Debbie Harry of Blondie seen holding her award in The 2016 StubHub Q Awards press room. Blondie won the 2016 Q Outstanding Contribution To Music award - London, United Kingdom - Thursday 3rd November 2016
Deborah Harry & Chris Stein - A variety of female stars attended the American fashion magazine 'Harper's Bazaar' Women of the Year Awards 2014 which was held at at Claridge's Hotel in Brook Street, London, W1K 4HR - London, United Kingdom - Tuesday 4th November 2014
Talk show host Oprah Winfrey and her partner Steadman Graham were spotted arriving at the New York premiere for 'The Butler'. Oprah, who was wearing a sparkling pink sequined dress with her hair frizzed up with life, starred as the titular character's wife Gloria Gaines in the movie.
There's just one problem: Books like his make crappy movies. Roth said as much to GQ's Andrew Corsello, adding that he hasn't been pleased with any of the adaptations, especially The Human Stain. Roth's take: "Awful! And the same people have American Pastoral."
Continue reading: Elegy Review
Deborah Harry and Alexander - Deborah Harry with Paul Alexander, Nashom Wooden, JoJo Americo of The Ones New York City, USA - on the set of their new video When We Get Together in which Harry has a cameo Saturday 19th January 2008
The unfortunate woman is 24-year-old Ann (the always appealing Sarah Polley), a struggling wife and mother who learns that a raging cancer will kill her in just a few months. Ann's initial response is to hide the news from her mother (Deborah Harry); very matter-of-factly, she continues to follow that M.O. by telling no one, including her husband Don (Scott Speedman, grinning way too much).
Continue reading: My Life Without Me Review
An entertaining but hideous romp on the circus side of crystal meth addiction, "Spun" wants to be another "Trainspotting" and/or "Requiem for a Dream." Inundated with trip-cam trickery that keeps the audience riding the ups and downs of the main character's drug buzzes, the film is nothing if not stylish, but falls short for lack of depth.
Music video guru and first-time feature director Jonas Akerlund makes liberal use of the disorienting, grainy, washed-out look of bleach-bypass photography. When Ross -- a downward-spiraling college dropout (played by Jason Schwartzman of "Rushmore" fame) on the leading edge of addiction but still clinging to his letter-jacket memories -- takes a hit of speed, the movie's tempo is fed a brief burst of shaky acceleration. A rapid montage of sensory-assault, nervous-tension images dance across the screen, sometimes in the form of cinematic hyper-awareness (e.g., fish-eye lens ultra-close-ups of chapped lips, bloodshot eyes and nervous-ticking fingers), sometimes in the form of animated, soddenly pornographic hallucinations.
The world of "Spun" is an acutely realized day-lit underground of ghetto shacks and combustible meth labs in cheap, airless hotel rooms (greatly enhanced by a hip-trippy score from the Smashing Pumpkin's Billy Corgan) in which all the characters seem acquiescently ensnared.
Continue reading: Spun Review
Focusing an entire dramatic film on death can be tricky. Death drives an enormous range...