The dialogue is fantastic, with Eastwood utterly believable in his testifying to the evils of whisky, and Hackman totally at ease with saying he "et it." Richard Harris's English Bob is an unforgettable pansy of a villain, and the widescreen cinematography is lush during the day, ominous during the invariably rainy nights.
Continue reading: Unforgiven Review
Maybe if he was in Lynch's territory it would have turned out better. Anderson, director of Mortal Kombat and Event Horizon, set his sights on making his "sci-fi masterpiece" with a human element this time by setting himself down to work on a good premise movie, and ended up screwing that up, which you'd figure would be easy. If he'd made it out of studio, tried the independent road, the film might just have turned out quasi-semi-decent, instead of ye load of crap which we see before us now. But he decided to stay with the high paycheck security of a movie that relies on being blind and not noticing the plot holes that are large enough to walk through.
Continue reading: Soldier Review
The Vault lets loose its first unreleased material.
Here's what he thinks about the veteran filmmaker.
Ocean's two albums, ‘Blonde’ and ‘Endless’, both missed the Grammy deadline.