Deborah Harry

Deborah Harry

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100th anniversary of Emblem La Panthere De Cartier

Deborah Harry - Snaps of a variety of stars as they arrived at the Maison Cartier 100th anniversary celebration of their Emblem La Panthere De Cartier! The event was held at the Skylight Clarkson Studios in Brooklyn, New York, United States - Wednesday 12th November 2014

Deborah Harry

Harper's Bazaar Women of the Year Awards 2014

Deborah Harry - A variety of female stars attended the American fashion magazine 'Harper's Bazaar' Women of the Year Awards 2014 which was held at at Claridge's Hotel in Brook Street, London, W1K 4HR - London, United Kingdom - Tuesday 4th November 2014

Deborah Harry and Chris Stein

Harper's Bazaar Women of the Year Awards

Chris Stein and Deborah Harry - Harper's Bazaar Women of the Year Awards - Arrivals - London, United Kingdom - Tuesday 4th November 2014

Chris Stein and Deborah Harry

Glastonbury Festival 2014 - Performances - Day 2

Deborah Harry and Blondie - Glastonbury Festival 2014 - Performances - Day 2 - Blondie - Glastonbury, United Kingdom - Friday 27th June 2014

Deborah Harry and Blondie

American Museum Of Natural Historys Museum Gala

Deborah Harry - Florence +The Machine Performs at American Museum of Natural Historys 2013 - NYC, New York, United States - Friday 22nd November 2013

Deborah Harry
Deborah Harry
Deborah Harry
Deborah Harry

Video - Oprah And Debbie Harry Among 'The Butler' Premiere Arrivals - Part 7


Talk show host Oprah Winfrey and her partner Steadman Graham were spotted arriving at the New York premiere for 'The Butler'. Oprah, who was wearing a sparkling pink sequined dress with her hair frizzed up with life, starred as the titular character's wife Gloria Gaines in the movie.

Continue: Video - Oprah And Debbie Harry Among 'The Butler' Premiere Arrivals - Part 7

Elegy Review


Weak
Not every book is meant to be adapted into a movie. Come to think of it, not every author is meant for celluloid success. Philip Roth has won pretty much every major book prize, save for the Nobel, and he's overdue for that. His books masterfully examine the fragile side of the middle-aged male ego, and how sex and family and desire eat away at men's souls. With Updike, Mailer, and Bellow gone, Roth is the messiah of American literature.

There's just one problem: Books like his make crappy movies. Roth said as much to GQ's Andrew Corsello, adding that he hasn't been pleased with any of the adaptations, especially The Human Stain. Roth's take: "Awful! And the same people have American Pastoral."

Continue reading: Elegy Review

Downtown 81 Review


Weak
Read this and see if you can tell me what it means:

Continue reading: Downtown 81 Review

Roadie Review


Weak
This strange collaboration of Zalman King, Alan Rudolph, and Meat Loaf stands as one of cinema's big, cult oddities -- giving us the Loaf as a Texas beer trucker (hauling Shiner, by the way) who becomes a roadie in order to impress a groupie he encounters. Never mind that she's 16 years old. Te film approximates a road trip en route to an Alice Cooper show, but the plot is safely skippable. If only there were more musical bits (check the cast list!) -- and the lead actors didn't jabber constantly over them.

My Life Without Me Review


Grim
Focusing an entire dramatic film on death can be tricky. Death drives an enormous range of emotions, from fear to sadness, to curiosity; yet, most movies treat death with overwrought nobility, excessive weepiness, or yikes, both (see: Pay It Forward). Spanish director Isabel Coixet's first English-language feature suffers from the first sin, treating a young women's impending death with a stagy aloofness that cheats the film of more complex emotions.

The unfortunate woman is 24-year-old Ann (the always appealing Sarah Polley), a struggling wife and mother who learns that a raging cancer will kill her in just a few months. Ann's initial response is to hide the news from her mother (Deborah Harry); very matter-of-factly, she continues to follow that M.O. by telling no one, including her husband Don (Scott Speedman, grinning way too much).

Continue reading: My Life Without Me Review

Spun Review


Weak

An entertaining but hideous romp on the circus side of crystal meth addiction, "Spun" wants to be another "Trainspotting" and/or "Requiem for a Dream." Inundated with trip-cam trickery that keeps the audience riding the ups and downs of the main character's drug buzzes, the film is nothing if not stylish, but falls short for lack of depth.

Music video guru and first-time feature director Jonas Akerlund makes liberal use of the disorienting, grainy, washed-out look of bleach-bypass photography. When Ross -- a downward-spiraling college dropout (played by Jason Schwartzman of "Rushmore" fame) on the leading edge of addiction but still clinging to his letter-jacket memories -- takes a hit of speed, the movie's tempo is fed a brief burst of shaky acceleration. A rapid montage of sensory-assault, nervous-tension images dance across the screen, sometimes in the form of cinematic hyper-awareness (e.g., fish-eye lens ultra-close-ups of chapped lips, bloodshot eyes and nervous-ticking fingers), sometimes in the form of animated, soddenly pornographic hallucinations.

The world of "Spun" is an acutely realized day-lit underground of ghetto shacks and combustible meth labs in cheap, airless hotel rooms (greatly enhanced by a hip-trippy score from the Smashing Pumpkin's Billy Corgan) in which all the characters seem acquiescently ensnared.

Continue reading: Spun Review

Deborah Harry

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