Megan Hilty Wednesday 9th May 2012 Aaron Lazar, Rachel York, Megan Hilty and Clarke Thorell Curtain call for the first performance of the Encores! concert of Gentlemen Prefer Blondes at New York City Center. New York City, USA 0
In 1976 Virginia, Norma and Arthur (Diaz and Marsden) are quietly struggling to keep their lives on an even keel while their teen son Walter (Stone) notices something's up. Then a facially deformed stranger (Langella) appears with a box topped by a button and a tantalising offer: push the button and earn $1 million, the hitch being that someone you don't know will die as a result. But Norma and Arthur are sucked down into the stranger's rabbit hole when their initial moral dilemma becomes something much more sinister and confusing.
Continue reading: The Box Review
In 1949, Julia Child (Streep) is living in Paris with her diplomat husband (Tucci), looking to fill her spare time. She settles on cooking, and after completing Le Cordon Bleu teams up with two chefs (Emond and Carey) to write a French cookbook for the American market. In 2002 New York, Julie Powell (Adams) needs something to distract her from her job dealing with claims resulting from 9/11. With the encouragement of her husband (Messina), she decides to cook all 524 of Child's recipes in one year while blogging about the experience.
Continue reading: Julie & Julia Review
Deborah Rush Thursday 23rd July 2009 Funeral service for celebrated newsman Walter Cronkite at St. Bartholomew's church. Cronkite, who reported from around the world and once was known as 'the most trusted man in America', died last Friday, (17Jul09), at his Manhattan home at the age of 92. New York City, USA
At a time when social issues are usually discussed (or hollered about) at the far extremes, it's refreshing to see a film like Half Nelson that wallows in the gray areas. Gosling's Dunne is about as gray as it gets: He's a well-intentioned teacher, once eager to change the world, now stuck in a rut as a lonely, strung-out nobody. He gets jazzed imparting civil rights lessons to his mostly black class, but doesn't have enough pride in his own existence. In short, it's a role made for an actor like Gosling, who revels in character complexities as effectively as some of the greats. In Gosling's able hands, Dunn is likable, logical, perhaps even charming -- but would you want your kids taught by a crack addict?
Continue reading: Half Nelson Review
Amy Sedaris' Comedy Central series Strangers with Candy was an absurdist deconstruction of after school special conventions, following the wacky travails of 46-year-old ex-junkie, ex-con, ex-prostitute Jerri Blank (Sedaris) as she reentered high school as a freshman student. A potent cocktail of vulgarity, farcicality, and switchblade-sharp wordplay, the show was a mild cult hit for the then-fledging cable channel (as well as its first original live-action program), running for three brief seasons and eventually launching the career of Stephen Colbert (The Colbert Report). Unceremoniously cancelled in 2000 just as it was hitting its ludicrous stride, Strangers with Candy seemed destined to become another footnote in television history, consigned to the same overlooked fate as Chris Elliot's Get a Life and Fox's recently canned Arrested Development. Until, that is, Sedaris and co-creators Colbert and Paul Dinello somehow convinced David Letterman's Worldwide Pants Inc. to produce a feature-length version of the disregarded pseudo-sitcom, which now arrives in theaters like a giant middle finger to every inspirational Hollywood melodrama that tries to argue that people can transform themselves for the better, hard work is rewarded, and heroin is bad.
Unfortunately, however, the cinematic Strangers with Candy - directed by Dinello, who also reprises his role as idiotic, effeminate art teacher Geoffrey Jellineck - only maintains its antagonistic inappropriateness long enough to fill out its first 45 minutes; after that, the tank runs pretty dry and the proceedings become akin to a mediocre TV episode in which plot, rather than scatological silliness, is the main focus. Its story is a prequel of sorts to the Comedy Central series. The film kicks off with a credit montage of Jerri's hilarious exploits in prison (murdering a fellow inmate, enjoying a shower with a naked female) before following her home, where she discovers her dad (Dan Hedaya) is in a coma, mom is dead and replaced by hateful stepmonster Sara (Deborah Rush), and she now has a loathsome jock half-brother named Derrick (Joseph Cross). When the family physician (played by Ian Holm!) suggests that Jerri might cure her father by trying to undo the past thirty-two years-worth of depraved behavior, she decides to enroll at Flatpoint High, where she finds herself both tussling with barely-in-the-closet science teacher Chuck Noblet (Colbert) and blissfully moronic principal Blackman (Gregory Holliman), and hanging out with friends Megawatti Sukharnabhoutri (Carlo Alban) and Iris Puffybush (Dolores Duffy).
Continue reading: Strangers With Candy Review
Continue reading: In & Out Review
Picking up three years after American Pie 2, we find pastry-loving Jim (Jason Biggs) and band-camper Michelle (Alyson Hannigan) graduating from college and still in love. A wedding is deemed in order, which brings back Jim's pals Kevin (Thomas Ian Nicholas), Finch (Eddie Kaye Thomas), and Stifler (Seann William Scott) to plan the blessed event. Of course, any married man knows that no wedding in history has ever been organized by three hapless guys, and when the crew drives three hours to Chicago to buy Michelle a wedding dress (huh!?) you know we're in for an old-fashioned round of Spot the Plot Device.
Continue reading: American Wedding Review
The people behind the "American Pie" franchise seem to be genuinely under the impression that in the course of two gross-out movies audiences looking for lowbrow laughs have actually come to care for the series' one-dimensional characters.
Despite the fact that these comedies have been built almost entirely around boorish body fluid jokes and a very few bawdy gems ("This one time, at band camp..."), in "American Wedding" director Jesse Dylan jumps so impetuously from dog-doo-mistaken-for-chocolate gags to trite tender-moment montage sequences to sex scenes involving invalid grandmothers that none of it -- the jokes or the sentiment -- comes across with any conviction.
The plot of this third "Pie" movie revolves around the Murphy's-Law-plagued pre-nuptials of nervous nerd Jim (Jason Biggs) -- whose pastry-inclined self-gratification gave the first movie its title -- and flaky, sweet, secretly kinky geek Michelle (Alyson Hannigan), who fell in love with each other's sexual deviancies in "American Pie 2."
Continue reading: American Wedding Review
Terrell Tompkins and his team of officers are corrupt, finding ways to embellish their wage has turned into a habit that's about to land them in a...
'Doctor Who' fans have been left salivating at the possibility of Peter Jackson directing an episode, thanks to a video featuring The Timelord...
Photographer Kevin Wells came to the rescue with his Ford Focus after the rappers were left stranded thanks to a taxi mix-up.
Badu used her opening monologue at Sunday night’s awards to tell Azalea, “what you doin' is definitely not rap.”