Delphine Chuillot

Delphine Chuillot

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Age of Uprising: The Legend of Michael Kohlhaas Trailer


Michael Kohlhaas is a horse dealer living a simple but idyllic life with his beautiful wife, children and their quaint home. He buys some carefully selected horses to take home from a nearby town but on the way he is stopped by a greedy local baron who removes several of his horses apparently unlawfully. When Kohlhaas protests his rights, he discovers that his beloved wife has been ruthlessly killed and so he decides, with his whole world crashing down around him, to embark on a fearless voyage of vengeance. While attempting to gather an army to destroy the monsters who ruined his life, he is confronted by his own religious beliefs which tell him he must forgive his enemies. However, is seems Kohlhaas is willing to face the fiery depths of hell for what those enemies have taken from him.

Continue: Age of Uprising: The Legend of Michael Kohlhaas Trailer

The Woman in the Fifth Review


Good
This intriguing experiment in cinematic disorientation is so well-made that it can't help but pull us into its perplexing narrative. It's a little too vague to be satisfying, but it's thoroughly haunting.

One-time novelist Tom (Hawke) travels from America to Paris to reconnect with his ex-wife (Chuillot) and his 6-year-old daughter (Papillon), but is immediately confronted with a restraining order. He's also robbed of his luggage and left in a cafe on the edge of town, where the waitress (Kulig) and owner (Guesmi) offer him a room and a job as a night watchman. Then he meets the alluring Margit (Scott Thomas) at a literary party, and she begins to take his mind off his troubles.

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Pola X Review


Grim
When I left the theater, an angry woman was berating her boyfriend for dragging her to another one of those films, to which I assume she meant a pompous French soap opera. Furthermore, she didn't understand what the title had to do with anything. Seems she didn't read the press release, which the theater was kind enough to dole out. Pola X is a French acronym of the Hermann Melville novel on which this film is based (and shakily updated to modern times): Pierre, Or, the Ambiguities. The X stands for the tenth draft of the screenplay which writer/director Leos Carax completed.

While the title, Pola X, certainly has a nice ring to it, it stands representative of everything Carax's movie is: all flash, pointless trickery, grating snobbery and, ultimately, no more substance than a private joke only one person finds amusing.

Continue reading: Pola X Review

Delphine Chuillot

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