of a cusp-of-manhood orphan trying to find his place in the world is noble and interesting enough, in theory. The performances -- from such recognized talents as Michael Caine, Delroy Lindo, Tobey Maguire and Charlize Theron -- are fine and fully realized.
The screenplay by John Irving, from his own book, is peppered with internal and external conflict and emotion. The snowy mountains of Maine sure look pretty, and the quiet, uncomplicated tone struck by director Lasse Hallstrom gives the film an air of simpler times gone by (it takes place in the early 1940s).
Continue reading: The Cider House Rules Review
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