In a small Iowa farming community, Sheriff David (Olyphant) and his pregnant wife Dr Judy (Mitchell) are perplexed by the odd behaviour of the townsfolk, who begin losing their minds and acting out violently against each other. Then David and his deputy (Anderson) discover a mysterious crashed plane nearby, followed by an invasion of government containment officials who round up the residents and separate them into groups of infected and healthy. But something's still not right, and the craziness only escalates.
Continue reading: The Crazies Review
After getting dumped by her stiff-collared fiancé, efficient New York securities trader Joy McNally (Diaz) gets talked into a trip to Sin City by her best friend, slutty bartender Tipper (Lake Bell). A mix up at the front desk finds recently fired NYC furniture builder Jack Fuller (Kutcher) and his shyster slacker pal Hater (Rob Corddry) sharing the same room. A night of drunken debauchery finds Joy and Jack married. As they discuss divorce, the random pull of a slot machine sees the pair win $3 million. Taking the matter to court, a defiant judge (Dennis Miller) orders the pair to actually live as husband and wife for six months. If they survive, they'll split the money. But if one fails, it's an unexpected windfall for the other.
Continue reading: What Happens In Vegas... Review
I suspect that most of this disregard is due to the fact that more often than not Reynolds' films are burdened with clunky and sentimental scripts. Films like Rapa Nui and Robin Hood: Prince of Thieves were gorgeously shot and produced but weighed down by melodrama and hobbled by sentimentality. And then there was the whole Waterworld debacle from which it seems Reynolds has never really recovered. The Count of Monte Cristo was a start, but this is the film that should bring Reynolds back to the table. (I happen to think Waterworld is fantastically accomplished and enormously entertaining but don't tell anyone I said that.)
Continue reading: Tristan & Isolde Review
With a heavy sigh of relief I'm happy to report that Demme's done right by the original. Demme takes the best of the 1962 movie, updates it appropriately for the corporate power-trip of the 2000s, and puts some spin into the plot, so even if you watched the original on DVD last week, you still won't be able to guess how this one will end.
Continue reading: The Manchurian Candidate (2004) Review
"My life is nothing but highlights," confesses Mike Jennings (Affleck), a genius computer hacker who trades big cash for small chunks of his own memory. Jennings gets rich by dissecting massive programs and passing the goods onto rival companies - at which point, all recent activity is erased from his brain.
Continue reading: Paycheck Review
If you chose the latter, you'll definitely want to arrive on time to see Tomb Raider sequel Lara Croft Tomb Raider: The Cradle of Life, for the first twenty minutes are packed with plenty to gawk at. There's Jolie -- er, Croft -- riding in on a jet ski wearing a black sports bra and soaking wet shorts. There's Croft climbing aboard a ship as seductively as possible while two deckhands watch greedily. There's Croft appearing on deck in the all-too-critical bodysuit, ready to dive into the water and fight a shark one-on-one. And there's even Croft doing some unnecessary splits in mid-air as she rolls her way toward the mysterious "orb" -- an object that soon becomes the focus of the movie due to the fact that it holds the map to the legendary Pandora's box.
Continue reading: Lara Croft Tomb Raider: The Cradle Of Life Review
The actor had an important goal after Paul Walker's death.
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Kevin Reynolds is one of Hollywood's most unjustly maligned filmmakers. I'm frequently astounded by the...
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